Restingmotion

  • At Long Last Louisa

    IMG_4617 Well, it is with great relief that I can state that something is finished around here.  I finished Louisa Tuesday night and wore it yesterday.  I am smitted with this sweater and I will knit it again, in fact I already have yarn for the next iteration even though I won't be starting it right away.

     

    There I am in the morning, trying hard not to shiver in the spring snow.  The yarn is a wool/linen blend from Habu and it is very light weight.  I thought this might be a nice transitional sweater and will be, although I was really thinking along the lines of slightly warmer transitional weather.  I was much too eager to wear this sweater to worry much about being a little chilly.  Besides, shivering burns calories, right?

     

    I am very happy with how this turned out, and I didn't do anything to the pattern aside from adding 6 inches to the length.  At the time I worried that it was perhaps too much, but now I see that it is just perfect;  I might make the next version shorter, but probably no more than 2 inches shorter.

     

    IMG_4613 Here is a picture of the sweater on the floor, so you can get a better view of the actual shape.  It was a very simple pattern, knit in the round from the bottom up with just enough shaping to make it flattering and avoid complete boredom.  

    As I mentioned previously,  the pattern is Louisa from CocoKnits, and the yarn is Habu N-68 Lamb/Linen, which is now one of my favorite yarns.  In fact the pattern may become a favorite as well, and I am eager to try other patterns by the same company.

     

    But next up is something from the new Spring Rowan magazine.

     

     

  • The Enormity of it All: or Trying to Contain that Which has been Unbound

    Looking back at my post of a week ago, it seems so distant now, that simplicity and that happiness.   I do know that even as I wrote that post, things were slipping, perhaps only imperceptibly to all but the most attentive, the most involved on a day to day basis, and yet I am happy to be reminded.

     

    In the meantime I have been absent from my normal pursuits, from this blog, from blogs and the internets in general although I do keep up, somewhat marginally with personal mail.  Rather I have been focused on the big push to tackle the piles that have accumulated and which I had been happily ignoring throughout January and February.  Perhaps it is a spring cleaning sort of thing.  Perhaps I see bits of confusion and randomness poking out of the cracks here and there and tackling the piles at least is something I can control.  Control I must.   

     

      IMG_4607 And so I have been tackling the books which have been piled on the floor.  When I created a room for the caregiver, I dismantled my small library, my favorite the room in the house and the contents have been piled on the living room floor ever since.  I took the shelving system and put it up in the family room.  I lost a few shelves.  There are radiators here, and windows that were not present in the original location.

     

    I have not really gained much space.  There were shelves here before on the wall to the right, and between the window and the corner.  But the aluminum system from Rakks looks much nicer than the old sytem of mismatched wall brackets and boards.    The simple truth is that I lost 126 board feet of shelving and have only added 36 feet to the family room storage so there has been much purging and much metaphorical pulling of hair and mental angst.  There will be many books that will end up going into boxes until some future date as well because I cannot bring myself to get rid of them all.

     

    When I read Larry McMurtry's story about collecting books I thought I was not a collector, and in a sense I am not, in that I cannot collect a subject just for the sake of having a complete set.  I have to like each book.  But I do collect the books I love, look for better copies, consider each one old friends, and have multiple versions of certain things, such as my five versions of the various works of the Pearl Poet including one version in the "original" text, one cleaned up middle english version, and at least three translations of Gawain, each different and each prized.  I suppose that the love of early English literature never dies just as I cannot imagine life without an occasional foray into Spenser or Skelton.

     

    So it is about condensing and making choices.  I learned that coding books, especially the newer ones, are often available as PDF files, and I can purchase PDF files of paper books I own very cheaply, hence one small shelf has been freed.   And I am still on the fence about mass-market paperbacks versus digital copies of books.  Most mass-market paperbacks are sent on their way after I read them, but there are a few favorite authors I hold on to but feel no need to upgrade to hard copies.  I increasingly find that I prefer the portability of the kindle to even a small paperback at the gym or when out and about, but the kindle does not lend itself to picking up a book and reading a random page here and there before putting the book back on the shelf.  There is a stack of books that are currently in this kind "save, toss, or go digital" limbo, and I suppose I will eventually make a decision as I continue to catalog books and decide what will fit on the remaining shelves and what will get boxed until the next phase.

