Category: Home

  • Vibrating the Sinews of my Brain

     

    2015-03-25 14.22.29

    Last night, as I settled into my seat at the Bijou Theater waiting for the concert to begin, I wondered if being there was really a good idea.  It had been a long day.  I had not slept enough the night before and had managed to get myself through my morning meeting only by virtue of a steady slow stream of caffeine. And although I was fine during an afternoon with friends, I was fading fast during the drive home from Farragut. Traffic was heavy and slow, and I found myself drifting off to sleep at traffic lights. 

    I had 20 minutes at home, enough time to feed Tikka and Moisés, and take Tikka for a far too short walk while I drank a double shot of espresso.  Then, knowing that I had been waiting for months to hear The Bad Plus and the Kronos Quartet in Knoxville, I headed downtown.  It was worth a try and I could always head home again.

    In the end it was well worthwhile. The first concert I attended was a performance by The Bad Plus.  In the opening they sat on stage, a video behind them, recorded music….. but the instant they began to play I snapped out of my transitional fugue into bright sharp alertness.  It was as if sunshine filled my body and every cell blossomed forth in alertness, and I snapped to attention. 

    They began with their reimagining of Stravinsky's Rite of Spring, and the way in which I find new understandings every time I hear this work continues to amaze me., To both see and hear it live was a marvel.   Drummer Dave King's mastery of techniques and the way he coaxed and controlled sounds made me wish my grandson Owen could be watching and listening, even though I am not sure I really want him to hear the Rite of Spring quite yet. I knew that piece of music when I was very close to his age, but now I am more protective, I don't want him to hear what I hear in this music, although of course I have no memory of what I actually heard when I was 9.  At least The Bad Plus's vision of The Right of Spring is not as brooding and menacing as the original and lacks that sense of bone-crushing darkness that the best orchestral performances bring to the Rite.

    I was sitting near the front, in front of Bassist  Reid Anderson, and his technique, sinuous and controlled, forceful and gentle, was fascinating.  For once I was not watching the pianist, not that Ethan Iverson isn't worth watching at any time.  It was a fabulous performance, vibrant and alive, and incredibly moving and thought provoking, both the Stravinsky and the group's own compositions.

     After the concert I felt eager and alive and filled with excitement, much in the way that my 20-something self would be filled with excitement after heading off to BAM.  I knew I wasn't ready to head home.  I saw a young woman, a friend, hepped-up, and excited and I remembered those days, when I would be virtually vibrating with excitement and energy.  Alas no more; by brain was buzzing but my body was continuing to wilt. 

    My plan had been to attend the Kronos Quartet concert, but I wondered, temporarily, if I should head off to hear Tyondai Braxton instead as that performance was shorter.  I opted for the Kronos Quartet, and in retrospect I think it was a good choice, for me.  Once again the music revived me.  Yes even the music of minimalist Terry Riley, plucked at the sinews of my brain waves and caused them to vibrate in excitement.  The Cusp of Magic is a quintet, written for the Kronos Quartet and Wu Man, who performed it last night.  It was a fascinating and marvelous piece, simultaneously jarring and soothing, a piece of music with very controlled effects that somehow seem serendipitous, as if you alone are just learning something for the first time.  This closing (for me) concert made me think of the way the world exists in multiple layers and levels, and the way we find our way through the fractured prisms, thinking we are on a clear path, and only occasionally being startled into realizing that what se see is just a fragment.

     

    2015-03-28 09.40.07

    All in all it proved to be a good day, full yes, but filled with individual activities that still seemed somehow to mesh together into something else. And it was honoring this wish within myself, to indulge myself in the music, that brought it all together:   The photo above is of a bottle stopper I purchased in Sweetwater during my afternoon shopping trip with friends.  It is made from a vintage pool ball, and although it is a little large and heavy on the bottle when viewed solo, I love the way it fits into the liquor case amidst the other bottles.  The photo reminds me somehow of the fracture lines of thoughts in my mind following the concert, or is the music that makes me fond of this photo? Perhaps a little of both.

  • A Happy Place

    I've been a bit under the weather since Sunday night.  Just a cold, but a nasty one….

    2015-02-11 19.32.14

    Actually I don't know if I've been contracting one cold after another for the last couple of weeks, or if I've just been dancing with the same cold and not really giving myself time to recuperate.  So this week I am deliberately taking myself out of commission and only doing what I absolutely must, in the hopes that I will kick this thing once and for all. 

