Restingmotion

  • Current Project Update

    I spent a little time yesterday getting my active knitting projects in order.  Yes, projects.  I currently have four active projects, although only 3 of them are on the needles at this moment.  

     

    In some ways this seems strange, and perhaps a little stressful, as I am entering a couple of very busy months and I feel like I am behind on absolutely everything.  On the other hand, the four projects are on four very different needle sizes, and none of them are particularly complex patterns, so I have four options for daily stress relief, depending on my state of mind and the flexibility of my hands at any given moment.

     

    Why don't we take a look at what is going on?

     

    SimpleSock

    First up, a pair of socks.   I started these immediately after finishing the Shawlography shawl and are being knit with the leftover yarn from that project.    I had a rough plan for striping and how to use the yarn in my head and I made great progress in the beginning, finishing the leg, and knitting the heel, only to loose interest and motivation.  Ultimately I admitted that I did not like my initial striping pattern and I decided to rip out the sock and begin again, ripping to the point just past the last dark purple stripe you see in the above photo.

    Sock2

    I like the new striping sequence better, and I am ready to knit the short-row heel, but the last few evenings I have been quite tired.  Other projects have taken precedence.

     

    New Orleans

    I have also started a summer cardigan.  This project is being knit using two strands of a sport weight tweedy yarn from Lana Grossa, About Berlin Spotty, and a strand of the thread-weight Diamante.  I am knitting using size 10 needles and am getting a light fabric that is coming in at just under 4 stitches per inch.   The pattern and the yarn are both from L'Atelier in Redondo Beach, California.

    NewOrleans2

    I am not far on this yet, only about 5 inches into the back, but you can see the fabric and the pattern above.

     

    The other two projects are long-term projects that I do not think I will finish before the end of the year.

    Alpaaca Cabin Block4

    First up is the Alpaca blanket, on which I have made no progress since I last posted about it in February.  This is the same photo I posted at that time.  I probably will not pick it up until I finish at least one of the above two garment projects, and it may wait until late May or June, when life will hopefully be a little less hectic.  Each time I pick it up I intend to finish another modular block, and as the blanket is already 3' x 3' those squares will increase in size, and require an ever larger investment in time.  Leaving this on the needles for long periods is not an option however, so it will serve more as a transitional project between other pieces.

    Temperature

    I also became intrigued by the idea of a temperature blanket and so I began yet another blanket project.  Blankets remain on my mind.   This one was inspired by posts over at Modern Daily Knitting, and following their lead I am knitting my blanket in Rowan's Felted Tweed using Kaffe Fassett's Garter Stripe Shawl Pattern, using one garter stripe for the high temperature for each day of the year in 2022. 

     

    Please note that I did not start knitting this until March 1, and although I was eagerly knitting it for almost a week, I then put it aside until a day or two ago. I started off behind and I am still behind.  What you see in the photo is only the first half of January.  I do think I will be mostly caught up by sometime in May, at. which point I may be able to progress by knitting one ridge per day, with the exception of post-travel catch up here and there.  Blanket projects are basically too big to be traveling projects.

     

    Truthfully I dithered with the blanket idea and it took me until the end of February to figure out my plan and acquire the Felted Tweed.  I am not worried about the yarn acquisition.  I have fallen in love with this yarn and have several projects I want to knit with it, especially some color work projects for the house.  One of my goals for this year was to accumulate a small collection of Felted Tweed consisting of at least single balls in every color, which I could add to as new colors became available.  In the end I will probably do something similar with a fingering weight yarn as well — creating my own palettes, always available when the urge to play strikes.

     

     

     

  • Here and There; Everywhere and Nowhere; Does it Matter?

    I was at Big Ears this past weekend.  I am home. Technically I suppose I was always home as Big Ears takes place in Knoxville.  And yet the festival offers an opportunity to check out of the routine of normal life and to step into something different, perhaps unknown, definitely unexpected.  I suppose that is one of the things I love about this experience.  I am not convinced that I am the best judge of what is new, or "avant-garde" or even good, but what I love about this festival is the opportunity to step through the looking glass in a way, to just go, to listen, perhaps to be surprised by joy, to let your world be filled with something perhaps unexpected.

     

    Anyway, I wasn't really planning on writing about Big Ears in this post. I may do so in some future post.  I am still processing everything in my head and heart.  I've written about my experiences at Big Ears following every festival, and it seems to almost foreign to admit that I may or may not do so.  And yet, look at my record this year. There has been much I intended to say that I have not.  Despite that, I find myself oddly content.

