Restingmotion

  • Just under the Wire

    We got in from our travels a little early, giving me the opportunity to finish up one of the 2006 UFO’s. 

    I present Rogue :

    Rogue1_1

    modeled in the dark without enough light to see detail, and me in my sweats, but done before the end of the year.

    Here is a little detail of the neckline:

    Rogue2_1

    And the hood:

    Rogue3_1

    The yarn is Tahki’s Donegal Tweed which had been residing in my stash for at least 10 years.  I knew it would not show the detail of the pattern stitches as well as a solid yarn but I knew I wanted to use it for Rogue as soon as I discovered the pattern, in the fall of 2005.

    Although I have not finished as many projects in 2006 as I hoped, I must admit that I am happy with what I have produced.  In fact both Rogue and Mermaid were fun to knit and I love the results.  Both patterns are ones that I will probably knit again because they are so basic and entertaining knits, and they are basic enough and flattering enough to earn repeated wear.

  • Conclusions to The Dark Tower

    Darktowervii
    In volume VII of Stephen King’s Dark Tower series, “The Dark Tower” Roland finally reaches the end of his quest. But does he achieve his “ka”? If we are observant, that question is
    answered at the beginning of the book, on the fly sheet:

    Reproduction

    Revelation

    Redemption

    Resumption

    But we, like most people, are not usually that observant, we note the fly-sheet in passing but it is only later that its significance comes home. Often the important things pass us by, just like those four words. In them are writ the ending of the book, but we don’t notice because we are focused on “the plan” and what is going to happen next. We are looking for the big things, and we forget that the big things are often disguised. Roland forgets this too, and he is far more observant than most of us, but as we were told in the beginning, in Volume 1, Roland lacks imagination, and imagination is a crucial human trait.

    Although at various points in reading this series, and indeed in reading this last volume, I had doubts and felt frustrated at the development of the book, in the end I think it is quite masterfully done.  There is a sophisticated exploration of free will and destiny, of the ways humans perceive and pursue what they believe to be their “paths”. Although the book is not always consistent, for the most part I think it is a pretty brilliant conclusion to a long series. When you look at how King interweaves his own life and career with the story and the entire discussion as to whether King is writing and creating the world (does it exist outside of King’s imagination) or whether the world is expressing itself through King, or are the characters creating themselves through the writing of the novel, you get a rather interesting look at metaphysical solipsism and the many ways in which we can perceive the world, while reminding us that this world does not exist outside King himself (or does it). Philosophy hasn’t come up with an answer either.

    There were a lot of diverse threads and elements, from many of King’s books, not just the Dark Tower series, that get resolved and many ideas that King explores. And yes there were parts of the story I found uninteresting, or I thought were weak, but generally I was not surprised by the ending. But then, I have never been one to think that knowing the end will ruin the appreciation of the book. The signs were all there from the beginning.

    The deaths of Eddie and Jake were not pointless and were necessary, both for their own fates and for Roland. I was at first disappointed in the conclusion of Susannah’s role in this quest, but upon further reflection I realized that it was the only perfect ending. Susannah was the only one of the ka-tet who fully realized her ka, and who also realized that Roland would not achieve his, although she might not have figured out exactly why. I am not sure of this though.

    The coda was the only answer. I do not find it disappointing. Anything else would have been a let-down, a pandering to popular philosophy, a lie. Roland learned a lot. He learned
    to love, and because he did so he was given a key which might make a difference
    in the future. Roland achieved the dark tower. What he didn’t learn is that the
    dark tower, although real, is also a metaphor. He was so focused on what he perceived to be the goal that he marched right over the real goal, regardless of the cost. The cost is high.

    Will Roland learn? Do any of us learn? There really are no answers no matter how badly we may want them. Stephen King has written a masterful conclusion to a rather complicated sequence of books.

  • Laughter fills the house

    When I came home and showed G my new pedicure and my new pedicure socks, he burst out in uproarious laughter, it rolled through the house like a wave and brought a smile to my face.  After all, I understand that he doesn’t understand why I would paint my toes in the winter-time, so why should he, a mere man, understand the point of toeless pedicure socks. 

    Glamorous they are not; but they are warm and fun, bringing a smile on my face as I hurry through the sharp winter wind.

    Pedicuresocks

    The socks were knitted using Artful Yarns Reality in color 2391.  Each sock took a little under one skein, probably not enough less than a skein that I could finish a sock (with toes) with one skein, but it may be close as the ribbing takes up extra yarn. 

