Restingmotion

  • Adventures in the Kitchen

    Slowly I start adding things back into my life.  And yet.  I think I will leave it at that, a fragment full of both frustration and hope.  I grow frustrated. I grow tired. The eternal cry of "MORE" rears its ugly head.  This has always been my curse, and perhaps it is the one lesson from my childhood that will be the most difficult to relinquish — the wanting to know everything, to see everything, to miss nothing. And yet, despite this struggle, I become increasingly unhurried, increasingly content to just be here, wherever, with less, worried about less.  It is a good place to be, although I do not always manage to remain wrapped in its stillness and peace.

     

    When I take the time to pause, I see that these frustrations are unfounded.  Yes, I can grow tired.  Who does not? Certainly I am doing so much more than I was a year ago, when, in the midst of chemotherapy, I was not doing well at all.  And yet I wonder.  Why this need for an accounting?  I wonder if it matters, ultimately, in whether or not a life was well lived.  Perhaps the pursuits of more, whatever they be — popularity, power, things, experiences  – perhaps this life of pursuit is a life in pursuit of a mirage.  Increasingly I think all that matters in life is that we love and find joy, our own joy, the joy that is essential to our natures, the joy that resonates and explodes our own essential selves into lights in the world. As I increasingly understand, joy is not a solitary pursuit.  In order to live in joy, I must also share that joy with others.  I cannot do it by myself for only myself.  Self-centerdness is the opposite of joy.

     

    Sometimes joy is quiet and calm.  Sometimes it is active and riotous. Sometimes it makes a mess.

     

    Cooking1

     

    In July I started cooking again.  Not "get dinner on the table" cooking, but cooking cooking.  I started exploring new recipes and rediscovering old ones, playing with dishes both complicated and simple.  Certainly the results were often delicious and satisfying.  There was an occasional failure.  But the joy came not just from the results but the very act of making, of exploration, of rekindling a kind of muscle memory.  Cooking is a creative exploration, a gift to those we feed.  Or it can be.  We need to cook; we need to eat.  There is necessity.  One of our gifts as humans is the ability to elevate necessity into something beautiful, powerful, shared. The creation of food is also a gift, an act of creation and also of reverence of sorts, of honoring the things that nourish us, and in nourishing both ourselves and others in the process.  Mostly I fed only myself.  Occasionally I fed others.  I tended to go overboard, but that was primarily because I was caught up in the act of exploration, of rekindling some previously misplaced neural networks and following them into new delights.  But I have no doubt that the act of creating, of feeding myself even, not only of feeding others, percolates into every aspect of my presence in the world

     

    A lot of this cooking came about because I would flip through my old recipe files and think about the things I have not made in a long time.  I learned that my tastes have changed.  Some recipes were successes.  Some were failures.  I am far more sensitive to tastes of preservatives in food, far less enamored of commercial processed food than I once was.  Perhaps not oddly, I would have said, even then, that I did not eat that much processed food. But perception is relative.  Now even less appeals.  Except for Fritos perhaps.  I still love Fritos.  But my once-upon-a-time self could devour a bag of chips, hoarding them for myself, and now about a handful is all that I want before something shifts and the bag goes in the trash.   Once I could eat a Frito plain, but no longer. It remains a great vehicle for something else, but even then the limits of my tolerance is easily reached.  I would rather have a slice of turnip, or cucumber, or even a spoon with my hummus or my dip, but the spoon, of course, is not an option in a social setting.  The spoon itself, the idea of eating a shared dish with a spoon, is an inward, and ultimately selfish act, a turning away from the communal. It is good we do not serve spoons with our dips.  The communal table allows us to use appetite, a physical appetite, as a trigger, turning ourselves outward to others.  I need to feed myself, but I cannot be whole, wholly myself, alone.  "Our daily bread" is not just bread, it is the communal experience we need to survive: physically, emotionally, spiritually. We humans are selves only as part of a communal gathering.  Nourishment is also communion.  So also is creativity.  The creative act might seem solitary, but in fact the very act of creation means that it flows beyond itself, sometimes even in ways that are not immediately evident.

     

    Oh wait, I am writing about food, about cooking.

     

    A significant amount of my recent cooking explorations revolved around a new to me cookbook, Mi Cocina, by Rick Martínez.  I grew up eating both Mexican and Tex-Mex food.  I spent a great energy in my 20s expanding my Mexican culinary horizons beyond what I learned in childhood, primarily because options for Mexican food in New York State were slim in the 1980s.  We ate a lot of Mexican food, both simple and complex, exploring regional Mexican cusines, and revisiting my childhood Tex-Mex favorites.  But after my husband died, I mostly stopped cooking Mexican food.  Perhaps it seemed too much work for a solo diner.  Perhaps it was simply too emotionally fraught of an exercise.  Martínez has rekindled that love affair with both the flavors of Mexico, with the joys of flavor itself,  of cooking something with attention and detail and yes, joy.  He has also reminded me that although complexity in and of itself is not needed, detail is important. Nourishment, and joy also, often comes from the meetings of several simple things.  I needed this.

     

    Cooking2

     

    Exploring new culinary ideas, finding new favorites, revisiting the once tried-and-true.  Not all was measured and calm.  I have always been a person  inclined toward too-muchness, all in or all out.  I repeatedly write about that here. It is another of my ongoing struggles.  But our struggles and our joys shape our lives. I am not sure that this tendency, this bubbling forth and then retreating, is at all unusual. I look around me.  The world is balanced, but it is rarely measured in its flow.  Perhaps this too, this idea a life well-lived is a life of moderation, of calm, of evenness, is another mirage.