     

    Reading Thomas Cahill's How The Irish Saved Civilization, has kind of played into this general mental turmoil in unexpected ways as well.  I picked it up thinking I could read it and get it off the shelves, which will indeed happen.  It is entertaining and a good, light, introduction to the subject.  It served as a bit of a refresher course in a way, as I have, and have read, many of his primary sources:  Bede, Augustine, Ausonius,  even Kinsella's translation of the Tain, as well as many of the referenced works on Medeival and church history.  Again it is that fascination with the medeival that serves me well.  It served me well in a career too, as I was hired for my first computer programming job precisely because of my interest in medieval literature, and would agree with my former mentor that there is much similarity in the mind-set requried for both.

     

    But what surprised me about Cahill's book was the way I started questioning my decision to transfer more of the less important stuff to digital copies.  I suddenly started wondering what would happen if the computer networks went down, or there were no more electricity, and I would undergo a momentary flight of panic.  I am sure the tragedy in Japan has also fed into these musings for, as unimaginable as it all is to me, and as sorry as I feel for these people for the pain and tragedy of their loss, it is also a reminder of how tenuous our hold on life and civilization really is in this world.  The Romans were just as confident that their world would endure forever as we are that our digital information system is the future of all knowledge.    At the moment I shall take comfort in my computers but also in my own small space and my own volumes of cloth and paper.

     

    But I suspect I shall be preoccupied with these tasks at least through the end of this month, so postings will be light.  I am oft exhausted and although I think of things I want to write, by the time I sit, my brain is a scrambled up bit of connections and images and incoherent fragments.  By the end of the day  I crave mindless visual stimulation and the simplicity of stockinette stitch in my hands.

     

    IMG_4603 After the books I shall tackle the closets, including G's old closet, and the piles of fabric and yarn that were also displaced.  But I shall emerge in time for spring perhaps with a flowering of creative energy to accompany the flowering of the landscape.

     

    As you can see, Spring is most definitely arriving to the Hudson Valley.  The first crocus bulbs burst into flower yesterday, and I have a nice batch of small irises as well, even though there are still also a few piles of snow scattered here and there across the lawn.

     

    IMG_4604 I would not also be surprised if, just as I say that I will be absent because I must finally deal with all this stuff in my life before it drives me batty, just as I think I am overwhelmed, my voice decides to emerge from the hole in which it has entrenched itself.  At the moment, however,  I continue to feel more overwhelmed by piles than inspired by flowers.

     

  • New Glasses and a Concert

    I picked up my new glasses yesterday afternoon.  That isn't really where I planned on starting, but it is probably the most important event.  I knew I couldn't see well, but I didn't really appreciate how badly I saw until I put my new glasses on and the world suddenly snapped into focus.  Putting them on I was transported to the day I wore my first pair of glasses.  I was 21 and I looked out my dormitory window completely entranced by the details of the leaves on the trees, rather than the impressionistic, late Monet view of the world that I had previously experienced.  The change wasn't that dramatic, but it was enough of a change that I really noticed the details and even the familiar drive home seemed new.

     

      IMG_4588 George took this picture of me with new glasses while I was taking a break from putting up bookshelves and moving books yesterday.  It is not a particularly glamorous shot, but hey, new glasses were worth running out for even if I was dressed for shelf building not shopping. I had originally toyed with the idea of going into NYC for fancy glasses, but when I learned that my stronger eye saw better without my glasses than with them, I knew I just needed glasses ASAP and I am really happy with this pair.

     

    What I wore:

    New glasses by Lindberg

    Ancient sweatshirt picked up when I was shopping at Ross Dress for Less with my sister-in-law Ann, who passed away last year, which makes this a priceless part of my wardrobe.

    Cartier hoop earrings purchased from Beladora last year.  These have become my standard wear with everything earrings, the ones I wear with jeans or chinos, or whenever I don't know what else to wear.  I suspect they fill the role that diamond studs are supposed to fill, but I learned that I am just not a diamond stud kind of woman.

     

    Hochman On Sunday George and I went to a piano recital in Beacon, part of a series we had attended for years prior to this year, and we had a wonderful time.  I was thrilled that he wanted to go, as I have been torn between wanting to go to the concerts and feeling somehow that leaving him behind would be disloyal, especially considering how much we used to enjoy going to conerts together. 