     

    Life is not about the writing, after all.  To make one's mark, to write, to post to social media, the attempt to claim one's presence and worth — this is all too human, this striving.  But life is lived with or without public acknowledgement.  One has walked x number of miles whether or not one has worn a smart watch and recorded the same.  This year, despite multiple, broadly expansive to-do lists, I have mostly not done, and have been content, happy even.  I can say that honestly even though in some ways it has not been the best year, certainly not the year I was hoping for.  

     

    But happiness, and whether or not life is good, actually has nothing to do with the things that happen all around one.  It is an internal thing, perhaps a state of acceptance.  Many good things have come this year.  There has been time with family and friends, although perhaps not as much time with family as I might have hoped.  I have traveled, and read, and played with textiles.  I have been lost in thought slowly drinking a cup of coffee or tea.  Mostly I have been in the moment, even when those moments were in the hospital because my heart went back into flutter, and the one thing I did not want — more time in hospitals — came to pass despite my protestations.  I am ok now.  I remain content even though I have been trying for a week to open my new bottle of eye drops and failing with every attempt.  I am happy even though I am behind on more things than I can count.  I am happy and healthy, at least in so far as any almost-64-year-old can claim to be. I can choose to be happy, to celebrate the good that has come, or I can hold onto bitterness over that which has not come.  I think I choose the former. 

     

    I may yet write about music and the discoveries of Big Ears.  I may yet write about that trip to the literary festival back in January.  I may not.  I may do less, but I hope to enjoy it more: to savor a properly made coffee Americano: to exist in the moment of idle chatter with a friend;  to spend hours ripping and re-knitting without regret or recrimination, to stay up in the wee hours listening to music, or reading a bodice-ripper.  I know I will write, here even.  I have not given up on seeing myself as a person who maintains this blog, I merely accept that the path is full of curves and I do not yet know, or even need to know, the destination.

     

    At the moment all I have are questions and vague thoughts.  I am not certain that anything about our sense of timelines and obligation has much to do with the ebb and flow of life, but that it is rather something we impose on ourselves and each other.  I wonder if a good life is not so much about what one has accomplished but rather about those fleeting moments of just being present. I wonder if perhaps I like music more than I like people.  Music never breaks one's heart.  Only people do that.  Music never disappoints; mostly our disappointments are caused by our own self-imposed expectations.  And yet a life lived without the risk of a broken heart is a life not lived at all.  And how can there be music, or art, or even joy and love without pain and heartbreak? What makes a good life is not all the things that have been made and done, it is in the breaking and rejoining, in the birth and death and yes, rebirth.

     

    It is not that I love music, or art, more than people.  I love.  We are a communal species. And yet that power of creation comes from the inward breath. The power of happiness exists only within us, it is not a gift that is given to us depending on circumstances, it is a gift we give the world despite circumstances. 

  • Another Monthly Update

    Once again, time rolls around and it has been a month since my last post.  Let me not delve into all that happened in that month; it was not all good, although some was, and it is now past.  Instead we look forward. 

     

    But first, before all progress, we must celebrate a finished object.

    Shawlography

    Presenting Shawlography.  Here draped on my great, great, grandmother's spinning wheel, where it still resides.  I decided this is an attractive storage place, and easy enough to grab when I am heading out the door.

     

    Admittedly I alternated between loving and hating this project.  I had serious doubts about both my color choices and their placement in the shawl.  I love the colors, but it is difficult to choose colors when one is ignorant of the final result.  Granted I could have used one of Stephen West's collated collections, and perhaps I should have.  But it worked out and I love the final shawl.

     

    I worried about the striped border.  I was afraid that it could either pull the entire thing together or it could make it look like something that walked out of a circus act.  Happily I think it leans more toward the former.  I thoroughly enjoyed knitting the shawl, it made me think about combining stitches in new ways, and was fun to knit.  I like the result and will wear it.  I do not need to knit another.

     

    There are some minor changes to the band.  I used only four colors instead of five.  I also made an error in the stripe band in that I initially neglected to decrease at the outer edge, so from the beginning my band gets gradually wider, then levels out into a wider band than specified.  By the time I figured out what I had done, I decided I would not rip, and I actually like the way the shawl looks.  My error looks like an intentional design feature. 