    2015-02-11 19.30.17

    I am better than I was however, and that is all to the good.  Yesterday afternoon I finally finished putting photos up on the stairwell wall.  As I was winding down for one of my all too frequent breaks, the phone rang and I simply sat on the stairs to chat.  As I talked I would look up at the wall, at photos of family, known and unknown, and it occurred to me that I was sitting, in that very moment, in a very happy place.

     

  • Follow Your Heart, or A Review of One Man’s Folly by Julia Reed

    When I posted my 2014 book list, I promised a review  of this book.   

    Screenshot 2015-02-05 07.11.43

    I purchased it in December, a mere two months ago, and I am still picking it up and perusing its pages numerous times per week.  What inspires me is that this is not so much a book about how to design a room or a house, but a paean to one man's idiosyncratic vision.  The photos, and the text are filled with interesting details and with character.

    Although many of the rooms and surfaces are too cluttered for me, I am often intrigued by the ways Mr. Gatewood places things.

    Screenshot 2015-02-05 06.41.54

     

    Besides, who is not to say that by the time I am in my 90s I won't have accumulated a pile of beloved things myself.  I find the idea of buying, collecting and living with the things you love very comforting.

    Screenshot 2015-02-05 07.11.24

    Of course it doesn't hurt the we share a few biases.  The windows in his houses all have shades or blinds, or perhaps nothing, but no curtains.  Much as I love fabrics I am not really a lover of curtains.  In this house I have translucent shades that let in some of the light but block some of the view of my neighbors, who are a trifle too close.  In my first house, before I knew George, a sprawling victorian thing, I had bamboo roller shades, which I adored.  

    Screenshot 2015-02-05 07.12.34

    There are also a lot of bare floors, and painted floors, and some rugs but the rugs are obviously loved in and of themselves, their selection is as idiosyncratic as the rest of the houses. I love the contrast of textures and styles, simple and elaborate, rough and smooth, polished and rustic.  I love the way Gatewood builds a house around a beloved architectural detail, the way he mixes high and low, but mostly the way everything fits into one man's aesthetic, even though the objects themselves, taken individually seem as disparate as can be.

    Screenshot 2015-02-05 07.12.01

    But I suppose what I love most about this book is the way it makes me wish to honor my own taste and my own vision and stop worrying about what a house "should" look like and trust my gut.  It reminds me of the young woman I was in my 20s who only wanted to buy things she loved, who would rather have no sofa than compromise.    

    Screenshot 2015-02-05 07.19.22

    Well, obviously I compromised over time, and will probably continue to compromise.  One can't really live in relationship with others without compromise.  But I am reminded that we have a choice of when to compromise and with whom (or what).  I'm reminded my home is my sanctuary, it should be filled with joy, with people and things that bring me joy, and if not, where else would I go?

     

     

  • Dressed

    The mantle project turned out to be not so daunting after all.  Perhaps success simply follows from finally having the furniture arranged in a way I like and use.  Perhaps success comes from just letting go, trusting my instincts, and not trying so hard.

     

    I must thank Lisa over at Privilege for her comment on using paintings on her own mantle, as she prompted me to look at the small row of prints, paintings, and photographs that is in the guest room, awaiting placement.  There were two photos there, taken by George, that had not yet found a home.  They have now:

    Fireplace Detail

    In front of them I placed a brass pharmacist's mortar and pestle and a tiny wind-up car, salvaged from a miscellaneous toy box.  I like the scale of the very tiny car with the oversized mortar and pestle, and the brass, black, and gray pick up the colors of the painting above, its frame, and the mantle itself.

     

    Tricia's comment about balance also made me think, as this is an issue I struggle with to some extent.  I save photos of beautiful symmetrical arrangements even though it seems that I am more often attracted to balanced asymmetry.  I prefer odd numbers, I prefer to play with scale.   I would say I do like balance of a sort, and I don't reject symmetry outright, as evidenced by the symmetrical planter arrangements outside my garage,  but it is not my default mode.  I suppose part of my struggle with the mantle is that the room is already shaped by both the symmetry of the windows flanking the fireplace combined with the very real absence of any architectural detail in the room as it was built.  I altered that sense of symmetry by having the bookcase built along one wall, and although I couldn't articulate until now, I believe this was part of my struggle and also a part of my solution.  My first thought upon putting up the photos and objects on right side of the mantle was that I needed a single tall narrow object on the left to provide balance. It wasn't until after I stood back and looked at the room as a whole that I realized this mirrors the balance of the room (which I regretably cannot capture without a wider angle lens than I currently possess) with a single tall object on the right, and many smaller objects of varying heights on the left of the fireplace.