    The pattern is the pedicure socks pattern from Knitty, loosely followed, and I like them very much.  I like them so much in fact that I might consider knitting a pair of real socks out of this yarn.  The finished sock is about the same weight as the double-knitted wool socks that I purchased to wear with my work boots and these are so much more fun.  Every girl needs pretty stripey socks to wear with her steel-toed boots don’t you think?

    This is probably the last project for 2006.  I have packed knitting projects for the trip to Tennessee, and even though I packed two projects, I don’t really believe I will finish one.  I had also hoped to finish up the two UFOs from earlier in the year before leaving, but I spent too much of the weekend saying yes to last minute requests by various family members and friends, both near and far, so that I was driven to distraction doing things I didn’t really want to do and had no time for my own projects.  I must learn to say "no".

    The two UFOs will become 2007 projects just by virtue of having been sitting around and loafing much of 2006, much like their creator. 

    Have a very merry Christmas if you celebrate it, and a great week if you don’t celebrate, and may everyone have a happy New Year, just in case I don’t post before then.

  • Holiday Wishes

    Holiday_cheer

    I am off to indulge in holiday festivities, savoring pleasures both adult and childlike.  In between I shall indulge myself by reading about the frivoloties of the fashionable life.

    See you again in 2007.

  • Quick Winter Treat

    I can’t make up my mind which of my large needle projects I wish to begin next, the one I will take with me to work on in the car and during our visit with grandson Owen. 

    In the meantime, I think I can finish this quick project:

    Pedisocks

    A warm cushy pair of pedicure socks out of a new yarn by Artful Yarns called Reality.  I was really just inspired by the color, and the cushy feel of the skein. 

    They would probably be done had I taken with me to NYC on Tuesday.  But I was determined not to lug around a heavy tote during the holiday crush that seems to grip midtown and so I took the hydrangea socks instead; if I am lucky I might have gotten another inch knitted on those lovely size 000 needles.

  • Bryce Marden at MOMA

    While I was in NYC on Tuesday I stopped in at MOMA to see the Bryce Marden exhibit.  It was a lucky coincidence, MOMA is usually closed on Tuesdays, except in the holiday season, and I had been unable to get into town to see the exhibit.

    Brycemardenatmoma
    I’m so glad that I did, it is a spectacular exhibit where you really get a good sense of the Marden’s progress from his early minimalist work through to the later works with their intense layering of technique and use of positive/negative space.  I was overwhelmed and really was not able to spend the time I wanted to just absorbing what I saw.  These are paintings that have a very palpable sense to them, painting that envelope you and draw you in, making you want to observe the details.

    Unfortunately I had one to many glasses of champagne at lunch to apply that kind of scrutiny, and my brain was also befogged with thoughts of the few remaining Christmas errands I had to run before I caught a train back to the exurbs.

    I really feel the need to go back and see everything again; this is common for me if I see something that really strikes me, as if I can’t absorb it all in one go.  I always wished I had better concentrative ability.  Hopefully I can get back before it closes in mid January, it is well worth making the effort. 

  • Merry Christmas Mermaid

    Mermaid is finished! and even before my self-imposed deadline of Christmas eve, but long after I had originally hoped.

    Mermaida13

    I can’t get a single picture of me with the sweater hanging straight.  Am I really that crooked?  If so, I need to start seriously altering my sweaters so that they are more straight on the model (me) and less straight on the table.  I shall see how it works over the next few days.  It is possible that I am just a little more off-kilter than usual today.

    Aside from the photographic asymmetericality I love the sweater, could hardly take it off last night when I finished, although I was not about to take a picture of me wearing it over my sweatpants.  G even noticed before I asked him what he thought, and kept raving about how wonderful it looked.  By all measures, a success.  It was even an enjoyable knit, and I will be making another, but as previously stated, not right away.  I really would like it to be longer, with a bit more flare.  Remember I shortened the godets and make it longer waisted.  The original pattern was far too short waisted for me, and although this looks nice, it would look even nicer if it were longer with more flare and shaping over the hips.

    Still, I consider it quite a success.

  • Trying to find a fiber-balanced life.

    I had some time this weekend for some fiber-related activities and it was difficult to make a choice.  I really wanted to work on the jacket and finish it.  But I also wanted to finish up the sweater I have been knitting so it was really difficult to make a decision. 

    That always seems to be my biggest problem, deciding what I wish to work on.  It is actually quite a luxury, having the leisure to decide what interest I wish to indulge on any given day; the issue is not really that there is no time, but that there are so many options to fill that time. (well perhaps there could be more time as well)  I really don’t stress about this a lot, until I get too many unfinished objects on my plate, a situation I have been approaching again recently.   I think I have finally come to terms with the idea that I am not a particularly focused person.

