Category: Books

  • Abandon all hope….

    Of coherent thought at least, of being able to string together sentences, or even more so, whole paragraphs…..

     

    I am still in nesting mode I suppose, and scattered.  There are days when I have plans and ideas and those plans are constantly interrupted by other necessities.  Then, when all is quiet I pick up the pieces and try to finish the myriad half-done projects.  It is minor.  It is a privilege actually, but that does not mean there are not days when I do not wonder if I will ever be able to think again, much less write.  At least I am able to connect my computer to the internet, and the solution was all my doing.  After a couple of phone calls, I realized that all Apple support was doing was trying to follow a chart, a rote if-this, then-that routine that was skirting around my issues and never getting to the heart of it.  Sounds like a metaphor for my life at the moment.  In which case there is hope after all.

     

    This past weekend was the first weekend in which there were no workmen here.  You might think I would have gotten a lot done and I would argue that this was not the case, that I spent a lot of time just reveling in the silence, and that would be true.  It was also a working weekend for me, as the first weekend of the month is my altar guild weekend, and I had a funeral on Saturday and then church services on Sunday.  I don't really like Saturday funerals because they interfere with my Saturday Farmer's Market habit, but in the end, doing what you want to do is not where meaning comes from in life.  Meaning comes from helping others.  And need rarely cooperates with want; helping someone when you are least inclined to do it because you are tired, or frustrated, or had been planning to do something else taps into the essence of our humanity.  When we interrupt our own ego-driven pursuits and help others we open ourselves up to joy.  

     

    Besides, altar guild suits me.  I like the idea of making sure that things work, that everything is pretty, and that what you need is there and ready, and not having to be the public face of anything.

    Screens

    I finished organizing the kitchen, putting away the last few things that were stacked up, waiting to find a home.  Oh there are a few glitches here and there, a couple of extra shelves have been ordered, and space is different from my previous kitchens so the organization needs a bit of fine-tuning.  But basically it is done, and just in time as well.  The painters came in and finished up today, installing the hardware for the windows and the screens, my wonderful side-opening screens, there when I need them and out of  sight when I don't.

    Library

     

    I spent the biggest part of the weekend organizing books.  I'm still only about half done, but it is of course getting easier simply because the pile of unsorted books grows smaller and smaller so finding things is faster.  I actually have far more bookshelf space than I need, which seems like a minor miracle, and I may have to space the books out more on the shelves.  For a few moments I thought of all the books I gave away and donated before moving to Tennessee 7 years ago, but no, there are actually very few books that have been replaced, and a library needs room to grow….

    Linen

    And finally I spent time knitting and reading Ninth Street Women, which I adore.  These women amaze me and I love the way the author interweaves the story with themes from their lives and their art, not necessarily always chronologically but in a way that makes sense  in the flow of the art and the relationships, which, to mind at least, is how our experience of life tends to evolve, chronological yes, because we can't avoid time, but also simultaneously separate from that chronology, because what matters to us, and what shapes us, has its own way of interfering with timelines.  The knitting is going slowly simply because I knit with linen more slowly than I can knit with wool, but I now see enough color that I eagerly look forward to the next change.  My knitting is much like the book in a way then, worth any added effort in the revelation of what appears next.

     

     

     

     

     

     

  • Puttering in the kitchen

    I was tired this past weekend, and I gave myself permission to be tired.  I am not certain that this was so much a physical tiredness, as it was a physical manifestation of a basic introverted sort of emotional and psychological tiredness.  I needed to be quiet, to be still.  I needed the house to be quiet and be still as well.

     

    The stonemasons were here early Saturday morning laying bluestone on the back patio and walk in preparation for the rain that was supposed to come on Monday.  The rain did indeed come and the masons returned yesterday, but that is another story, for another day.  While they were working on the back patio, I trekked downtown to the Market Square Farmer's Market.  I came home with this haul:

    MarketHaul

    I returned home just as the masons were leaving, for which I was grateful.  I needed to work in the studio, hard pressed against a deadline, and did not look forward to traipsing back and forth across their workspace.   But before I could get to work I needed, at a minimum, to unpack.  I was too tired for my normal wash and prep work, tired enough to worry that I would make my deadline, even without the added kitchen work.