     

    A month ago he never wanted to go to a concert again, but then one day something clicked, and his attitude changed.  The entire concert was gorgeous, but the high point, as far as I was concerned,  was the Schumann Arabeske, which was just tender and beautiful and filled with yearning.  The program notes said it was militant in places, but I didn't get that  out of the piece, just exquisite tenderness alternating with deep longing and yearning, which was almost overwhelmingly palpable, but not militant.  I wonder how much what we experience from music depends on our own emotional states and readiness or lack of readiness for a particular feeling.  Increasingly I think these things are open to interpretation, but then again I wonder if this is just ignorance of musical theory on my part.

     

    G was focused and attentive and great company and we had a wonderful time.  It was sweet being with him, much like it used to be years ago, before he started to get somewhat restive in concerts.  It made me very happy.  Afterwards we got soaked in the pouring rain as we didn't quite manage to run to the car, and then we went out for Mexican food.  We shared an order of guacamole, after which G had enchiladas de mole and I had my favorite succulent slow-roasted pork, cochinita pibil.  By the time we got home, after another slow-motion attempt at a mad dash through the freezing rain, we were cold and wet so we just put on jammies and cuddled on the sofa watching mindless silly TV (Journey to the Center of the Earth) which seemed like a fitting end to a lovely day.

     

     

  • Current Knitting


    Picture 2
    During all this upheaval I have been knitting.  My current project is basic stockinette, necessary as my reading ability is really hampered right now until my new glasses come in (next week), and my eyes are different enough, that simple readers don't work.

     

    I've been working on this pattern by Cocoknits called Louisa.  In retrospect I realize that I am probably knitting it in the color shown here, but that wasn't my intention.  I saw a sample of this garment at the Vogue Knitting Live market last month, and selected a color of Habu N-68 Lamb Linen from the colors available, and you see what happened. 

     

    Being somewhat tall and long of torso, I had to do a little lengthening of the pattern to achieve a fit that was flattering on me, as you can see from the rather blurry photos below, which were taken fairly late at night with inadequate lighting.

     

    The first photo is the length of the sweater as written, which as you can see, is too short and hits at an unfortunate position which emphasizes the curve of the hips and thighs in an unflattering way. The second photo shows the sweaters current length, after adding an additional 6 inches of length.  Perhaps longer than necessary, but a flattering length on me, at least if I am wearing this with jeans, which is my intention.  With a skirt or different styling the shorter length might be fine, and I may well consider that option in another version of this sweater.

    IMG_4563 IMG_4562

     

     

     

     

     

    At this point I have knit  the body of the sweater up to the armholes and am about to start the sleeves, which are knitted in the round, then joined to the body and the top is knitted in one piece.  Apparently, I don't have size 7 double-pointed needles so I will be picking those up tonight at knitting as I would much rather use the DPNs than two circulars, which I just find confusing and aggravating.  

     

    IMG_4565 Here is a photo of the body of the sweater so far.  The fabric is light and soft and has great drape.  I am having some worries about whether I have enough yarn.  I did order extra, but I don't know if I ordered enough extra for the six-inch extension.  I probably won't know until I run out, so I might be on tenterhooks for a while yet.  The yarn is available and I can order more; if the dye lots are not similar I have a couple of ideas for incorporating the color change into the design although they may require some ripping and reknitting.  

     

    I wish I had weighed the yarn with the cone when it arrived.  I know how much yarn I purchased, but I don't know the weight of the cone itself.  If I had weighed the yarn on the cone, I would have a much better idea of how much yarn is left.  

     

     

     

  • Burnt

    Yesterday I packed up my kitchen and put it away.

     

    No, that is not exactly true, but it felt like I was putting my kitchen, and by extension a part of myself on hold, like I had made some kind of bargain with the devil without reading the fine print.  I brought my sweetie home.  I was able to start carving out a niche for myself again, only to find that the things that are important to me are slowly being chipped away.

     

    Here's how it happened.

     

    On Monday evening I went to use a particular pot, a beloved pot, and as I pulled it out of the cabinet I noticed that the color had changed from the soft gray of stainless steel to a deep burnished orange-brown on the inside with orange and black spots all over the outside.  This did not scrub off, even with Barkeeper's friend.  It had melded with the metal.  I was, at that point, far too upset to cook.

     

    I did ask E what happened to the pan, and he said it wasn't his fault, he made popcorn using oil from the "waste oil" can, the jar where I store used oil waiting to be discarded.  

     

    Now, one shouldn't use the old oil, but the more I think about it, there had to be more than that because the pan had to be very hot, hotter than is necessary for popcorn, for the oil to scorch into the metal like that.  I've made popcorn in that pan.  I've fried chicken in that pan.  I suppose I should be grateful he did not start a fire, and I am, but I am also still sad about my pan.  