     

    In some fit of energy, or was it madness, I looked at the freezer, which desperately needs cleaning out, and some detailed culinary plans started to come into focus. What after all is the point of exploring the new without also using what I already have.  Accumulating more is rarely the answer in and of itself.   I decided to make chili.  Three big pots of chili in fact.  Remember that part of my nature that tends toward excess?  This is not in fact as extreme as it sounds.  It does not, in fact, take three times as long to prep three pots of chili as it does one, as many of the ingredients overlap. Once the first pot of chili is bubbling away, the others fall in place.  I made two long-time favorite recipes and one new one:  one in the slow cooker, one braising slowly in the oven, and one on the stove top.  The cooking also takes no longer for three chilis than for one.

     

    Of course, one is left with a great deal of chili.  A party perhaps?  That would have been a great idea, and I will do it someday.  This time I just put the chili in the fridge for 36 hours, allowed the flavors to meld and the fat to rise to the surface and solidify, then I reheated the chilis and canned the bulk of it.  Does it make sense to move meat from the freezer to pantry shelves?  Yes. Although it doesn't really eliminate the problem of having a backlog, pints of chili are more usable than pounds of frozen meat.  There will always be days when I need to eat but really just want to reheat something simple.  So yes, having chili, or beans, or spaghetti sauce makes sense.  I would simply rather can, or freeze, my own than buy commercial.   My pressure canner holds 14 pints. A pint is a good sized quantity for a solo household. And so I canned chili. I could have frozen sealed pouches of chili, but remember, I am cleaning out the freezer here.  It needs to be defrosted, as well as reorganized.  After two rough years, my priorities have evolved.

     

    Little did I know the chili would prove useful sooner rather than later.  Early last week, I went back into atrial flutter, where I have remained.  Each day my energy would be lower than the day before.   Rows of glistening jars of easy and nutritious chili and the pouches of colorful vegetable soups lining the shelves of my freezer, have been a godsend.  Earlier this summer I mourned that I did not have the energy to grow tomatoes, to can them as I had a few years ago. I miss that, and my home-canned tomatoes were more filled with the essence of ripe tomato than anything I can buy the store.  I wondered if I would ever undertake such activities again.  Then chili happened, and I find myself blessed with bounty just when I need it.  I am all about efforts that yield tangible rewards.

     

    And my fluttery heart? We are addressing that also, I am in no danger, or no more than any of us are on any given day, and all is well.  

     

     

     

  • Thoughts Without Resolution, or July Books

    I did so much in July.  None of it was exotic or exciting.  Mostly I just started doing things, the kinds of things that were once routine. Finally I am feeling like I am getting my feet back under myself and beginning to function in some way that feels like it is approaching normal.  I am still tired; occasionally I become temporarily frustrated, especially when I overtire myself and all my routines and plans crumble around me.  I do realize,  however, that I am tired because I am doing more, and this is a good thing, and my frustrations are alleviated.  There is nothing like getting your assumptions about your own independence knocked out of you. And yet at the sometimes it is necessary to stare upward from the bottom of the well before realize that "doing more" has nothing to do with the meaning or purpose of life.

     

    But that does not mean I am not going to write a blog post. Nor does it mean that I will not admit that I did not lot read a lot of books in July.  I read. It is just finishing that was slowed, and it is ok to admit that, even to admit that I struggled with some of my reading. There was one book I loved, and one, more difficult, that I did not love, but the reading of it was still a good thing.  Alas I just noticed that I listed the first book, the one I love, in my last post, crediting it to June when I actually finished it on July 8th.

     

    That leaves only one book to list here:

     

    44.  Edgar Allan Poe: The Complete Stories and Poems of Edgar Allan Poe.

     

    As. I've already stated, I struggled. I am quite aware that Poe is a seminal American author, and that much of the development of American Literature, are influenced by his work.  I am not just talking about mass or popular culture and our love of horror stories and tales of mysteries and the haunted house at the county fair.  His influence percolated into high culture as well.  I cannot deny that he was a great storyteller, or that he was brilliant, a genius, really.

     

    I was plagued by the thought that he could really never be credited as being a fabulous wordsmith, or even at least to my mind, a great writer.  That is okay.  There are those who write beautifully but emptily, and those who capture our imaginations and even shape our culture but whose prose is pedantic at best.  Perhaps that is one of the downsides of working one's way doggedly through over a thousand pages of an author's work.  Most of the work is not great.  Even the great work could use editing, but as I also look at the some of the edited editions, I also see that much of Poe's genius gets edited out as well.  Oh we all know the stories.  

     

    If I don't feel that Poe's poetry is great as poetry, it is certainly great in terms of its cultural influence.  I suspect that most Americans, especially those educated in this country, can quote at least some part of the Raven. Poe, was also a critic, and particularly a critic of the influence of the earlier poetic tradition America had inherited from Britain, and I do think his thoughts on the evolution of poetry are something he explored in his own writing.  He is also on the cusp, if not a pivotal influence, although this is nowhere near my own level of competence, in the changes in poetic form that were soon to occur, both in American and English poetry.  But I think his insight, and his obvious attempt to pursue it, were more astute than his craftsmanship.