     

    My yardage usage was as follows:

    Mominoki Finnwool, l Kerry:  400 meters

    Mominoki Sock Yarn Fine, Coral:  388.8 meters

    Mominoki Finnwool, Cassis:  356 meters

    Mominoki Finnwool, Nasu (purple): 344 meters

    Mominoki Finnwool, Copper: 192 meters.

     

    The remaining yarns are already being used in another project, but I will update you on all of that in the near future.

     

     

     

  • Minor Burps Perhaps, But Still Here.

    The world has not stopped, although at any given moment parts of it seem traumatized by events somewhere or another.  I have not stopped venturing into the sewing studio either, even though at the moment there is not a great deal to show for my time or efforts.  The studio is actually my sanctuary, a place where care, fear, and stress disappear. It is not that I have quite overcome the many-directional pulls of distraction, but in the end, it is not distraction that grounds us or provides meaning in life.

    Studio3

    I did manage to get almost all the fabric unpacked, put on shelves, and catalogued.  This is the first time in many years that everything is easily visible.   I have to admit to being only "almost" unpacked because after going through all this, I found three banker's boxes of fabric in the basement, boxes which were never supposed to be in the basement in the first place.  Alas there is no space on the shelves to unpack them so they remain in fabric purgatory, out of sight and out of mind until I at least sew something and clear some space.

    Studio1

    There were other aspects of sorting and cleaning up going on — beginning steps of creating a system, although no system is finished until it holds up to actual work.  There is always a disconnect between the imaginary world of design and the real world. I am certain that any attempts at organization will go through upheavals and revisions, but for the first time really, I am beginning to see and feel a place, a haven really, to come into and let the work itself take center stage.

    Studio2

    It feels good to be in the studio.  The pressing table has seen more use as a photography station than for pressing of late.  I expect it will continue to do double duty, at least until the yarn has been sorted and catalogued.  At least the yarn has at least been corralled into a single space and I have catalogued and sorted enough for any short-term projects.  I admit, it felt good to be taking photos, to put my hands on every piece of fabric, to satisfy my organizational demons.  Conflicting emotions arose, every piece feeding both creative instincts and angst over the too-muchness of it all. The best I can do is admit that there was a period when George was ill and I was not sewing, a time when I consoled myself by buying fabric.  I cannot say it was cheaper than therapy, I can say that what you see on the walls serves as my retirement fund, my wall of dreams, and a place of great calm.  There is no point in fretting over the choices of the past, only in accepting that we each do the best we can.  Whatever choices we make or fail to make, they are intimately woven into the fabric of who we are.

    Mending

    There has been a little mending here and there and more than a few alterations.  Mostly no photographs were taken of same, and that is OK.  I have attempted some embroidery as well, although for the most part my fingers are out of practice and not quite as adept as once they were, partially due simply to inactivity, partly due to repercussions following last year's chemo-induced neuropathy.  I will move forward, regrets cast aside. Hopefully skills will improve. There is no point in life in dwelling on what I once could do, even as I realize that I should have celebrated more and fretted less. 

    Appletons

    I did buy a shade card set for Appleton wools, necessary for a crewel-embroidery project that is mostly still in the planning stages.  Shown here on a piece of wool boucle that had been washed and partially felted.  If anything I love the colors more after felting than in their original state.  I was all gung-ho with excitement when I conceived of this project, but tiredness, arrhythmias, and life slowed me down, and it got put aside for a few weeks.  Not to be concerned, there are several projects on my cutting table now and I want to work on all of them.  Something will come of it all, even if that something is not quite what was initially envisioned. 

     

    This is the year for play after all.  It is not the results that are important but the process of exploration, of doing, of experimentation.  Who knows where it will all lead, and ultimately it is not really important if it leads anywhere at all. 

     

  • Settling In, Again.

    This was not intentional, this precipitous dive off the blogging map.  It just happened.  One day I was filled with ideas and the next those ideas had taken a sharp left turn.  All good, in many ways.  What actually happened is that I needed to settle in.

     

    It has been roughly two years since I moved back into this house and the construction was finished.  They were not, personally my favorite two years, but the house was done and I was safely ensconced.  The basic tools and artifacts of living were unpacked, but large parts of the studio remained boxed up and chaotic.  This year I have given myself permission to play, to discover, to experiment, and, if that is what I wish, to simply sit in a pile of fiber and dream.  There are no goals. There is but one rule: follow your heart. Do something, anything, without fear, without worry, without expectation.