     

    I did however, also need to eat. In my bag were some chanterelles and some lobster mushrooms (upper right corner, on the paper bag).  I saw the lobster mushrooms first, and initially turned down the chanterelles because I had already purchased the lobster mushrooms.  But I went back, my mind filled with dreams of a late breakfast of eggs and chanterelles.  Initially I planned an omelet,  but by the time I sautéed the chanterelles I was so needy for sustenance, that I just turned down the heat to its lowest setting, and scrambled the eggs slowly in the butter and mushroom juices.  No regrets, just deliciousness.

     

    I didn't even fret about not doing my usual round of food prep and cook-up.  I accepted that I was tired, that my schedule was actually pretty open, and I could allow myself to do as much or as little as I wished.  I gave myself permission to putter….

    Cookbooks

    And somehow instead of cooking I felt like organizing cookbooks.  Slowly:  about 16 linear feet of shelf space over three days.  As I sorted, I would pick up a book and glance through its pages, perusing volumes that have become like old friends, and when I was tired I would walk away to return later.  No added pressure to do anything.  In many ways it was like an extended visit with old friends; with  a few new acquaintances thrown in as well. I still have my first cookbook.  I still cook form it, although only occasionally now.  But my collection isn't exactly about recipes, although that is part of the story.  I have books that I love for what I have learned from them, how they have changed my attitude and understanding about food and cooking, and my skills, whether or not I follow the author's recipes or not.  And of course there are new books in there as well, new friendships to be formed perhaps, although I realize that some of the new cookbooks will not mesh, and will be replaced.

    Lidia

     

    I also spent part of the weekend rereading Lidia Bastianich's first cookbook, La Cucina di Lidia which was written before her PBS show, before she became a celebrity chef. It remains one of my favorite books.  The food is simple and true to its nature and source,  It is filled with memories for me, but also with inspirations and things I still want to cook.  It is delicious to read.  I spent a lovely afternoon knitting and reading, also remembering, but not in a clinging nostalgia-ridden way.  I remembered going to the Italian Market in Poughkeepsie, the one that would have baskets of fresh snails and I remember buying them and cleaning and cooking them, I remember learning to cook tripe.   Well, I had always loved the flavor tripe gave to a broth — my parents made a good tripe soup — but until this book I had disliked the tripe itself (I studiously tried to pick the tripe out of the soup).  Lidia taught me how to cook tripe in a way that enhanced the flavor and texture. I grew up eating tripe because my parents would buy a side of beef, or did they buy a whole cow, before it was trendy, but because it was an economical way to feed a family.  I don't remember eating heart, which I now like, although I do remember struggling with the liver.   But the book is not only about snails and tripe, although Lidia Bastianich's cooking in this book leans toward the Istria cooking of her childhood. It is about an approach to food that  embodies simplicity in terms of integrity toward the materials, to the act of cooking, and feeding others as an act of love and sustenance, in all the many forms sustenance can take, but not necessarily simplicity in terms of ease of use.  But we confuse ease and simple sometimes.  This book stays in my library because it is a part of my own evolving understanding of the world and life and my own place in this world.  This book stays in my library because it makes me want to walk into the kitchen, even when I am tired.

    LobsterMushroomSalad

    And yes.  I did get back into the kitchen, even that same day, although most of the prep-work was put off until Sunday and Monday.  As I had shopped I had imagined one of the lobster mushrooms, sautéed until just soft, with a little caramelization along the edges, with warm spices, served over a bed of little gem lettuces.  I ended up adding merguez as well. Lobster mushrooms look large and sturdy, and one would think they would keep, but they do not.   It was the perfect, simple dinner for a lazy day.  Sunday morning the last lobster mushroom was turned into a hash with shallots and sweet potatoes.  

     

    The books have all been put away and I am now slowly organizing the kitchen, again only in fits and starts, while also cooking my way through my haul.  There is no expectation here, no pressure to finish by a certain time.  The outside of the house is madhouse of work, but inside there is just time and peace.  When I am hungry I can just open the refrigerator door and allow inspiration to light the way.   Need satisfied with a bit of play. 

  • The Good, The Bad, and the Merely Meh….

    It is possible I am coming down with a cold.  It is also possible that I merely have a sore throat due to sinus drainage from allergies.  I am hoping for the later, but am not yet convinced.  I have had more colds this winter-into-spring-that an any time since the first winter I moved to Knoxville and started spending more time with a certain 5-year old, un-accustomed as I was to school-yard germs.  I am ready to be home, and in my mind that alone, the fact that I am not home, is the source of all these niggly little upsets.  Perhaps not, but please don't burst my bubble.  The thought of home is a good reward.