     

    In terms of the stories, I think the best of them have seeped into the popular mindset.  They have been edited and reprinted for readers of all ages.  They have been turned into movies.  Much as I disliked reading some of the stories, and thought they needed editing.  Poe tends to expound at length on distracting topics, and he repeats, again and again, the same tropes and conventions to the point of pedanticism.  But he is a brilliant storyteller. His stories are cryptograms, often historically funny as well as frightening,  Poe had great insight into the human psyche, and also a great understanding of how to create myths that pervade the mind of both the individual and the greater culture beyond.  In this, he reminds me of Dickens, although Dickens was by far the better artist.  And in his understanding of the motivations, fears, and actions of his characters, he reminds me also of Tolstoy and Dostoyevsky.  But Tolstoy wrote his novels with great understanding of the human psyche, but also with great love and care for his characters.  Both he and Dostoyevsky were, again, far superior artists.  And although Dostoyevsky explored some of the darker impulses of the human mind, and did so with great insight, his novels seem almost naive compared to the darkness explored by Poe.  Perhaps here it is blessing that Poe's art does not bring the reader that sense of connection that Dostoyevsky does, because to do so would make the story unbearable.  

     

    But enough of Poe.  I don't regret reading Poe, and he made me think of many things, including how little I understand Poe's writing and in fact that entire period in American Literature and its influence on the literature of today.

     

    I do want to mention, briefly, What Strange Paradise.  It is a beautiful book and I loved it.  But it is also very dark, very sad, and has a very ambiguous and not hopeful ending.  It is the story of a 9 year old Syrian boy who follows his uncle onto a fishing vessel set to sail north with a load of refugees seeking asylum.  It is a rash decision and the boy, Amir, does not really understand what is happening, the pressures, or the consequences.  The boat flounders, and Amir is the only survivor among hundreds of refugees found dead on a beach.   The story is told, quite effectively, in alternating segments titled "Before" and "After".  In each we see the world, often as interpreted by a small child.  It can be quite devastating, and much of the story will bring up issues about bravery, desperation, hope, and fear, but also uncomfortable truths about cruelty, about the fleeting nature of outrage, and even kindness.  It is a novel that can be quite uncomfortable to the sensitive reader, as it is explores the limits of hope, and the reality of a comfortable world that may rise up in occasional moments of outrage, but us otherwise perfectly content to keep unpleasant truths, especially those we fear might affect our own security,  hidden behind barriers. It is a novel I will not soon forget.

     

     

     

  • The Joys of Mindless Knitting

    I found myself caught between projects upon completion of the Blue Wave Wrap.  I had a bag of yarn for a project I really wanted to knit, based solely on the yarns and colors, but I did not yet have a pattern.  I had other projects as well, but that bag of colored yarns was calling my name.  

    Nantucket2

    In the meantime, it was not like I didn't have other projects crying out for attention after all.  Three of then to be exact.  I picked up the cotton wrap I started in order to have a portable, easy, project that could be be knitted while chatting with others.  You can see the full progression of the colors in the swatch above.  The colors remind me of Nantucket, and Nantucket can easily be cool enough in the morning or evening to require a wrap, so I am calling it Nantucket Summer.  Even though I am not in Nantucket, knitting this project brings back many happy memories of lazy days and walks on that island.  I've used up two of my eight skeins of the background color and gotten one full color repeat; I can state that this length will work and the wrap is therefore about a quarter done.  I will end up having some of the lighter blue-gray and blue-green yarns left over but should use up everything else.  

     

    As much as I am happy with the cotton wrap however, my attentions were also pulled back to the temperature blanket.  I had put it aside just as I began knitting April.  Even though I didn't start this project until March, it has become abundantly evident that I am not the kind of person who can routinely knit one garter ridge a day. I am more of an all-in, or all-out kind of person.  I knit and knit and knit and knit, until I am bored with something and then I work on something else.  

    AprilTemp

    Truthfully this has been true my whole life.  I do finish things, but I don't necessarily work on them at an even pace straight through.  In fact the only thing I consistently manage to accomplish in a routine, orderly, evenly-paced way is housekeeping, and that only because doing so allows me more time for my passions.  That doesn't mean that housework doesn't fall by the wayside; everything fell by the wayside over the past two years between falls, and cardiac irregularities and cancer, and I am just beginning to get myself back on an even keel.  

     

    But, blankets.  Above is April.  The project is fun because it is fun to see what is going to happen next.  I get long calming rows of garter stitch, a great meditative and relaxing knit, and I get fun color changes. Well, I also love knitting with Rowan's felted tweed.   I was so excited about knitting April that I thought I could knit straight through and get caught up, at least until the end of June.  

     

    I finished May in 5 days, 34 garter rows, or 68 rows total.  There are three ridges at the end of each month representing the average high for that month.  As you can see, May is warmer, more pink rows heading into red.  In fact the average high in May 2022 was 10 degrees higher than our historical average high for May.  Knitting this blanket is bringing all kinds of interesting information into my head.  