    Studio3

    Part of that process has involved a return to unpacking.  All the boxes of fabric have been unpacked, sorted, photographed, cataloged and put on the shelves.  I am now going through the same process with yarns and embroidery/needlework materials, although there is not quite as much a rush on that front. Even this one step has given me access, ideas, and the desire to hide out in my bright space and play.

     

    At the same time I sent all the large rugs in the house out to be cleaned.  The house has been colder without the insulation value of the rugs, so I spent some time working on my alpaca blanket.  The visual change also prompted a reevaluation of furniture layouts and how I am using the house, so there has been some moving of furniture, both upstairs and down.  

    Entry1

    The small side tables that were upstairs were not working next to the library sofa, so they got moved to the front hall, where I felt something more was needed.  I didn't know what until I happened to place those tables beside the front door.  The small bowl shown has moved, and I found two green glass vases which I can fill with flowers.  Now my entry is beginning to bring joy.

    Library1

    But you know how it is, move one thing, and then suddenly the entire room needs to be transformed.  After moving the tables, I decided that the armchair in the library needed to be swapped with the reclining chair that had been in the master bedroom, where it was neglected.  It works much better in the library, and gives the room a more modern vibe.  There are no plans to get a side table for that spot at the moment, other than the little bubu 1er stool that is currently there.  I have ordered a reading lamp, but it is backordered for a couple of months.

    Library2

    Going with the modern vibe, the two glass Eileen Gray side tables, which were not working in their previous locations, were moved up to the library to flank the sofa.  Then the lights, which were the first lamps I ever purchased, shortly after I moved in with George, about forty years ago now, did not work with the new tables.  Well, technically they didn't work before the tables were swapped either.    So. I bought new lamps that had better-directed task lighting if I wish to read or knit.   Above you see both lamps, the new and the old.

    Library3

    I really like this new arrangement.  The lights and the tables disappear somewhat against the wall of books, yet they are both attractive and functional.  I almost want to have people over for drinks in the library. Except that is not why it was rearranged.  A home is about what works for the life of the people who live there, not about what it says to others.  For me, a certain amount of visual harmony is paramount.  It must work but it must also bring me aesthetic pleasure.  Now I have a library/office/television room that does all that.  It will bring even more joy when the rug returns and my ankles aren't always cold.

     

     

  • Whatever Else is Going On, Knitting Will Happen

    What can I say?  It's been a month.   That statement is intentional in all its potential interpretations. 

     

    It has been a month of pulling myself together, of putting to rights, of overwhelm, and ultimately of acceptance.  2022 has opened with a growing acceptance that my diverse interests are not, in fact, in competition for my time, but that each and every amorphous idea and unfinished yet ongoing piece, is in fact a thread in a more complex cloth, the fabric that makes up a person. Me.  

     

    There has been much activity around finally unpacking, around sorting and cataloging.  These are seemingly mundane, perhaps even obsessive qualities, and yet they are necessary.  I need to find materials.  I need to know what I have, to be inspired.  For all the exhaustion unpacking entails, it also feeds an imaginary world filled with ideas.

     

    Although my imagination has remained fertile, my body has often been overwhelmed by fatigue.  Actual knitting therefore tended toward the repose of simple repetition.   Another block on a garter stitch blanket perhaps?  Yes. 

    Alpaaca Cabin Block4

    I finished stage three of the Stephen West MKAL shawl about a week after my last post.  At the same time I felt plagued by trepidation concerning the next stage.  I feared the border could either pull the shawl together or send it off into clownish carnival-land. I felt too sapped of strength to carry on.   Enter deep purple alpaca.  The blanket is now about three feet square.  It is actually a nice lap robe size, and it has warmed my legs on cool evenings. 

    ShawlStripeBorder

    Blanket knitting also allowed time for my misgivings concerning the shawl border to subside.   With thought, and some quick sampling, it seemed that four colors, rather than five, would work.  I am now knitting the border and loving every moment of it.

     

    Do we note the similarities in colors between these two projects?  Do we wonder why I get myself so worked up about the worthiness of my own choices?  I am surrounded with them, with myself then, every day.  You would think I would have learned by now what works.  And yet refinement is an ongoing thing, not a competition, not a need to do less, but a process of allowing more ideas in and then those ideas battle it out between themselves to see what works in this moment.  Obviously this is a purple, green and pink moment.

  • A Return to Knitting

    I'm about to settle in for an evening of knitting and write up a quick update. 