    RedCurrySoup
    Despite my scratchy throat, today is a good day. Despite my tendency toward petulant self-pity, I cannot help but smile. The sun is shining.  I went for a walk.  I've scanned, shredded, and carted away several boxes of old paperwork that I refuse to move one more time. I had a bowl of red curry soup for lunch and the spice of the curry cleared my sinus while the creaminess of the coconut milk base soothed my scratchy throat.

    AprilBooks

    I read quite a few good books in April although not perhaps books that led me into deep thought.  Sometimes thinking is overrated.  One needs simply to be allowed to enjoy.  I had not read anything by Kate Morton or Belinda Bauer before, but I shall seek out their other novels.   I thought that Ta-Nehisi Coates managed the almost impossible in The Beautiful Struggle.  There is one point where he seemed to encapsulate perfectly in poetic prose that moment of self-realization and actualization, when a child begins to come into him- (or her-) self, when a person stands on the cusp of knowing who they are in the world.  He does this, and he reminded this reader of her own childhood and the childhood of her friends, touching on the universality of humanity, while also laying bare the fragility of childhood and the fragility of experience.  Coates childhood was not my childhood, could never be, and yet in one moment he simultaneously tied us all together and shredded all my myths.  By making me feel what we had in common, he also made me feel the shattering differences of our experiences and what we can never share. A book worth reading again.

     

    But not all the book were keepers. I took a couple of bags of books I don't think I will want to look at again to the second-hand book store, including a few items from my April reading list. Included were  the Dan Brown, which was entertaining enough (meh), the Mary Higgins Clark, which I found to be the weakest of the Under Suspicion series.  But then I am really not a Mary Higgins Clark fan to begin with, so I am probably also not a good judge.  I also sold Master and Margarita, which was good, and may well be one of the great books of the 20th century, but which didn't really resonate with me.  I won't read it again, unlike the other "great" satiric 20th century novel The Tin Drum, which I adored and will read again and again.  Also on the "meh" list is  The Beautiful Edible Garden.  It is one of three books I have been reading as I think about my garden and my dreams for its evolution, and it has pretty pictures, and great bones if one doesn't know much about garden design, but it doesn't really offer enough substance to be useful, nor does it offer any options or information for readers in areas other than the author's California planting zone.  

    Farmers1

    Otherwise construction and planning and packing continue apace.  The first Saturday Market Square Farmer's market was last weekend.  I tried to go early but only partially succeeded.  It was already crowded when I arrived at 9:15, but I still enjoyed walking around and shopping.   

    Farmers1bI didn't buy the bread, although I ran into a friend, who did.  We chatted and shopped and decided to go to brunch.  I intended to return to that first stand to purchase some of those wonderful white Japanese turnips you see in the top picture but instead we dawdled and chatted and by the time I got back, all the Japanese turnips were gone.  Alas.  I tried some small red turnips instead, which I had never had before. They were delicious, a mild turnip with an almost buttery roundness to their flavor..

    Farmers1cHere is my small haul.  The red turnips are on the right with the beautiful greens.  I also bought rainbow radishes, which I am still eating.  The radish greens got a little wilted while we chatted and brunched, but it didn't really matter as I prefer them cooked anyway. The beef knuckle bone went into a pot of stock, which simmered away in the slow cooker most of yesterday.  In fact, a ladle of fresh stock, the remainder of the greens, and some left-over steak made for a lovely soup when I finally returned home for a late dinner.  I had worried about over-buying.  Instead I may have not purchased enough as everything is now gone, except a couple of radishes and some eggs. 

    Powder

    One final good thing.  The tile installers finished the tile in the powder room.  The painters  need to return and repaint the trim, which is supposed to be black and not blue.  The schedule calls for black.  But even that cannot dim my enthusiasm.  Trim can be repainted.  The tile and the sink make me very happy. Eventually, the black trim and the wallpaper will make me even happier.  

     

     

     

     

  • A Catch Up Post

    It seems that a month-long break did not quite eliminate my indecision regarding book posts, and now I feel the overwhelming need to catch up, to post not merely an update on March reading, but February as well.  Actually I suppose I just want to make collages of all the covers, and I feel no need to write reviews or synopses.  It seems I can live with that.  Sometimes pretty sparkly things, pictures and surfaces are enough to hold the memories that lie beneath.