    Fireplace1

    Of course all these thoughts and words may just be stuff an nonsense.  Perhaps what I really need is to just sit myself down and study some of the basic principles of design.  But I am happy with the final result and even happier to have found a solution using items that were already floating around the house. The simple truth is that I just don't have the patience required for hunting down perfection.

  • Bare

    The mantle is bare again and it is a rather sad and lonely thing.

    Bare mantle

    It was so festive over Advent and Christmas.  Exuberant even, and I love the pure excess of it, although in retrospect I might tone it down just a little bit next year.

      Christmas Mantle

    But now I am back to ordinary time and my still bare mantle. 

     

    It hasn't always been completely bare.  Various items have taken up temporary residence, but none have lasted long.  The painting stays. One would have to be very convincing to get me to move it.  But the rest of it seems to be beyond me.

     

    I have no experience with mantles. There were two fireplaces in the house in Hyde Park, but neither was traditional, and one, a large stone fireplace between the kitchen and family room, had nothing that could even remotely be considered a mantle. The second fireplace was modern, and free standing, and had a shelf on four sides that was perfect for displaying art and small objects, but it was nothing like a mantle.  

     

    I can collect pictures of mantles that inspire me, but translating the ideas to my own house, seems to be beyond my ken. I've tried going out looking for specific types of objects, shopping with a specific idea in mind, but that hasn't really worked for me either.  My insistence that everything has to be loved or have some particular meaning in and of itself before it is purchased has foiled me.  I am sure perfect things exist, but they elude me.  I am stymied.

     

    I am hoping now that the room is more settled, now that I have furniture arranged in a way I like, the mantle project will become easier, my attentions more focused.  Perhaps not.  Nonetheless, let the mantle project begin.

     

  • Hello Readers.  Do you feel I have been neglecting you?  It is true, I have, and deliberately so.  It is not that I have nothing to say, because I have plenty to say.  It is not that I have lost interest; I have not.  Nor is it that I am too busy, because I could in fact make time for this blog. 

     

    Instead I am unpacking.  I am cleaning closets.  I am releasing my New York self. I am ready to move forward, but first I must clear out the clutter and chains of past dreams, past stuff, that weighs me down.  My public life cannot stop, nor would I want it to, but my private time needs to focus on this physical and mental clearing out of the stuff that hampers rather than encourages growth and happiness. 

     

    I will return.  But for now I am where I need to be.

     

  • Plans

    I'm late.  Apologies.  I'm also traveling.  Oh well.

    Last year I got bookcases.  This Fall I am finally landscaping the yard.  My intention had been to start in the Spring, but well, Spring didn't work out the way I planned.  Lying in bed, looking out my bedroom window at the bare hill and exposed clay however, helped me to stop equivocating about what to do and move forward.

    Before: 

    2014-09-16 08.08.23

    The view from my bedroom window.  So appealing don't you agree?

    2014-09-16 08.08.48

    The view from the windows in the sun room.  Also inpsiring.  Begs one to sit curl up and stare out the window, doesn't it?

     

    2014-09-16 08.10.06

    The view from the street, no so bad really, but not great.  Lots of bare patches.  The planting beds are really jut piles of clay with mulch on top.  The plants do not thrive.  I have finally accepted the fact that my back is not going to support digging through clay.

    Work begins this week, mostly weed-killing, marking, and preperation for the sprinkler system.

    These are the plans, the pictures will enlarge if you click on them, although you still may not be able to fully decipher the writing.

    IMG_8502
     Front yard:  same layout of beds, expanded slightly and rearranged.  The two River Birches will be removed and replaced with other trees.

    IMG_8503

    A long bed will run along the length of the side of the house.  The bare areas on this plan will probably eventually contain a mixture of daffodils and daylillies along with other plants.

    IMG_8504

    The back of the house (first photo of the bare hill).  This promises to be much more interesting.   It should also discourage my neighbor from driving across my yard in his truck to deliver mulch to his own gardens.

  • Playing with Color and Pattern

    The dining table is covered in china.  Old and new, a mixture of styles, periods, qualities, the accumulated bits and pieces tell a story and create a history.  When I loaded these things into the car I was not sure what I would do with the pieces.  As I opened the boxes and placed pieces on the table, mixing them with pieces I already owned, I was surprised at the many ways all these disparate bits fit together and made new connections.