     

    But overheating is an ongoing problem..  Countless silicone spatulas, the kind that are supposed to withstand 600 degree heat, have been melted, including my favorite, the one I use for eggs in the morning, even though it was in the jar labeled "gluten free do not use."  I suppose I shall have to change that to "Mardel only do not use."   He always cooks on high heat. He leaves the pans on the heat with nothing in them.  I smell the hot metal and the burning oil from across the house long before I see the smoke.  Although they are only things, I can't help but feel like my babies are being slowly tortured in front of me.

     

    I've purchased new utensils to separate gluten from gluten-free.  One of my favorite nonstick skillets is scratched and warped.  I need a new slow cooker.  Now I need to replace my 18 year old 5.5 quart Demeyere casserole as well. It is not the price.  I am just as upset about my green silicone egg turner and by favorite blue colander as I am about that pan, although the thought of constantly replacing things is daunting.

     

    Nor is the problem exclusively with this aide, it has been ongoing.  It is a question of care, and the people that come to help G just don't take care, not with things.  They are good with G, and ultimately G is more important than things.  I know this.  And yet with each thing that is lost I feel little bits of myself being lost as well.  I can say that G is more important, but I can't say that the things are not important because each thing is purchased with care and thought:  for years I have been eliminating the chaff, saving only the essential, the things that matter to me, and now those things are being slowly taken away.

     

    I can teach someone not to take a hot pan off high heat and immediately run cold water over it.  I can teach someone not to plunge the electric base of a slow cooker into a sink full of water.  But then someone else comes, and I can't think of everything I need to teach them because so much of this is second nature to me.   I can't come running and screaming into the kitchen every time a pan has been left on high heat empty for 10 minutes "so it will get hot" when I smell it burning from 20 or 30 feet away.  I can't teach someone to take care of things that they don't care about.  I care.  They are my things. I feel ripped apart with each gash in the finish of my favorite skillet.  And yet we need them, the aides.  I can't abandon G just for a spatula or a pan or any other thing that may exist in the house.

     

    I have to adapt. My only alternative is to put the things I care about away until this phase of our lives passes.  I took great pleasure in my heavy "good" pans, I took care of them, I loved using them.  As I cleaned them one last time, polishing the copper on the heavy copper skillet, I felt like I was saying goodbye to old dear friends.  I felt like I had lost "my" kitchen, like there was no point in cooking anymore, like I had lost a part of myself. 

     

    I put up new pans.  Not bad pans, a relatively inexpensive set from Macy's.  It is better to just have pans I don't care about. I don't care about these pans.  I don't care about using them.  I don't care about loosing them. But I also realize it is not about pans at all.  Things melt, things burn, it is a normal part of life, and in normal life, at home with family, I would laugh these things off.  

     

    But this is not about normal life, or not about normal life as I am prepared to embrace it. Even though I made the decision to make these changes, I hadn't really considered all the implications.  I suppose decisions would never be made if we actually considered all the implications involved.  It is about change, and control, and being dragged kicking and screaming to accept changes I was not really ready to make.  It is about opening up the walls to the cozy little sanctuary that is/was my home and accepting change rather than building walls with things. One moment I am embracing the future, and another I am retreating into the past, holding my pan up like a shield.

     

    Sometimes I feel like a stranger in my own house, like it is slipping away from me and I am powerless to stop it.  Here I am trying to reclaim my life but I gain a little something only to lose something else.  Life seems to be a lot like a teeter-totter, first I'm up, then I'm down, and I can't quite find the balance point.  I know we will get there, but sometimes it seems that I hit the ground rather hard.

  • The Promise of Spring

    IMG_4554
    The first small shoots of green peeked up above the ground yesterday.  They gladdened my heart, sparking a frivolous bit of giddy happiness.  Most of the ground is still covered with snow.  The temperatures will once again drop and stay below the freezing mark and we will probably have more snow. But spring is coming.