     

    I did think that I the reprieve would allow me time to explore purpose and intention, to come up with some kind of coherent plan or theme for this blog, but all I really learned was that I am really not interested in limiting myself to any specific set of topics or themes.  So much for that.  Increasingly, it appears to me that there is a time for plans for schedules and goals, a time for "forward motion" and a time to just go with the flow.  I'm opting for the flow, whatever that means.  Frankly all I decided is that I don't have to decide.

     

    And so I had fun playing with collages.

    FebruaryBooks copy

    As you can see, I read five really good books in February and a lot of popcorn fiction.  I'd rather spend 2 hours with a simple bit of fictional fluff, than watching an average movie or television show, but that is just me.  And a good bit of this reading was accomplished on the treadmill, in the time I have devoted to slowly walking and teaching myself how to breathe properly, engaging in this tediously slow pursuit of this health-more-than-fitness project I decided to take on for this year.  My trainer, and yes I have consulted one, told me it would take at least six months before I saw real results, possibly a year, which isn't much when I think that I am probably trying to reverse 45 years worth of bad habits.  Nonetheless, I tend to grow depressed and think it is all a waste of time, and then I notice that I actually see improvement in little but profoundly telling ways. Besides which, we all know that fitness does not necessarily imply health.  We see evidence of this all around us, though we try to convince ourselves otherwise.  The obverse is, of course, also true.  And so, onward.

     

    The light reading also offered me a lot of quiet time to absorb the other, simultaneous and more transformative, reading.  The five good books all challenged my basic assumptions and views of the world in one way or another and those tumultuous feelings always need time to seep through the intersteces of one's neurological make-up.  Nothing earth-shakingly new in terms of basic information, more just an aspect of turning a corner and seeing something through new eyes.  Yes, I am writing in oblique fragments.

    MarchBooks

     

    Ahh, I see somehow my March collage is more linear, with the best books at the bottom and the most frivolous on top.  The Elena ranks as the fluffiest book of the month.  I don't believe it even filled the available time in a flight from Knoxville to Atlanta, therefore less than an hour. Mostly easily forgettable, but with scattered jewels of thoughts.    There seems to have been less popcorn fiction in March, but there was also less treadmill work due to travel, adventure and a sinus infection.  A couple of these books showed up on my Instagram feed, and I like that format as a way of sharing impressions and passing thoughts, snapshots of a day, once again without a particular plan, or any need for explanation or consistency.

     

    I am Not Your Perfect Mexican Daughter was purchased on a whim and donated to the Children's Diversity and Justice Library.  Ordinary People and Solar Bones will remain on my shelves.  Channeling Italo Calvino, who said "A classic is a book that has never finished saying what it has to say", it seems like these two novels offer the promise of a longer conversation.  I've never been a person who reads a book only once, which is, of course, also why I am building a library.  Classics and personal favorites, the promise of books yet unread, the familiarity and ongoing conversations with beloved words.  I miss my library.  That reunion will be quite sweet.

     

  • January Books: A Murakami Feast

    I surprised myself, and that, in and of itself is not at all surprising.

    JanuaryBooks2019

    As I looked back on my January reading, I was surprised that I read more than I gave my self credit for. I spent the biggest part of the month, over 3 weeks really, reading Haruki Murakami's Killing Commendatore, and that book has occupied my thoughts and imagination in a way that shoved other reading to the side, undeservedly so in fact.  But those other books, the non-Murakami, were not forgettable bits of fluff, well perhaps they are, slightly fluffy, and I was also surprised at how much I enjoyed reading a couple of books that otherwise might never have crossed my path.

     

    But since I haven't really been able to sort out what to say, I shall just work my way through the list chronologically.  Reading Mark Sisson's Primal Endurance, which I read in December, sparked an interest in the work of Phil Maffetone.  I ordered The Big Book of Endurance Training and Racing, which I have peeked at but not yet read, even though I have no interest in racing.  Before it arrived however, I saw Maffetone's older (out of date) book, The Maffetone Method, at my local second-hand book store, where I bought it for a buck and a half.  I read it the first day of the new year and it was worth the cost.  I can't say that I've made as much progress as I hoped with my own endurance training.  What I've learned is that I need patience, and this process, if I am going to do it right, takes time.  I do see improvements, but have also had minor setbacks as I've been struggling with sinus issues the last couple of weeks, and my arthritis has been acting up as well.  Both have slowed down progress but I am slowly on the mend.