     

    Shawlography1

     

    Above are my two current knitting projects curled up next to me.  At the top of the photo, the blue and deep purple section, is the alpaca blanket that will be a long-term project.  I have been working primarily on that this week, mostly because I have been tired in the evenings, too tired to pick up the Westknits shawl, too tired to work on brioche, where the potenitial for an absent-minded mistake is just too high.

     

    Tonight however, I am working on the shawl.  I hope to finish the brioche section.  I am only three rows shy of doing that, and I am excited.

     

    This section has actually been a long ordeal of a knit.  I took it with me to Tucson over Christmas, thinking I would knit it in my hotel in the evenings or early mornings.   I knew it would not be a good knit for the craziness of family gatherings.  But what I actually spent most of the week in Tucson doing was learning how to fix errors in brioche.  That is not an easy process.    After a week of effort and the occasional knitting of a row only to rip and discover even more errors, I actually began to get the hang of picking up and repairing mis-knit stitches in this complicated pattern.  In the process I learned to appreciate the stitch even more, even if figuring it out felt like standing on my head.  

     

    But then, when I finally started knitting again, on the fifth and final repeat, I had learned so much that, when I looked at my knitting, I saw all the places I had gone wrong, all the way back to the first row of brioche.  I contemplated the situation and realized that there were so many errors that it would actually take me far longer to fix them than just to rip the whole section and begin again.  So I ripped and flew back to Knoxville with less done on the shawl than when I began.    Even though I made no actual progress, I felt that I had made great leaps in knitting knowledge.

     

    Those leaps weren't enough to make me want to pick the project up again however.  I was home a week before I flew out again, this time to Key West, Florida.  I did not even look at the shawl during that period.  But I did pack it in my suitcase.  And I did actually knit most of the brioche section while I was in Florida, sitting happily on my shady balcony in the afternoons, or indoors if I was fleeing from the heat.  Knitting time contributed to my enjoyment of the trip.  I had one row I had to partially rip, but otherwise, this time around all went smoothly.  When I left Key West there were three rows remaining in the brioche section.

     

    Notice that nothing has changed since I returned, 5 days ago.  The first couple of days back I was too tired for anything but mindless knitting, and I was definitely not up for the intricacies of brioche repair.  There is a reason it is good to have a mindless project on the needles while working on something more complicated.

    Shawlography2

    Tonight, I shall finish this section. Or at least that is my hope.  I will finish it this weekend. Here is another photo.  I was hoping for greater detail, but my focus is a little fuzzy.  As long as the knitting is not fuzzy all is good. 

  • Vacation

     

    KeyWest4

    At times, over the past 23 months it seems that all I wanted was to get away, to go someplace, any place.  Why was it then, when a long-scheduled vacation finally loomed, I had decidedly mixed feelings?

    KeyWest8

    Anyway, I went.  I had a great time.  It was not always smooth, but then, what in life is?  I admit that as much of my trepidation about traveling, about traveling alone, was that in the past, the world of 24 months ago, I was finding that I did not really relish solo travel all that much.  But perhaps I just needed to slough something off, something that I might not have sloughed off otherwise.  Perhaps I needed to realize that I am only as alone as I chose to be, and that solo travel does not imply loneliness.

    KeyWest3

    I can admit that my initial reaction to Key West was mixed.  I arrived near dusk.  I ventured out to the seaport and along Duval Street and I was struggling with crowds and noise.  This was in sharp opposition to my reaction to airports and travel itself.  Why was it that Duval Street made me pull inward, whereas I can drift through a crowded airport as if in a bubble?

     

    Something I noticed before, before I stopped traveling, is that I find the travel itself quite calming.   I am perhaps neurotically organized.  I am always packed and ready at least a day before.  I can feel at loose ends waiting.  But at the same time this helps with my feelings of calmness.  I've been stranded in airports due to cancelled planes and I tend to be calm and bemused.  There is something about going to an airport, about planning travel, that allows me to just let go of the idea that I have any say in controlling events in the world,  that allows me to make myself into an island of calm.  Home may be my kingdom, and I want control.  In the world, it is easier to slough all that off.  This seems like phenomenal growth.  Would that I could maintain it in my daily life.