    Chinacollage

     

    Rather than create a panoramic shot, I intentionally made a collage because I am intrigued by the sometimes surprising ways things mix together.  I am also intrigued by questions of taste and style and the way our style is a reflection of the accumulated influences of our lives and the people we have become.  Hence, you also get the headless photo of me as well as the china.  But more about that later.

     

    Style in dress shows the self we wish to present to the world.  Increasingly I think our homes also could reflect ourselves, although in a more intimate and private way.  Also our homes may be shared, reflecting influences of those we love, and the meeting of these influences and choices is also a more personal interaction.  As for me, I am realizing that my love of pretty dishes is where I let my more romantic inclinations run freely.  Tables are for sharing with others. But I also think the act of setting a table, of putting out china and glassware, of making it pretty, rather than merely functional, is a very romantic thing.  I like the romance of the meal, not just the nutrition offered by the food.

     

    But this idea of romance and style, the personal and the public, and the way our environments and our choices in those environments reflect aspects of ourselves, remains a relatively new chain of thought.  I have formed no cogent conclusions. And yet I see a portrait forming.  And although I recognize it as a portrait of myself, I also recognize that the image that is emerging does not coincide with the words I would have previously used to describe myself.  Am I so bad at self awareness?  Perhaps. But then again, perhaps not.  It may be a question of acceptance, of accepting this softer side, of allowing vulnerabilities to show.  

     

    Or I may just be full of  baloney.

     

    On this table there are dishes belonging to my great-grandmother, my grandmother, and my mother.  There are dishes that George and I chose together, dishes George bought for me as gifts, things I chose myself. There are dishes with direct ties to memory, and others that really mean nothing to me, that have no significance other than the fact that they were on my table. My mother wanted to downsize.  I still like to play with pretty things and set pretty tables.  I chose the pieces I would take so it is not surprising that they should work together.  Many of the pieces are not strong, dramatic, full of contrast.  I am not a person who loves high contrast.  I am not a person who loves white plates, although I did indeed go through a brief period where I thought I did.  It wasn't that I wanted white plates, what I wanted was clarity, and that is another story.

    I like the way the pieces work together, sharing similar colors and shades, without bold pops of color, without high contrast and drama.  I don't like full sets of china, all the pieces belonging together, but I do like things that work together.  This is also how I like to dress. I like color and I like to coordinate, but I don't want to be either too matchy-matchy or to wear too much contrast. Hence the headless outfit. My feet won out over my head because I love the way the soft colors of the outdoor carpet harmonize with the colors of the concrete, adding subtle gradations of texture and color, just as I also love the way my grandfather's planters and the flowers blend with the bricks and the door and the reflections of greenery in the window to make a harmonious whole.  It struck me today that the things I love and even who I am and the choices I make all arise out of my own personal history and decisions, but that the origins of these things have roots in the histories and the choices of the people who influenced my early life even without my conscious awareness of their influence. 

     

    Welcome to my front door.  Welcome to my house, my table, my blog, my world. It is not a perfect world, no world is, and there are all kinds of disjointed and inconsistent bits and bobs milling about and a few rough edges here and there. But then rough-edges-are-us, we humans.

     

    The photo can be enlarged with a mouse-click.  The small inset photo above my shoulder shows my colors in indoor lighting, where they are softer.  Outside the outfit is a little bright, and I feel a little more exposed by its brightness, but hey, those rough edges are always popping out despite our best intentions. 

     

  • Filled with Inspiration

    Increasingly it seems that joy comes from celebrating the little things and gradually letting fears and worries go.  Of course that isn't completely possible, but it is a good goal.  I hope I remember it a year from now.  

     

    Today, these are the things that make me happy:

     

    1.  Stepping off a curb and not feeling a small jolt of pain.  The ease of stepping down and walking on without pause,  as if stepping off a curb was a normal part of life, which of course it is, was pure pleasure.  Later, I intentinally stepped up over another curb, intentionally striding across a tree root, just to prove to myself that the world will soon enough be mine to amble across at will.  It is the pure mundanity of it that thrills me.

     

    2014-06-18 22.00.10

    2. This chocolate. It is really a little sweeter than I usually prefer, and it is not silky smooth,.   The stone-ground grainyness of it is pleasing however, almost enhancing the intensity of the chocolate as it melts on the tongue.  The texture brings a new dimension to the chocolate, a dimension I didn't realize I was missing. 

     

    2014-06-18 22.00.01

    3. My mousepad.  A simple collage of photos of clothes gathered from the web a few years ago.  It inspired me anew each and every day. 