  • Bad Boys, Comics, Good Suits, Triumph and Happy Endings: Some Escapist Reading

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    I've been indulging in a bit of light reading of late.  It started while the flooring was being installed, I needed a rather mindless escape from the hammering and sawing and general disruption, when I read James Patterson's The Postcard Killers.  I know a lot of people who love Patterson but truthfully I have never really become a fan.  The plots are predictable and I feel no connection with his characters.  In fact, to my mind, the best Patterson books are the ones that move quickly from the get-go and keep moving without any attempt at character development.   As this perfectly describes The Postcard Killers, I was perfectly happy reading it.  It caught my interest and there was enough going on that I didn't  really waste any time fretting over the plot or the lack of characterization;  I just wanted to know what happens next.  In short it was perfect escapist reading and just the thing for those times when you just want to pass the time and escape from reality and thought for a while.

     

    41w90a85xXL Maggie Kozel's eloquent memoir, The Color of Atmosphere, was a much better book although it too was a very quick read. Dr. Kozel's accounting of how she found her calling in medicine, and her journey through medical school, residency, and into practice as a pediatrician, first in the military and later in private practice is poignant and at times heart-rending.  It is also a not too subtle indictment of many of the problems with the health care system in this country.  In my case Dr. Kozel was "preaching to the choir" because I already agreed with her on most issues.  But her story touched my heart and forced me to think more clearly.   The book is not fiction and yet it reads like a good story with the requisite happy ending, while still managing to make you think along the way.  It deserves to be widely read.

     

    7116365-1Then, still feeling rather mentally unsettled, I opted for more mindless fiction. I honestly cannot say that Stuart Woods is a better writer than James Patterson, but I enjoy his books more.  Or perhaps I just enjoy the Stone Barrington novels.  They are easy enjoyable reads and Lucid Intervals was no exception.  The books are not complex or heavy on plot.  There tend to be a lot of dangling ends in the story, but they move quickly and are not particularly violent.  I will also admit that I just like the character of Stone Barrington, not because I would necessarily like him in real life, but because he appreciates a good suit and understands the details of of fit and tailoring and I have a bit of a weakness for a man who likes a good suit and a good bourbon.  Even though I certainly understand the appeal of a man who can be both a little polished and rough around the edges, and I am certainly no prude, the women in the novel continue to be mostly vehicles for sex, with very little development rather than their availability to jump into bed and although the sex scenes in this book are not graphic they seem to be increasingly a substitute for plot.  Unfortunately the main character, like the book, has slipped into a kind of mid-life hollowness where he is still coasting by on looks and his delusions and pretensions, unaware that the promise of his youth has slipped away and failed to gain substance.  I have a couple more of these books.  They will be perfectly good for riding on the exercise bike, which I desperately need to resume, and where I prefer mindless entertainment that merely keeps me pedaling and turning the pages.

     

    3985 Lastly I read Michael Chabon's The Amazing Adventures of Kavalier and Clay, which was in a class far above those previous reads.  Of course Chabon writes beautiful sentences.  Even better he writes beautiful sentences that do not detract from the joy and magic of his stories.  The book perfectly encapsulates its own little world and the reader feels and experiences all of it, words, thoughts, smells, desires.  It is really perfect, and perfectly engaging. Joe and Sam are marvelously drawn, complex characters and Chabon manages to write a book about the holocaust, loss, survival, and love without becoming at all trite or sentimental. In fact this novel, set in the world of pulp fiction and comic book heroes, has all the characteristics of the pulps:  incredible luck and happenstance, adventure, magic, nick-of-time rescues and characters saved from the brink of disaster.  And yet the book moves beyond these conventions, making use of them to tackle serious subjects and complex human issues.  It is literature thinly veiled as escapism, admitting that escapism is often exactly what we need to get through the tragedy of life.

     

    Of course all these books end well.  People move on with their lives, they find happiness or at least the road to happiness.  This is exactly what escapism is all about, the happy endings, the magical unreality and simplicity, the hope that everything will be alright in the end if we just do the right thing.  This is  what comic books provided, as did movies in the golden age of Hollywood.  

     

    But movies have become darker and happy endings, when they occur are hard won.  Sex and Violence more pervasive in escapist fiction, although the good guys still tend to come out ahead.  Perhaps the resurgence of animated films is the modern answer to the pulps.  But that is another post.

  • The Essence of Style

    In this weekend's WSJ magazine, there is a article about Bernard-Henri Lévy.  The following quote has stuck in my mind, wending its way through my mental circuitry, creating a bit of an inner stir:

    Fashion is a language, and what is interesting about fashion today is that there is no longer fashion. That is, there is an appropriation of fashion by people in the street. There was a time when you saw a woman who was a high-fashion model, who was a caricature, a cartoon of real life. But now people are more free with their fashion. The most interesting people make their own fashion out of what designers offer them. Women on the street have become hackers of the fashion world. They break the code; they undo and redo. It is the democratization of fashion today that interests me.