    Long ago I accepted the fact that I am never going to be one of those people who is focused on a career, a person who defines herself by what she does for a living.  G is one of those people, and I actually know quite a few of them and admire them greatly.  They have something in their personality that I just don’t possess.  I get all wrapped up in whatever I am doing, and whatever job or career I am pursuing until I get bored and then I move on to something else.  I don’t regret any of the choices I have made in my professional life and I have never been one to define who I am by what I do.

    By the same token I don’t really define myself by my hobbies.  They tend to be longer lasting than my interests in various careers, but they too wax and wane.  I actually am interested in sewing now, although I know you have heard more thoughts and dreams of sewing than you have seen concrete results.  Part of this is because it is easier to make time for knitting — I can do it sitting with DH in front of the TV, whereas sewing requires that I isolate myself more.  I feel like I am focusing more on the sewing even though I did not get any sewing time in last week due to the general combination of seasonal activities and the resurgence of construction on the deck, including more meetings with contractors, more errors and oversights, and further changes in the plans.

    The sweater needed to be finished because I want to wear it to Christmas Eve Dinner at our neighbor’s house.  But I also wanted to work on my jacket.  I had hoped that I would be able to wear the jacket into NYC when I meet my friend Mary on Tuesday.  But that was beginning to look less likely.  Aside from the fact that I haven’t cut the lining yet, the weather does not look promising for that jacket.  Despite the warm weather we have been having, it will cool down some, and it will not be warm enough to wear the jacket as outerwear.  The cut of the jacket is not really meant to be a suit-type jacket under a coat, and I don’t think I have an appropriate coat to wear over it.  So that is out.  What a relief.

    Oddly enough, in many aspects of my life I work very well under pressure and deadlines, but not with my sewing and knitting.  Perhaps because this time is for me also a creative and relaxing period, and pressure is not relaxing, nor does it allow the mental freedom to channel whatever little creativity I might possess.

    Finishing the sweater was the right decision for me this weekend. I am wearing it as I write this and it makes me very happy.  I am still trying to find ways to balance my knitting and sewing time, but at least I am free of deadlines and I can be inspired to work on whatever catches my fancy.  The jacket is still high on my list, as are all the other projects I have started this year and never finished. But there is no pressure.

  • Baking (and knitting)

    For many years the act of baking occupied a primary role in the holiday festivities.  I baked cookies, cakes, various coffee cakes and tea breads, and lovely artisanal breads.  These would all be piled into baskets and distributed to friends and acquaintances.  Even though G is not a lover of cookies, tens of dozens of cookies would roll out, some for the kids and even more to be distributed on gift platters, including my annual cookie platter which I take to the local post-office as a Christmas treat.  I get my mail at the post office and the staff there have always been friendly and helpful.  It seems like it wouldn’t be Christmas if I didn’t bring in my usual, huge, 36" tray piled high with cookies, a tray so overloaded I can barely stagger into the post office from the parking lot. 

    But then, about three years ago I found out I had Celiac disease and the urge to bake simply disappeared.  My first attempts at gluten-free baking were not promising, and as I felt somehow betrayed by bread and cookies and cake, I felt very little incentive to work very hard at creating new treats.  I gave it all up, even Christmas baking for others, because those first few years I couldn’t bring myself to buy regular wheat flour and bake all day and not be able to taste any of the results.  As a result there was a big void in my holidays, a void I have struggled to fill.

    One year I made various forms of chocolate bark for everyone on the list.  One year I made several types of macaroons.  I had always included macaroons and candies in my holiday baking ritual, but making them alone seemed more like a concession than an actual celebration of holiday baking.

    This year I tried something different.  I went to the store and bought a bag of flour and made cookies until the flour ran out.  I made raisin cookies, a long time specialty of this house, big pillows of sweet made by taking two over sized sugar cookies and using them as top and bottom over a filling made of cooked raisins.  I made Tassies, little round cookies with a thumbprint center filled with ginger marmalade or apricot marmalade and topped with rich dark chocolate.  I made brownies, several forms of brownies.  I couldn’t eat a one of them, and yes, I also made macaroons.