     

    Billy Collins' volume of poetry, The Rain in Portugal, and Michelle Obama's Becoming, were both Christmas gifts.  Both were books I might well have missed if left to my own devices, and I am glad to have received them as I enjoyed both.  I was aware of Collins' poetry.  He was, after all, poet laureate for a bit at the beginning of this century.  His work is popular.  Is that why I previously dismissed him?  I don't think so, but in the end I often don't know my own oversights and biases until they smack me upside the head.  Anyway, I discovered more depth to the poems than I had previously appreciated.  As I mentioned, surprises abound.

     

    Michelle Obama's book, Becoming, was another surprise to me.  I was aware of the book, and as much as I admire Michelle Obama, I also dismissed the book as another bit of self-promotion and pandering, yet another "my time in the White House" marketing ploy.  And it may be those things, but I was also pulled into the warmth and humanity of Michelle's story as she told it and the deliberate blurring of focus.  It was both a personal story but also a reminder of community and the importance of being aware, or mentoring, and of reaching out without the all too common sense of being chided.  I was really struck by the kindness and empathy that is expressed in this book, and am grateful for the opportunity to have read it, and the gift of being able to see the world in a new way.

     

    And then I opened Killing Commendatore.  It was a book I read very slowly as it seemed to beg to be read slowly.  I savored the words and the ideas and was constantly stopping to let my own thoughts and understandings simmer beneath the surface of my life.  In many ways it seems to be an atypical Murakami novel, in that it is the most linear of the novels I have read (and I have read most of them).  It is also in many ways the most overtly directed in terms of the author's use of metaphor and "magical realism", a term I hate because it negates the importance of metaphor, of using metaphor and imagination as a way to explain and explore thoughts, feelings, emotions, and experiences that cannot be translated directly into words.  I think Murakami has been a master of exploring this, writing novels that have strong musical elements in the way explore feelings and experience.  In that sense this may be a masterpiece, and I certainly think it is a culmination in some sense of what has come before.  But I also see enough reviews by people that hate it.  It is more direct than previous novels, and really, in one sense, not much happens, while at the same time everything happens.  It is a novel about love and loss, what it means to love. It is about art and creativity and transformation and the difference between practice and technique, order and art, being creative and creating, between being "in love" and love itself.  It is a book about transformation, what it means, and about the process of finding one's true self through all the clutter of life.  

     

    In that sense the novel is very spiritually or psychologically adept.  I am not sure I see the difference between faith, spirituality, and psychology, although I have friends who would argue for one discipline or another.  I see the differences as one of mindset or frame of reference with similar goals, that of finding and understanding the true self, the one buried under all the layers of adaptation that life piles onto us.  In that sense, the experiences and the journeys in this book use similar metaphors that are found throughout human history, in faith traditions, in psychology, in science, and the experiences of Murakami's unnamed protagonist echo and enlighten my own experiences.  I also like the way Murakami uses the word metaphor, and explores metaphor and meaning, including his use of the idea of the double metaphor to explore all the inner self-doubt and fear that plagues all of us. I copied out huge sections of prose that led my thoughts down various meandering paths.  My brain meandered to the point that I had trouble writing about other things, although I didn't really explore the book here, I found it far too personal at this point, although I did mention it here and here. I do think I will be returning to this novel and it will have a lasting effect, not the least because it has sparked relationships with other favorite writers, and I have also been drawn back into the works of Nietzsche, TS Eliot, and William Blake, all of whom explore related metaphors, in very different ways of course.  Good company, don't you think?

     

    I ended the month with Tana French's newest novel, The Witch Elm.  It was, of course, well written, intelligent and thoughtful. I may prefer her mysteries, but I enjoyed this and thought it was a good and thoughtful exploration of character and family dynamics in a time of crisis.  I grew impatient at times, but that may have been more a reflection of my own timing and state of mind when I read this book.  Anyway, it was good and, as always, enjoyable.  It was kind of an in-between book for me — not light enough for treadmill walking and although enjoyable, not quite entrancing enough for me to curl up of an evening.   

     

    So that leaves one keeper in the lot, and that one a book I will probably reread multiple times.  But all the books I read in January enriched some aspect of my life and my perceptions in one way or another, for why else do we read?  To pass the time?  To expand our horizons?  To become the people we are meant to be?

     

     

  • Coming Home

    HelleboreLenten roses preparing to bloom in deep shade of my side garden. 