    Fashion communicates a relationship to the world, to one's body. What is the reply to the old philosophical inquiry between soul and body: Are they at war? Are they in harmony? Are they friends or enemies? There are moments in life, in the day, where the two are at war, moments where they are in harmony, days when you feel at war with your body, and days your body is your friend. Fashion says that. Style says that.

    Read more: http://online.wsj.com/article/SB10001424052748704364004576132202535791500.html#ixzz1FAVcPI8k

     

    Levy really manages to capture the essence of much of what I have been thinking about fashion and style of late, and condense it far more eloquently than I could.   

  • First Look at Milan Fall 2011

    GucciColor

    Gucci

    Color is the first thing that caught my eye when I started at the photos from the fall fashion shows in Milan was the color.  More specifically, the exuberance of color and the layering of colors and textures at Gucci and Alberta Ferretti.

     

    The clothes are lovely at both houses.  Gucci showed fabulous tailoring and clothes that are eminently wearable and do not of course have to be layered in a carnival of color, but it is the color itself and the sophistication of the way the colors are combined that has really stuck in my mind.  They are not colors for the shy, but they are not at all carnivalesque either.  The combinations are brash and sophisticated and luxurious, exactly what I, at least, want in fall and winter wear.

     

    Of course it is possible that I am drawn to these colors precisely because it is still February and I am surrounded by the absence of color as winter continues to drag on.   Color itself speaks of luxury beyond the luxuriousness of the fabrics: silks, wools, and leathers. The ability to wear color is itself a luxury.  At least that is how I see it now:  In our industrial gray world, color stands out

     

    FerrettiColor
    As you can see,Alberta Ferretti's colors are also gorgeous, perhaps a few are a little more subtle than at Gucci, but no less gorgeous.  Perhaps the cuts are not as classically tailored, not as timeless, but no less wearable.  On the other hand, I am increasingly convinced that nothing is timeless in life, and for those of us who love color, but also worry about looking like an escapee from the circus tent, this may be our season, a season of sophisticated color choices ripe for the picking.

     

     

  • Color me Gluten-Free

    When I first found out I had celiac I never really planned on keeping an entirely gluten-free kitchen.  G still ate bread and bagels and I managed to maintain some kind of separation of foods, at least for a while.  As dementia slowly took up residence in our lives however, confusion and contamination became constant issues.   So even though I hate fanaticism as much as I hate wasted food, I ended up with a gluten free kitchen.  I had my doubts at times, especially when family was visiting, but gradually I insisted on strict rules.

     

    IMG_4551 Until I didn't.  It didn't work with having other people in the house helping George.  It was difficult to deny someone the ability to eat their own food, and an environment of suspicion is never good in a kitchen or a house.  

     

    I was in fact ready intellectually and emotionally before I managed to have a full structure set up for different foods.  I realized that part of my own insistence that wheat and its ilk not enter the house was a desperate fight for control over something.  I couldn't control dementia.  I couldn't control most of what was happening in my life.  I could control what food went into my kitchen.

     

    Until I couldn't.  Surprisingly, I found I didn't mind. 

     

    Some simple changes were made.  Some were easy things like squeeze bottles for mustard and mayonnaise.  I deliberately chose different toasters, in different colors to help distinguish them, but just in case someone forgot, I also labeled everything.  

     

    IMG_4548 Although I like clean lines, I dislike being sick even more.  Blue painter's tape is a godsend.  Everything can be labeled.

     

    After the plastic utensils were used in hot pans with pasta and gluten-containing sauces, I set up separate sets, again labeling everything with blue tape.  I suppose the blue tape distracts somewhat from the lovely sleek stainless containers (these are wine coolers, which were half the price of the lovely stainless canisters I originally coveted) but they are safer too.  No one has to wrack their brain trying to remember where something goes or what they can use.  

     

    After pasta was drained in my fine mesh strainers I have new colanders and cutting boards as well, the gluten-free ones all clearly labeled "Mardel Only Do Not Use" — clear and to the point. Most other things are glass or ceramic or metal and can be easily washed.  With hard materials there is no risk of stray gluten being burnt into the plastic or caught in little tiny holes or cuts that can't be easily cleaned.  

     

    So far it has been a success, one week free and clear and I'm hoping for more.