    KeyWest9

    When I arrive however, that bubble seems to burst; perhaps it is just the yearning that takes over, the idea of vacation, the idea of escape, of adventure, of fulfillment.  That first evening in an unfamiliar place, I was nervous in crowds but also nervous on a street that felt too quiet in contrast.  Of course this stems from years of training, compounded by now years of isolation and this crazy- making hyperbolic world we live in, a world that sometimes seems determined to feed on fear, on making us fear one another.  That first night on Duval Street was like the meeting of two opposing seas, leaving me in emotional turmoil.  I had left the safety of home, but hadn't yet found my vacation self.  I felt like Dorothy landing in Oz.  I think there is always that moment of transition, a moment when pent up expectation spills over; how we experience it may vary, but it too is part of the beauty of vacation.

    Shrimp Bisque

    I found a happy corner to settle down in.  I had soup, and shrimp, and a vantage point for people watching.  That airport calm descended once again.  I walked back to my hotel in the cooler night air.  I wasn't yet sure what I thought of this place; at first it seemed too casual, too loud, too "tourista".  But that was mostly me,  my own unsettledness. It takes me a little while to shift gears sometimes, even shifting into gears that have been getting more frequent use as I grow older.

    KeyWest10

    The second morning I found a great breakfast and coffee spot, a place I stopped most mornings.  I wandered around old town.  I admired the neighborhoods, the bars, the stores, the music, the artists.  I loved the fact that chickens, and especially roosters, wandered around everywhere.  This seemed a metaphor for something, perhaps just the idea of not rushing.  I watched a gecko while I drank a cup of strong Cuban coffee. I hadn't put words to that something at that point; I am not sure I have yet.  But I too began to unwind, to enjoy this place, the ambiance, the casual vibe.  I began to let go of my own expectations.

    KeyWest1

    That did not come as easily as it sounds writing the words.  It is so easy to write, "I let go". But nothing is really that simple, is it?  I found my joys and my disappointments came in waves, but overall the good quickly outnumbered the bad, and mostly came when least expected, lost in a moment, often of mundanity.

    KeyWest11

    I retreated during the heat of the day to my shady porch, or perhaps to the big window with the easy chair and my knitting.  I am still not a creature of the hotter climes.  I love the angled sunshine of winter light.  I burn in the hotter sun, get sun poisoning and headaches, but that doesn't mean I don't love the easy going flow of tropical and sub-tropical climes.  And yet here I was, happy and content, enjoying shade and warm breezes, the languor of the siesta.

    KeyWest7

    I was went to Key West for an event, a literary festival, but I will write about that in another post.  I attended.  I missed some things.  I walked a lot, more than I had in a long time, since before my cancer treatment, only 3 to 5 miles a day, but it was a start.  I hope to keep walking now that I am home in cooler weather.  I needed the boost, the interruption to my state of inertia.

    KeyWest5

    What I found, and what I often forget, is that for me the best part of vacation is not seeing the sights, or doing the things that everyone tells me I must do, but in the wandering around, in talking to people.  In just sitting back and being in a place.   I went to the Hemingway museum.  I did not go on the water.   Yes I want to see and do but I also just want to unwind and be myself.  What is surprising, although it should not be, is that being myself in a foreign environment is subtly different than being myself at home, and that, in and of itself is quite revealing. What is always surprising is that the highlights aren't the museum, or the adventure, but the little moments one was not expecting.  The chance encounters, the birds at your feet, the crow of a rooster.

    KeyWest2

    Vacation, all I ever wanted….

     

    Well who knew?  Sometimes we go place for the wrong reasons.  Sometimes we go for the right reasons but with the wrong expectations.  Sometimes it all falls in place.  Sometimes it doesn't.  But if we are lucky something we needed is revealed. 

     

    Key West.  I will be back.  And this from a woman who usually avoids vacations to hot places.  

     

  • Make It Work

    Not sewing, yet, at least not from scratch.  Rather a down and dirty alteration wins the day.

     

    A trip to Key West had me in a bit of a tizzy the first few days of the new year wondering what on earth I would wear.  Most of my summer clothes are at least a size too big, more likely two to three sizes too big, but that was something I actually didn't discover until I tackled the alteration pile.

     

    Screen Shot 2022-01-09 at 8.00.38 AM

     

    Of course I had the top I altered to take to Tucson.  I thought perhaps I could alter the two dresses I made in the spring of 2020 (photo above). That is when I learned that I was not necessarily down one size, but at least two, and possibly three.  