    TemperatureBlanketMay

    May 2022 was as hot as May 2012, my first year here, the year I thought we had been crazy to move here from New York and I terribly missed the cold.  I don't think it even got below 50 in January or February that year, and I was in shock.  Perhaps I still am, although there have been colder winters and milder springs.  Every year in the past 10 years has been above our historical average, although there have occasionally been wide temperature swings.  But that is not just true of Knoxville.  The phenomenon is much more widespread. For me, a person who does not thrive in the sun and who hates heat (yes I know I grew up in Texas), all I can do is bear up and remind myself it could be worse. Actually, there have been worse years, heat-wise at least, here since I moved here.  

     

    It would be fascinating to knit a series of temperature blankets over the course of a person's life, at least if that person stayed in one place as their home base.  Moving could be problematic.  Regional differences would not be terribly significant, but wider moves would throw everything off, at least if one was comparing one blanket to the previous one as there would be no fixed comparison point.  I've moved too much, although given the internet, one could get that information for any locale.  Just random thoughts, I am not (yet) contemplating knitting a series of blankets.  

     

    Anyway, as I finished knitting May, I was hit by a case of ennui.  I still wish, on an intellectual level at least, to finish June, but I am less thrilled about the prospect.  There will be wider swaths of a single color. Although not changing colors will be slightly faster, it will also be more boring. Therefore I do not believe I will be as devoted to the project and finish it up in another five days, although it is possible I could surprise myself.

  • Artyarns Rectangular Wrap

    There is nothing quite like a wonderful wrap.  I love shawls and wraps and scarves, but I haven't always knitted them.  I tended to find them boring to knit, even with cables or patterns, and I am usually tired of them long before I am finished.  Stephen West changed that for me to some extent, and yet although I loved Shawlography, I found it a challenge mostly because my hands and fingers were not working correctly due to chemotherapy induced neuropathy, and my brain wasn't in peak form either due to arrhythmias, which I suspect were aggravated by a complex interaction between chemotherapy and my congenital heart defect.  

     

    Part of my goal then, this spring, is to learn how to adapt.  Even as my fingers have grown far more functional I am not the knitter I was 10 years ago.  Well, none of are what we were 10 years ago.

     

    Presenting the Artyarns wrap:

    Lesage6

    I absolutely loved knitting this!   The stitches are simple and the pattern both complex enough to be interesting and yet also clear enough that one easily gets the hang of it and knows what to expect and how to read your knitting.  Only two yarns are used, a multi-colored yarn and a solid, and aside from one stitch on the leading right side edge, only one yarn is knit on each row. 

    Lesage2

    Above is the scarf stretched out on the blocking board last weekend.  In order to highlight the design it is important that there the two yarns work well together without any overlapping colors. 

     

    This was purchased as a kit from L'Atelier in Redondo Beach, California, in concert with Iris Schreier of Artyarns.   You can see a very similar pattern, same design but different gauge, on Ravelry where it is listed as "Neon 2022 rectangle".  It appears to be part of a series of limited edition patterns that are available only as kits through participating stores.  I am not sure if it was a limited time offering or is still available.  ….  (updated to add that the pattern is available on Ravelry as part of a compilation of 3 patterns)

    Lesage3

    The pattern on Ravelry uses a different yarn and is knit at a different gauge.  The pattern and kit I received was written and knit using Beaded Silk and Sequins Light, a silk yarn from Artyarns that also has small glass beads and sequins scattered throughout the yarn.  The pattern I received was part of a limited edition club; I have had several names for this project on Ravelry, but have finally settled on calling it "blue wave".

     

    I started the project with 400 grams of each yarn, the navy and the blue/green multi yarn, equalling roughly 440  yards each, or 880 yards total.   I had 75 grams of the navy blue remaining after completing the sweater and 26 grams of the blue/green/lilac multi-color.  Converted to yardage, I used slightly under 356 yards of the navy and 412 yards of the multi-color yarn, for a total of 768 yards.

     

    Because the yarn is 100% silk, the finished scarf is actually quite light and wearable and I suspect I could wear it on all but perhaps the hottest or coldest of days. In fact while I was walking over to the studio to photograph the scarf I was wearing it on a hot humid day and I did not suffer while playing toss with Garbo for a few minutes.  This would not have happened with even the lightest woolen scarf, and I adore wool and would knit it exclusively if I could.  Well maybe not exclusively.  I love this yarn and will certainly be knitting more with it.

     

    I may also knit the pattern again, now that I have it.  It would not be difficult to knit a winter version, such as the one shown on Ravelry in Merino Cloud or some other soft wooly yarn.  On the other hand, my knitting mojo has been rekindled and there are more things I want to knit that in is physically possible in one lifetime, so that may never happen.   

  • Books Read January Through June 2022

    I've got to start somewhere.

     

    There have been periods where I have read, and periods where I have not.  Periods where I have thought about writing about what I have read, and, yet again, long periods where I have not.  For long stretches of time I have not written anything at all.  All this sounds, in many ways, negative but I assure you it is not.  Circumstances are what they are.   Passions too, those things that drive us, ebb and flow.  And yet these things are not the source of joy, or even happiness.  All of this to say, in a rather complicated way, that I am doing well.  There have been dips and bumps but overall this has been a very good period in my life, even if it is not a period defined by outward accomplishment.