     

    A little over a week ago I was admiring the lenten roses blooming in a friend's yard. Simultaneously I was filled with joy, and with sadness.   The joy was at the intrepid beauties of this world and the idea that spring would indeed come, that despite cold and frost and possibly snow, these small blossoms would carry on and persevere.  My sadness was more personal.  I was sad because I was thinking about the lush field of hellebores that had surrounded my house and which have now been mostly lost.  I was sad because I had given up more than I wanted to give up.  I was sad because I had not expected how poignantly I would feel the loss of the old and familiar even as I accept and know that the new is good and indeed where I need to be.  I was sad because I wanted to be home.

     

    Home, and the subject of our own human longing and need for a sense of home, has come up in quite a few conversations over the past couple of weeks.  It has been a steady track in the background of my own thoughts as well and I have come to a new understanding of home and what it means, at least for me.  But first I probably need to deconstruct.

     

    Home is one of those complicated terms with layers of meaning.  Home can simply be where one lives.  It can be the people one loves, the place where one spent one's childhood, the place that shaped the person we became.  Home can be many things.  It can be everything and it can be nothing.  When we meet new people we often ask them where they are from.  At least here, in the Southern United States, we are asking where they were born, where they grew up, who their people were. It is a question that sometimes comes up early in conversations here, but this is not true in all cultures or societies.  Although the idea that where we are from is an important part of who we are  is universal, it can also be a question that delves too deeply into the personal for casual exploration.  

     

    The idea of "home" is actually both simpler, and more complicated, than simple explication would allow.  Home can be the place we make, the people we choose, but it is also shaped by the people we are.  Tom Wolfe wrote a novel called "You Can't Go Home Again" and he was right.  But we often misconstrue the message.  It is not that you can't go back to your childhood town and pick up again.  You can.  But that place is not the same.  You are not the same.  None of us are the same people we were.  We are not the same people we were last week, although we tend to think we don't change that much.  The changes are so incremental we don't notice them until something happens that shocks us into awareness.  Something like tearing apart your house.  Or worse:  divorce, death of a loved one, loss of one's career, home, way of life. Life is full of loss.  Mostly we inure ourselves to the small losses, and yearn for a better place, a place without loss, a place we call home.

     

    Two things, two contradictory things, struck me last week.  They were not a part of this lingering conversation about home and yet they played into it.  One of them was the "Violins of Hope" program performed in Knoxville last weekend.  I attended, although reluctantly and mostly because I felt obligated out of family history and loyalty, but in the end I was glad I went.  Musicians from the symphony performed on the old instruments.  The readings were well done and the entire evening was poignantly beautiful. And yet I struggle with the entire mentality of "never forget".  We are already forgetting.  We forget that Jews were not the only victims of the holocaust, that twelve million were killed directly by the Nazis, including a far higher percentage of the Roma population (although a smaller number of actual individuals).  We forget that between 38 and 55 million people died in WWII if we include military casualties.  I am not saying this to negate the impact on the Jewish community, which was intentionally attacked, but it is only one story.  We forget that genocide plagues human history.  We forget that bad things do not happen in a vacuum, that bad things sometimes happen because good people turn their eyes away, yearning for the past, for better times, forgetting the past was never as we remember it.  We forget and yet we do not.  Is there a cost to not forgetting? yes.  Is there a cost to forgetting.  Also yes.  Is there a cost to defining oneself by one's losses, not by one's gains?

     

    The other thing that stuck in my head was a line from Haruki Murakami's novel Killing Commendatore.  It is not the most beautiful or resonant passage I recorded from this novel, but it struck me in this moment of my life.  

    "You have the strength to wish for those things you cannot have."

    This sentence captures in some essence much of what this book is about, as it is a novel about art, and love, and transformation, mostly about transformation and how art and love are about transformation as well.  The ability to undergo transformation is a rare thing, and it almost always comes out of some deeply unsettled place, if not outright darkness, and yet, if we succeed it always results in something I will simply call beauty, even though that may not be obviously evident on the surface of things.

     

    So, here is my question, or the line of my thoughts anyway.  Not all of us yearn for home.  Most of us are content with wanting whatever we can achieve.  And yet the echo of that yearning still exists deep in our psyches and we are right to be afraid.  To wish for the things you cannot have takes strength, and if you fail the costs can be great as the journey often involves dismantling so many of the things we believe about ourselves.  But when does yearning for home become destructive?  When is yearning for "those things you cannot have" lead to insight and transformation, and when does it become "never forget" and the road to defining oneself in the past, the road to death?