     

    4. Driving over a speed bump, no matter how slowly, and not feeling that deadly settling thump of the rear tires coming down with the accompanying leaden jolt of my back against the seat.  It is a pleasure not to dread the next speed bump.   

     

    EntryMirror

    5. The reproduction sun mirror in my entry hall.  Massive and yet delicate, reflective and yet cloudy, it makes me smile every day and reminds me that promise and art are all a state of mind.  I also just realized that I have no idea what is reflected in the mirror in the above photo.  Somehow that makes me very happy.  

     

    6. The large painting in the entry hall, also seen in the above photo.  I knew that painting would go on that wall the moment we agreed to buy the house.  It is nothing fancy, a student painting, a painting George and I both saw lying on the floor waiting to be hung for a student exhibition at Vassar College, a painting we instantly knew we wanted in our living room.  Now, surrounded by the sun mirror and a few smaller prints it is no longer lonely, my entry hall is no longer bare, and as my life is becomes full with the things that are important to me, these objects provide a background of comfort and familiarity and joy. Not really significant in and of themselves, they are  artifacts of a life well lived, and yet open to all the life that is yet ahead.

     

     

  • Welcome Home

    Remember a few weeks ago, when I posted pictures of my newly-filled planters? Do you remember how thrilled I was at just having been able to make this small outside effort, as if by marking some territory, much like posting a flag, I was claiming that I was back in the world?  I remember.

     

    It seems sometimes that I am still there, simply marking my territory.  It is true that much of the world, and our acknowledgement of our place in the world, hinges on maintaining a complex web of appearances. After we have no way of knowing someone's inner life, or the shape of other's private lives, nor should we.  In much the same way, no one really cares that I am managing to clean out my closets, and that decisions I could not make months ago, decisions about truly insignificant things, like what to keep and what to discard, are easier now.    Nor can I really share the immense sense of satisfaction that comes with clearing off a shelf, or a drawer, or the accomplishment that I feel when I discover that I don't need to hold on to things for someday, that they would benefit others more, and I simply let go.

     

    But sometimes, lurking on the surface, there are hints of the depths within.  Some of my neighbors have beautifully laid out and maintained front yards, artfully decorated front porches. I don't think I have a gift for decor, although sometimes things go together well.  I'm not good at design for design's sake. Everything has to mean something to me or I see no point to it.  As  a result, far too often things are left undone.

     

    This spring however my front porch offers a little more insight into the resident within than had previously been the case, at least for those who are inclined to notice. In the process of downsizing to her own smaller house, my mother shipped me these planters. I hadn't remembered them specifically, and once I might have claimed they were not to my taste, but now I adore their Texas stars, their graceful beauty, the fact that they were made by my paternal grandfather. These planters are part of my history and a reminder of how I became the person I am today.

    Papoo's Planters

    Every morning, when I take the pots out of the planters and rotate them to insure that all the plants get adequate sun and water, I think of my grandfather.  I called him Papoo.  I think of the beautiful things he would make, of his big heart, of the way he would take time to  tell stories, and examine rocks, and bugs and plants with wee grandchildren, and tell us about the world.  I am grateful to have this reminder of him, this beloved grandfather, my step-grandfather actually, who was not so beloved by his step-sons, of whom my father was one.  But my father's animosity couldn't stop me from loving Pappoo all the more fiercely, and now the planters he made grace my entry, battered and dinged though they may be just as we all become battered dinged by a life well lived.

     

    But the planters themselves are important only to me. It is the flowers, and the attention needed to maintain them, that signals invitation and well-being to friends and neighbors and even to oneself. I suppose that making an effort, not to be fancy, not to be something one is not, is also a way of reminding ourselves that we too are capable and organized and not overwhelmed.  Perhaps keeping up appearances is something like smiling.  Research seems to show that smiling, and having those smiles returned, actually seems to make people happier.  Paying attention to the front we present to the world shows not only the world, but inner self, that we are paying attention.

     

    And yet, we are always a bit rough around the edges, although some of us prefer to put forth a more manicured front. Obviously I did not bother, here, to sweep the walk.  My front porch is no better groomed than the rest of my life. The photo was taken between thunderstorms, before my evening walk, and I saw no point in straightening what would only become wind-blown once again within an hour's time, if the forcast was too be trusted.   It was.  I was drenched.  The rain began when I was still 250 yards from my house, on the last leg of my loop. I can't run yet, but luckily I don't melt either.  And I found a welcoming place to stop and take off my sneakers and pad gently through the house.