    It felt good.  I was singing as I baked, and it really feels like Christmas this year.  Most of all just making the cookies has reminded me how much fun I have baking, even though I rarely eat many baked goods any more.  I think I want to explore more gluten-free baking, and next year I want to do more, make more cookies and perhaps even some other things as well.  I don’t have to indulge in the same kind of baking extravaganza as filled my past, but it will be nice to make some things.  And although it was nice to learn that I can still work with wheat flour and bake things for others, it would be even nicer if I can learn to remake some of my old treasures, and find new treasures, so that I can make treats that I can eat and give to others, without their knowing that they are getting something "special" beyond the fact that it was hand-made.  I had forgotten how baking, even though tiring, relieves stress.  I used to bake in college at exam time.  If I was stressed I would reserve the dorm kitchen and cookies would roll out of the oven. I would pile up trays of cookies in the parlors and they would all seemingly evaporate, nary a crumb left behind.

    And what does this have to do with knitting?  Nothing really, and yet baking like knitting, makes me feel calm, and happy, and centered in a way.  The last two days have ended in exhaustion, with me falling into my chair and watching whatever movie offers some kind simple, hopefully uplifting story line, that I can half-follow as I concentrate on my knitting.  I knit until I fall asleep, needles still in hand, probably only part-way through a row. 

    If the television options are too slim even for my pretty loose standards as to acceptable knitting viewing, I listen to a book on tape.  I just listened to The Alchemist by Paulo Coelho, a book recommended to me by more people than I count and also a book I had avoided reading simply because of some kind of mental backlash against the idea of popular, best-selling, uplifting, spiritual tomes, which often seem to be nothing more than uninspired pandering to popular taste.  The same criticism has been leveled at this book, and it is true:  it is filled with cliches, the characters are one-dimensional, the plot is simplistic, there is no complexity or intellectual meat.  You could argue that they are beyond the point of the book, and to an extent this is true.  It is a fable, a parable, a fairy tale and as such it works.  Four hours of listening were certainly more entertaining than the great majority of the seasonal, inspirational, and uplifting movies that are out there, many of which are so saccharine and stridently uplifting that I might gag were I not burying my attentions in my knitting.  Would the book have worked for me if I read it instead of listening?  I don’t know.  I like to savor the act of reading and I am not sure this is a book that bears up to loving perusal.  But I have also long loved fairy tales and fables.  It certainly works as a fable.  Perhaps I enjoyed it simply because it was well read.  Perhaps I enjoyed it because I listened at this time of year, this holiday season which is supposed to celebrate so many of the simple and important things, and which gets lost sometimes in the spirit of "buy more", "decorate more", "throw a better party", and "do more".  It is nice sometimes to put the cynicism and catty comments aside and just enjoy. Knitting has its own simplicity and its own peaceful rhythm; that too sometimes gets lost in the rush to finish and the urge to start new.  Sometimes it is nice to sit and enjoy, to unwind slowly, to fall asleep, yarn and needles in hand.

    Too bad it probably won’t last.

  • Lessons Learned

    No sewing yesterday.

    There was, however, lots of thinking about sewing, mostly thinking about
    sewing successes and failure and about the writing and posting about sewing
    successes and failures. Have I mentioned
    that I think FAR too much?

    I finally took a pile of old clothes to the donation center
    yesterday, and in the process I got rid of the green coat. It has been much on my mind. Why, you might ask? Why fret and dither about a coat that doesn’t
    fit and is more of a sewing failure than a success? Why even post a picture and discussion of a
    coat that is not up to par, and in fact was not quite up to par at the time it
    was made? Why two posts about the same misbegotten project? Well precisely because it was
    misbegotten. Hopefully I have learned
    from my mistakes, but I also need reminders here and there, and my posts are as
    much about as what I need to remember as they are about what anyone might want
    to read.

    I might prefer to remember only the success stories in my
    sewing journey. And a reader might
    prefer to read about fabulous stylish garments that they can dream of making
    (not likely here though.) But sewing is
    also about mistakes and lessons learned, or not learned, and sometimes the
    failures are as important as or more important than the successes.

    Hence the green coat. Again.

    The biggest problem with the green coat is a construction
    problem. It is glaring and I am sure
    that all you astute readers noticed it right off and are too polite to point
    it out to me.  This is not the shoulder problem, which really varies depending on what
    I wear under the coat. It is not the
    little wrinkle in the hang of the left sleeve, which is actually caused by the
    excess padding I stuffed into the left shoulder so that the coat did not
    collapse like a deflated balloon (and this accented the problem with the right
    shoulder as well).

    The problem with the green coat is the front closure:

    Greencoat3

    I have blown it up here to remind you. You can scroll down two posts for the full
    coat.