     

    These two dresses saw heavy wear over two summers, and I knew that they were too loose, unwearable really, by fall.  But the reality hadn't really sunk into my head until I tried them on again with the intention of making alterations.  They fit beautifully when they were made, and I have to thank my friend Marjorie for all the fitting help, but that also meant that more than the most minor of alterations would be required, if alteration was even possible.   I decided to accept that they have served their purpose in my life, that they are still in good condition, and it is time for them to find a new home.

     

    Lafayette tank

     

    Enter a Lafayette 148NY tank I purchased 7 or 8 years ago. After trying it on I realized that although I needed to take up about six inches, this was actually manageable in this loosely fitted tank by simply taking up the side seams, and perhaps removing some extra volume at the center back seam as well.

     

    Alter2

     

    Initially my plan was detailed, to meticulously deconstruct and then replace all those beautifully finished seams.  But when I actually looked at the garment I realized the fabric was far too fragile for this to happen.  Seven season of wear have taken their toll, and although the top remains wearable, its time is limited. 

     

    This knowledge was freeing.  Since the alternative was the rag pile, there was no reason not to just slash and seam, and I did want one more wearable top for the trip.  Therefore,  I simply serged off the side seams, taking out four inches at the bust under the arms and tapering to nothing at the hem.  Notice that shaped hem in the top photo.  Taking significant volume out of the hem would require much more extensive work than the top was worth, especially at the side seams, where the curve is sharp, so a decided bell shape would be preserved.   I also took a big chunk out at the back waist, about 2 1/2 inches, tapering to nothing just above the bra line.  I had a little more leeway at the hips, and was able to remove a small amount of extra volume at the center back hem, but not much.  The trick was to take out enough to eliminate some of the bagginess, but not so much as to shift the side seams toward the back.  The serged edges were tacked neatly in place at the underarm and hem and I was done. Easy-peasy, and if it survived one trip I would be happy.  Everything else is just a bonus.

     

    Lafayette2

     

    Enter the obligatory hotel bathroom photo.

     

    The top works.  It is far from perfect, but it fits at least as well as anything I could buy and it fills an immediate gap.   As you can see the top remains loosely fitted through the body.  And it is also quite wrinkled here as this photo was taken about half way through the day, when I took my mid-day retreat from the sun.  If one cannot live with wrinkles, one should not wear linen.

     

    Perhaps all I needed was a bit of mad panic and a holiday out of the confines of familiarity and routine.  My brain is sparkling with ideas, and although I still have unpacking and cataloging to finish before extensive wardrobe sewing begins, I am looking forward to new sewing.  Somehow it has even dawned on my that even the idea that I have nothing, no patterns that fit, is itself an opportunity. It won't, perhaps be fast, but it will be fun.

     

    After all, how often does one get an opportunity to start over? 

  • 2021 In Review

    All in all, 2021 was a good year for knitting, certainly the most productive I've had in quite a few years.  I finished eleven projects, only 4 more than in 2020, but that makes this the most productive year since moving to Knoxville at the end of 2011.  In 2011 I completed 12 projects.  Part of me wants to say here's to beating that, but really it is not about the number of things I knit but rather the process of purposeful making.  Sometimes, however, I have been known to miscalculate.

    2021Knittig

    More specifically, I knit:

        1. Four objects for the home, of which two were deconstructed from one larger blanket, reassembled and partially reknit. Both were given away.  

        2. Three cardigans

        3. Three scarves

        4.    One hat.

     

    Two of the scarves, and one of the household objects, a thick wool hot pad for use with a rectangular baking dish, were constructed out of remnants and left-over bits of yarn.  Somehow this makes them feel like bonuses, almost like creating something from nothing, even though I know this is not quite true.

     

    My plans were admittedly more ambitious.  I planned to finish more garments, at least one if not two blankets, catalog my yarn stash and make significant inroads to the UFO pile. None of that happened.  I also bought more yarn than I actually knit.  I don't know how much yarn exactly, although I see it piled up in a basket in by my television chair.  At least I only bought enough extra yarn that it still fits in that basket.  I didn't catalog the yarn as it came in, although that was my intention.  Cataloging fell by the wayside.  I did catalog yarn as I started projects however, so I know that I knit 47.25 skeins.  I am happy with that.

     

    l already know I want to finish at least one blanket in 2022, fully aware that bigger projects also mean fewer finished objects.  But as I said who cares.  Most of us, at least most of us who read this blog, really are not in need of anything much, myself included.  I can buy a blanket or a sweater if I need one.  I would rather knit.  

     

    All I ask of 2022 is that I take the opportunity to seize onto what makes me happy.