     

    Perhaps that is exactly what has been needed.  This has been a fallow period of sorts, a drawing in, of coming to terms, and of growth, of replenishment.  It seems to me more and more that I know I am changing, that I have changed, but I don't yet know what will come of all that.  My own tendency to want to do all the things , if not moderated, leads to the internal stripping of nutrients from the soil of my soul.  And yet rest alone is not the answer.  But what is rest anyway? Rest means not only resting while giving the body time to heal, which perhaps is not rest at all, or it touches on only one aspect of the complex face of rest, because healing itself is hard and active work for the body.  Rest can also simply entail the quiet drawing in of nourishment. Not passive. Not empty. Stasis, not in its sense of inactivity but of equilibrium.  

     

    Balance.  I've never been a person given to balance.  But perhaps balance itself is something to be explored further.  We tend to simplify: advising ourselves that balance entails a form of compartmentalization, our efforts and indulgences parceled out in given packets of time or energy, or thought.  Wake up, meditate for 15 minutes, shower, work x hours, exercise 30 minutes a day, knit for 1 hour a day.  This is not balance as the earth knows it. Think of the thunderstorm and the rainbow, the powerful force that also opens the opportunity for new growth.  The harshness of winter followed by the languor of summer. Even the fallow field is hot with activity, activity that lies just below the surface. Replenishment. Fallow. Balance.

     

    Meanwhile I have read, as I mentioned, in stages.  Most of my reading has been lightweight, completely fitting in this period of rest and regeneration. Occasionally I have ventured into something deeper. Occasionally something haunts my thoughts.  I don't think I will discuss these books or even necessarily rate them. At least not here. At least not now.  They are just part of what has filtered into the soil that is the field of my soul.  Some of it good, some of it not, and yet all a part of the cycle of life and growth.

     

    1. Lauren Groff.  Matrix: A Novel.
    2. Amy Greene. Bloodroot.
    3. Kreis Beall. The Great Blue Hills of God.
    4. Joyce Maynard. Under the Influence: A Novel.
    5. Anuk Arudpragasam. The Passage North.
    6. Lilo Bowman. Love Your Creative Space.
    7. Kevin Kwan. Crazy Rich Asians.
    8. Kevin Kwan. China Rich Girlfriend.
    9. Kevin Kwan. Rich People Problems.
    10. Robert A. Weinberg. The Biology of Cancer.
    11. Judith Krantz. Scruples.
    12. Colson Whitehead. Harlem Shuffle.
    13. Diana Gabaldon. Outlander.
    14. Diana Gabaldon. Dragonfly in Amber.
    15. Richard Powers. Bewilderment.
    16. Matt Bell. Appleseed.
    17. Damon Galgut. The Promise.
    18. Diana Gabaldon. Voyager.
    19. Diana Gabaldon. Drums of Autumn.
    20. Diana Gabaldon. The Fiery Cross.
    21. Bryant Terry. Black Food.
    22. Mabel Dodge Luhan. Lorenzo in Taos.
    23. Diana Gabaldon. A Breath of Snow and Ashes.
    24. Paddi Newlin. Hidden Treasures.
    25. Diana Gabaldon. An Echo in the Bone.
    26. Louise Erdrich. The Sentence.
    27. Leo Tolstoy. Anna Karenina.
    28. Andrew Sean Greer. Less
    29. Patrick Radden Keefe. Empire of Pain.
    30. Diana Gabaldon. Written in my Own Heart's Blood.
    31. Laura Bates. Everyday Sexism.
    32. Mary Dan Eades. Caddo Bend.
    33. Stanley Tucci. Taste: My Life Through Food.
    34. Heather Cox Richardson. How the South Won the Civil War.
    35. Diana Gabaldon. Go Tell the Bees I am Gone.
    36. Lee Child. Better Off Dead.
    37. Stuart Woods. Chiefs.
    38. Iona Wishaw. An Old Cold Grave.
    39. William Davis, MD. SuperGut
    40. Anthony Doer. The Shell Collector.
    41. Patti Smith. Woolgathering.
    42. Bridget Quinn.  Broad Strokes.
    43. Omar El Akkad. What Strange Paradise.

     

    Looking at the list, I see much rereading (marked in blue):  19 of 43 books.  All were intentional, for one reason or another.  One thing that did stick out is that I belong to two book clubs, and between them almost every book this year has been a reread for me, sometimes of books I would not otherwise have reread.  Only two of my first reads were for book clubs.  In many ways that seems to fit into the theme of the year, a period of gathering in, of reevaluating.  Looking at the list now, I am filled with wonder.  What I see are roots sprouting, spreading, intertwining.  What I see are roots that belie the arbitrary categories by which my trained, educated, conscious mind wants to organize the world. 

     

    I don't quite know what I think about this, about what is worth rereading and what is not, what is worth rediscussing and what is not.  Often I am surprised. Other times I am disappointed, but I realize these things are all about me, not the books, not the people with whom I am discussing the books, me. I see books as living things, the thoughts or ideas of a writer taking shape through words. Reading can be an act of relationship, even though may not be as complex as an ongoing active relationship with a person.  Or is it?  My relationship with some books is more multifaceted and complex than my relationships with some people.  And yet, with either, it is up to me to hold up my end.  Each of us is exactly where we are, exactly where we can be, in this moment. And that is all.  Expectation is about the person who is doing the expecting, about their own internal struggles, although they may not see it as such. As humans this is part of our struggle. We lead with our own preconceptions, with expectation; I am not certain we can completely abandon its grip, but I do believe we can chose to set it aside.  We are our pasts, our presents, even to some extent our futures although we know not what they may be.  Judgement closes us off from the world.  So does passive acceptance.  If we are not in struggle, we are not, perhaps, in relationship.  