    The front band pulls where I have attached the hooks. The coat obviously needs more structure here to support the weight of the hooks and the bulk of the bands I used to attach them. I obviously needed a different or more interfacing in the front of the coat. I
    did not fuse the front coat pieces to a fusible interfacing like Textured Weft
    and this would have helped considerably. This was obviously a lack of planning. I could have reinforced the area later by taking it apart and adding
    interfacing to add strength to that area.  I could have remade the tabs or the bands. I didn’t because I already saw
    other problems with the coat, and had decided it wasn’t worth the effort.

    And yet I still wore the coat and even loved it despite my discomfort with it. Why? One reason is I loved the color of the fabric. The color makes me happy. Also it was warm and light. Thirdly it passed the DH test, who loves it, despite its errors which he noticed, but said “bah” As he pointed out, most of the droopy, saggy, cheaply made wool coats I see in my town all winter bag and sag and look
    pathetic within an hour or two of being worn the first time and this coat did none of those things. An attractive scarf draped over the front hid any imperfections, which probably only I
    noticed anyway.And lastly it is good to be reminded of our imperfections.

    Even though I have finally given the coat away, there
    are things I want to remember and learn from this coat, aside from the obvious
    things like thinking out the construction and interfacing in advance, planning
    design details (like overlapping the front bands so that air didn’t come in the
    front of the coat, and accommodating figure variations.

    Lessons from Green Coat:

      1.    Don’t be afraid to use good fabric. This coat was good alpaca/wool coating. I don’t regret using it even if things didn’t turn out the way I wanted. Using good fabric saved the coat and made it wearable. Also, using fabric you have is better than buying more, especially buying
      something you don’t really like because you are afraid to make a
      mistake. Fabric that is not used is
      wasted. Fabric that is used is not,
      even if the garment fails. There is
      always something to be learned and I don’t mind learning even at the cost
      of good fabric. Strike it up to the
      cost of education. Failure is being
      afraid to try. If the coat had turned out perfectly but I had hated the
      fabric it would have been even more of a disappointment and would have
      still been a failure.

      2.    Don’t
      take complicated detailed projects to sewing camp. This should perhaps be lesson #1 for
      me. It is not that a beautiful
      tailored garment can’t be made at sewing camp. I know plenty of women who have done
      it. But not I. When I am working on a project like
      this, I need to lay out my materials and dance around the project. I need to play with different
      interfacings, I need to hog the press and the ironing board, pressing and
      leaving things to cool and dry. I
      need time and space and a clear head. There are people who jump right into a sewing project and made
      decisions on the fly, turning out very successful garments as they do
      so. I am not one of those
      people. I think too much. At sewing camp I share cutting tables
      with 9 other women. We share
      ironing boards. I don’t bring my
      full interfacing collection, and mostly there are 9 or 10 other brains
      thinking and contributing and adding distractions. Those distractions are PRECISELY what I
      love about sewing camp. I come back
      inspired and I look at things in new ways. But when I have made tailored jackets, or this coat, the garment is
      nice, but it is not what I would have done at home in my own sewing room,
      and so there is always a little bit of disappointment there. When I have made simpler, less
      structured things, I have been much happier with my results. I need to learn from this coat and plan
      accordingly. There are lots of
      things I can sew at camp and I always come back from camp revitalized and
      ready to try new things. Sewing camp makes me more free-spirited. I need to plan my projects accordingly.

      3.    I need
      to think more about the style of what I sew and what I really wear. The biggest disappointment with the
      green coat is that it is too classic. I find it boring. I thought
      I really wanted a classic coat; I thought that too many of my coats made
      statements, I though I needed a quiet, classic, timeless coat. I was wrong. The coat is most definitely not me and
      it would not be me even if I fixed the errors and altered it to fit; I
      suppose that is why I never bothered. The coat goes with everything and yet it doesn’t fit in. It reminds me of a time when I was
      dating my husband and he took me to meet a bunch of his old friends. He said I was always “too dressed up”
      and that everyone always wore Frye boots and LL Bean. So I tried to dress accordingly. I wore Frye boots (I actually did own a
      pair) and a very preppy button down shirt, Shetland sweater and
      cords. I looked like everyone
      else. And even though I was still
      painfully shy in those days and I would think that I would have been
      happier looking like everyone else and “fitting in”, I was miserable. I didn’t feel like myself. As a result I couldn’t act like myself and was even more reserved than usual.

    I am 48 years old and I am still learning how to wear what I want, not what I think other people want me to be. I need to think about this when I sew something. I need to ask myself is this really what I want? Is it really what I need? Or is it what I think I am supposed to want and need?