     

    And yes, reading has brought me to this point, at least in part.  Books are like the seeds, old and new, that sit in the soil.  Then, when I am in the world the thoughts that have been slowly taking root sends out little shoots of understanding, of empathy.   The source of insight is irrelevant, sometimes even surprising, and often more multifaceted than we think.  Whenever someone tells me they are a simple person, when I say this myself even, I think "no, you are not, you are minimizing the interleaved depths that have made you what you are."  On the other hand, we are all, in once sense, incredibly simple.  We are all incredibly complex.  We all hide parts of who we are from ourselves and from others.  This we call survival. 

     

    And, after saying I will not read books, I am reminded of a quote from a book:

    "Books contain everything worth knowing except what ultimately matters."

                        Louise Erdrich, The Sentence, page 3

    Like books, like thoughts, like a fallow field, there is a lot hidden in that sentence. Its meaning, when first read, belies its depth, its contradictions.  Intentionally, I choose not to discuss.  Not today. Think about it,

     

    But for me, enough with thinking.  I am here. I am hopeful. I am filled with thoughts and dreams.  In the end that is the crux of it, circumstances be damned,

  • Update

    Another month, another blog post.  Not my intent, but hey.

     

    Lesage1

    The photo above was taken at the very end of June, when I finished knitting the first part of this scarf, which I had in fact been quite obsessed with for a week. I momentarily had hopes that this would be a two-week project, but I was distracted by other things after that first, almost-compulsive push, where I wanted to do nothing but knit and had to force myself away.   I probably spent less time in the actual knitting with the second part though, you know, being more familiar with the pattern and the design and all.  In this pattern two pieces are knit and kept live.  Then they are joined together.

     

    It was really an incredibly fun knit, and terribly addictive as well.  There wasn't anything particularly difficult, German short rows, perhaps, if you have not done them before, but mostly the challenge, and the fun was in the layout of the pattern.  I actually finished knitting it and got it blocked on Saturday, so you will be seeing a final post on this soon, where I will go into the details.

     

    While I was knitting this project I also started going to a knitting afternoon/night at my local yarn shop, which I am really enjoying.  I finished up the knitting of the New Orleans cardigan from my last post there, and I had already finished the first piece of this scarf before I got back.  I realized pretty quickly that, fun as this pattern is, it is not a good knitting group project as you do have to pay attention to your counts and your place in the pattern. I can be far too easily distracted.

    NantucketWrap1

    So another wrap was born.  I have the two blankets at home, but somehow I didn't feel like carrying either of them around with me in the 90 degree heat, even the short distance from car to yarn shop. I also had this  bulky weight but fairly lightly-plied cotton which was originally intended to be a cardigan, a cardigan I neither feel like knitting or wearing.  So I decided to knit a wrap.  I like the weight and drape of the fabric being created by the seed stitch on size 10 needles.  Now that I have a nice sized piece of knitted fabric, I can see that it would indeed make a lovely cardigan, but I think I will get far more use and joy out of the wrap.

     

    More later.

     

     

  • Sweater Love

    The sweater called New Orleans is finished. I had hoped to finish it while I was actually in New Orleans for a sewing workshop but I overestimated my energy levels following full days of cutting, sewing, and muslin making.  I have no regrets.

     

    NewOrleans3

     

    I adore this sweater. 

    NewOrleans4

    Button detail.  Brass strawberries, already in stash.  These were one of two choices that I found that I liked in my extensive button stash, a simple mother of pearl, which was elegant but ultimately too small, and these.  I both love these and had misgivings.  Once they were sewed on, however, I think they shine.

     

    NewOrleans5

     

    This has worked out to be everything I wanted it to be.  It is closely fitted but not too much so, I like the 3/4 sleeves.  The shoulder shaping works and the cardigan fits well, stays where I want it to stay.  All in all a success.

     

    Yarn:  Lana Grossa About Berlin Spotty in color 7, two strands held together along with a single strand of Lana Grossa Diamante.  The original pattern was written as a rather straight, boxy cardigan, but since the pattern came with only instructions for the lace stripes, a loose guideline, and no diagrams or pictures, I quickly decided to make this the way I wanted.  This meant a more fitted cardigan.

     

    The original pattern also called for 5 rows of garter stitch at the hem, which I did not use.  Once I decided to opt for the fitted cardigan, I realized that, given the length I desired, adding the five rows of garter stitch would either make the cardigan too long, or place the lace bands in positions that would be difficult for either fitting, or matching at the seams.  I did add garter stitch hems on the sleeves.  The sweater hem was finished with a row of single crochet followed by a row of crab stitch, the same as the front bands.  I am quite happy with this result.

    NewOrleans6

    I am also happy with the matching of the horizontal lace bands, which match at side seams and sleeves.  You may notice that the distance between these bands appears further apart above and below the bust, which is true.  Short rows were added, making the center front longer than the side seams.  This allows the bands to meet at the side seams, the stripes continuing horizontally even across the bust without curving up due to the need for extra length.    I was kind of guessing at much of this as I went along, knitting, measuring, occasionally ripping and re-knitting, but I am very happy with the result.

     

     

  • Five Dress Patterns

    I went to a four day sewing retreat at Papermaple Studio in New Orleans and had a fabulous time.  The studio was beautiful, spacious, well-equipped, and Leisa was incredibly knowledgeable and helpful.  I met some interesting ladies, all of whom were working on really lovely, and sometimes very special projects.  

    Four

    I however worked on muslins, dress muslins to be specific.  I came home with four muslins, all in the final stages of fit, and I believe manageable for me to finish up on my own.  All of the patterns are for dresses I would make and wear over the summer, wearable shapes that I would probably make repeatedly.    I feel like I am in a good place to jump back into making my own clothes, and I also feel I learned a lot.  Leisa helped me to look at the fitting process in new ways, and I am very excited to move forward.

     

    Alas I am traveling most of this month so you will not be seeing immediate progress.

     

    Screen Shot 2022-06-17 at 6.24.01 PM

    I also did some sewing before I went to New Orleans, partially fitting and making up the Closet Core Cielo dress pattern.  

    CieloDraft1

    Admittedly I felt a little confused by the entire fitting process.  It had simply been too many years and even though I am more adept at fitting knitting patterns, somehow I just could not wrap my head around the process, so perhaps I was not quite as methodical as I could have been.  I did a quick muslin of the basic pattern, decided I needed to pinch out a pleat on the right side of the dress, from the neckline angled down.  You can see that in the pattern piece above, the green lines, which are all on one side of the center fold only.  

    CieloDraft1b

    Once I drew that in, and pivoted the pleat out into the dart, it changed the angle of the shoulder and armscye, although it did not change the armscye or sleeve shaping at all.   You can see the repositioning in the blue line above.  I should have made another muslin.  But I did not.  I just went ahead and cut my first dress, rationalizing that I could spend an endless amount of time on muslins and I desperately needed summer clothes.   The final dress was not perfect, but it is wearable, and will get me through the summer.  I suspect I am more aware of the flaws than are most people, except perhaps for my closest and sharpest sewing friends.

    PurpleDress1

    Here is a (poor) picture of me in the first dress, a purple 65% linen, 35% cotton blend.  As you can see, I made my dress longer than the pattern illustration.  In fact I had to add about 5 inches in length to the pattern, all below the waist.  I love the shape of this dress, it is exactly the kind of loose, easy, dress that makes hot humid summer dressing tolerable.  

    Cielox3

    I did note a few problems, but that didn't stop me from making two more dresses.  The second dress is an Australian cotton print, and the third version, my favorite so far, is in a more loosely woven muted green linen check.   I did not go back and perfect the pattern before making these dresses.  As I stated, need trumped perfectionism.  Although I admit that the first time I put them on I was self conscious about my own failings, I promptly forgot that and was simply happy and comfortable. Generally, I hate making things under pressure, which is exactly what I did here.  I needed clothes and I whipped them out.  Now that I have my most basic wardrobe needs covered, I can spend time with my sewing, hopefully learning and improving as I go.  

     

    Each project is a learning process, and I don't intend to get so wrapped up in perfectionism that I never wear anything.  I learned a lot about fitting the Cielo dress through making the three copies, more than I did from the muslin.  Then I learned more about fit by working on the four muslins in New Orleans.  Every project is a learning process.  I am sure there will be successes and failures.  If I have an excess of successes, I may grow tired of my three dresses, or I may not.  In the meantime, a part of me feels like a kid again. 

  • Retrospectoscope

    I am sewing.  My projects have been a mixture of successes and near-misses, truthfully some of those misses are fairly widely off the mark, but not unwearable. There have been times when I have grumbled at myself over making "rube" mistakes, at errors that could have been caught earlier because I certainly know better.  Yet none of my efforts have been wadded up and tossed in the trash.  Reconnecting with old skills appears to be a meandering path. 

     

    It also takes rookie mistakes sometimes to remind oneself of why things are done the way the are done.  There is something about saying "I didn't think it mattered in this case" and admitting that you were wrong, that it did indeed matter. There is something also to be said about moving forward anyway, about living with your mistakes, and accepting that it is all a process.  Perfection doesn't come down like a lightening strike from the hands of God, however much we might wish that it did.   I told myself initially that I would start simple, that I would wear what I made, mistakes and all, if possible, and that I should remember my younger, beginner, self.  Even though I have skills, some of them are quite rusty, and others seem to have retreated into deep hiding.  I am a begin-againer. 

     

    I am sewing for myself now, but what I actually want to look at today is some sewing I did earlier in the spring.  Sewing that was not for myself, was not particularly difficult sewing, but which nonetheless rekindled that love of making things, and reminded me of some of the why's and wherefore's of my path.

    PentacostMix

    This past Sunday was Pentecost.  My church was filled with joy and balloons and people wearing red. I had never been to a church filled with balloons on Pentecost before I moved and found this church, but it is a thing of joy.   But this post is not about Pentecost, or about church except insofar as it references sewing for church.

     

    The color of Pentecost is red and the church is draped in red.  There are two ecclesiastical reds in the Episcopal church however, Pentecost red which is bright and vibrant and a deeper red, a Holy Week red.   There are in fact many shades in between given the variations in the way fabrics take dyes, but that is not the point of this post either.   My church only has one set of red hangings for the altar, and this is not unusual.  Our hangings are actually Holy Week red, but I doubt very few people care about this minor point.  I like ritual, and I like knowing that there are colors associated with seasons and saints and all kinds of what-have-you; but that is my inner medievalist, medievalist and lover of ritual. I doubt most people even notice the difference. I am not thinking we need to buy (or make!) more.  Rather, in thinking about shades of red I am also reminded of the direct connection between reds, between the somber red of Holy Week, and the vibrant red of Pentecost, between blood and fire, between despair and joy.  We cannot have the balloons and the flames and the joy without also having some acquaintance with the dark side.   Our joy can only burst forth after we have been dipped in despair.

     

    But the red hangings also reminded me of a spring sewing project, specifically a Holy Week project, a project about which I did not blog, partially because it was "too simple" but also because I was once again under the weather  and struggling with heart rhythm issues and I didn't have the energy or wherewithal to write.

     

    But now, even as we embrace the future, the retrospectoscope has been opened.

     

    Back in April I wrote about making a cover, or dress, for a small cross.  I also made covers for all the processional crosses in the church, and another dress for the standing cross, this time in red for Holy Week.  Our church had not, at least in my memory, used red for Holy Week beyond Palm Sunday, and we did not have the appropriate covers for the processional crosses.  And so I made some. 

     

    CrossCover2

    It was a fun project.  First I had to find a red fabric that was as close to the red fabric already in use as possible.   Then I had to measure the crosses and draft patterns for the covers.  They were pretty simple geometric shapes, but I did have to think about such things as proportion, or where to place the channels for the drawstring ties in order to create an attractive balance.  Because I had to measure the crosses and create the patterns and figure out how the drawstrings would work.  None of this is as complicated as an actual dress, but it was still a good way to restart the process of thinking about making things, about sewing, and about sewing math.

     

    It was also a good refresher course in technique.  I figured out pretty quickly that sewing the rather tight curves at the top of the cross cover was a tad tricky, and that I much preferred using hand-stitching to gather fabric where necessary, and basting curves in place by hand rather than by machine.  Handwork may be slightly slower, but it offers much more control.  Or perhaps this is just a temperamental thing. It seems I am far less interested in speed than I am in the process and the idea of doing something well.   Making the cross covers reminded me of this and allowed me to practice skills which continue to come to be useful.

     

    CrossCover4

     

    I made three cross covers for processional crosses.  I neglected to take pictures of them in use, but I admit to feeling absurdly happy when I saw them in church during the church service.

     

    ChapelCross

    I also made a second dress for the small chapel cross, this one in red.  The second dress had deeper pleats than the first dress, the result of actually thinking about the pattern and the shape and the way volume and shape influence each other.  But this dress was also made out of a fabric with more drape, a fabric that handled volume in a different way, and that contributed to the dress as well.    Even the same dress, on the same figure, in different fabrics can be entirely different.

  • New Orleans Cardigan, Part One

    I had hoped to have another project finished by the end of May, but that isn't happening. This isn't really a problem because I am really pretty happy with the way my current project, a cardigan, is turning out, even though I am pretty much making up the pattern as I go.

     

    I am calling this project New Orleans although that is not the name of the pattern.  I'm not really following the pattern anyway, or I am using it as a only rough guide so I suppose this project is a bit of a collaborative mix.

     

    NewOrleans1

     

    In the photo above you can see a glimpse of the cardigan in its current state.  The body has been sewn together and the first sleeve knit and inserted.  I am currently knitting the second sleeve, after which I will figure out how I wish to finish the edges and place the buttons.

     

    This is the sweater I started in April and fretted about ripping out in this post,.  It is knit with three strands of yarn held together, two strands of Lana Grossa's novelty cotton blend, About Berlin Spotty, and one strand of a sequined nylon thread, also by Lana Grossa, called Diamante.  I am knitting it at a fairly loose gauge on size 10 needles.  I picked it up again the second week of May, reknit my gauge swatches, and redesigned the sweater, keeping only the pattern stitch.  

     

    The original is a fairly straight boxy sweater, which sounds lovely, but I wanted something more fitted.  There are basically two reasons for this.  First, although the loose gauge makes this sweater wearable in our hotter Tennessee weather, it also tends to snag and I am terrible about snagging sweaters.  Secondly the fabric, although open, is also heavy and I did not like the way the sweater hung.  One thing I have learned is that although I don't mind loose, boxy, or flowy clothes, I want them to stay in place, wherever that place may be.

     

    Because I was experimenting with a more fitted sweater, I also experimented with some fitting ideas, using a draft of the fit muslin I was working on for sewing projects.  I made the back fairly close fitting, taking a vertical dart in the center back at the waist, which I have done before.  But I also did a few things that were new, namely using a stitch marker to mark the center back which is asymmetrical, and I made the armscye and shoulder shaping different on each side, corresponding to my actual body.

     

    NewOrleansBack

     

    You can see the back, pinned for blocking above.  As you may see in the photo above, much of the difference between the right and left back is taken up in the difference of the armscye shaping.  

     

    NewOrleans2

     

    The fronts were easier, more equivalent in size, although the armscye shaping was different on each side.  I also added short row shaping at the front above and below that eyelet pattern that runs across the bust line.  This was done so that the eyelet stripe would continue horizontally across the front, matching the back, and not pulling up due to the need for additional length.  I think my final result looks pretty good so far, although it took me a couple of attempts to get something that worked and looked balanced.  I suspect that there will be some fiddling with the front edge and button placement as well, but I am happy enough with how this is coming along that I am looking forward to the challenge.