     

    But back to the hellebores, and my own ever-changing understanding of home.  There is a mythical place called home —  the people I came from, the place I grew up —  but I recognize that although those people and places shaped who I am, I also recognize that they are no longer home, if indeed they ever were.  For a long time I made my home, not in a place but with a person. George was my home and I thought my house in Hyde Park was my "forever home".  But that was an illusion.  The house was only home because George was my home, and then I began to lose George and I found that I was homeless once again.  Although I grew greatly through the love offered in that relationship, I also stopped growing.  That is one of the funny things about relationships.  We strive to be vulnerable and open ourselves up to each other, to grow together, but there is also the danger that we will stop growing and allow the relationship to be a substitute for inner growth.  I sometimes wonder if this is more of a danger for women, who are often subtly taught to subvert their true natures, to become vulnerable in order to be cared for, or for people who have been damaged through early experiences, but I suspect it too is universal.  I suspect it comes out of fear, fear of being alone, fear of not being good enough. Most of us never really find our true selves.  Many of us never really even try. 

     

    Anyway George died, and once again I had no home.  I had he house we bought in Knoxville, but I gradually came to see that our house was not my home.  It was the place I bought so that George could be near his family, and I as well of course, but actually it was the place I bought so that George could die and I could start a new life.  Eventually, that house held me too tightly to past and I had to let it go.

     

    When I bought my current house I fell in love.  Yes, you can fall in love with a place, although I realize now that I was also falling in love with the person I could be but was not yet.  I felt instantly at home.  For a long time I felt it was the place that was home, the physical house.  I have no regrets.  I am glad I bought that place, it was a refuge during a very bad year, a year when I learned another place I had thought was home, was not really home, just another external structure upon which I had built false home, to which I had given too much of my heart.  I was looking for home in all the wrong places. 

     

    What I have discovered, although it has just now truly become coherent in my thoughts, is that I have found home, and it has been with me all along.  I thought it was my house, and so it was, is and will be again.  But that is not my true home.  My house is home because it is the place I can be my true self.  It was not the house that offered me security, but myself, even if initially I didn't realize the extent of how that worked.  

     

    What I realized most forcefully of late is that the search for home is a false search.  Home is within each of us all along, it is our true selves, our best inner nature, and we carry it with us wherever we go.  Other people, other places, cannot build home for us, but we can let those people and places in and welcome them into our homes.  Or we can continue seeking. But if we keep on seeking, letting the external define us, if we keep looking for some kind of external validation or sense of home, we begin to define ourselves by the past, by our emptiness, not our fullness. And home becomes a place we can never reach.  You can't go home again because home was never a place.  You take it with you everywhere, the more you run from yourself, the more you look for an external place to fill the internal center,  the more you obscure the path to that center and the further from home you ultimately find yourself.

    Triple

    At the moment, I am completely at home in my apartment.  This was not initially the case because I moved here thinking that it would be holding station, never intending it to be "home".  That changed when the scope of the job changed.  And now I can say I am at home here.  This is reflected in the fact that I am comfortable, and that I am cooking, sewing, planning out projects and, evenly more importantly, perfectly content to be doing nothing here, content to just be myself.  And when I move back into my house it will be my home as well.  Until it isn't.  Until I change yet again.  I hope that when the time comes, I will remember to not hold too tightly onto the past, to live in the present, ever-shifting as it may be, and to remember that home is with me always.

     

     

     

     

     

     

     

     

     

  • On Conversations: With Books and With Myself Regarding Books

    I am still reading Haruki Murakami's novel Killing Commendatore.  I have been reading it slowly and thoughtfully, as there are many passages that interrupt my ability to push forward, leading me to sit back and ponder what I have been reading. I have probably spent as much time musing over the book as I have in actual reading, perhaps more.  This is not a complaint.  I love a book that demands attention, demands conversation.

     

    But the process has also led my thoughts down subsidiary paths, caused me to reflect on the process of reading, of reading deeply, and my own inner conflict around marginalia and note taking.  And that leads me to a question, a question not geared to those who read without noting, and move on.  The question is, do you write in your books, or do you keep a reading journal, keep notes in a separate location? To be honest I don't think there is any best answer to this question, although I do wish to explore the issue as it relates to my own mental wiring.

    Reading

    I am mostly of the latter persuasion, but I have not always been convinced that this is the best way.  Some part of me has always admired people who mark up their books, who write notes in the margins, and I realize that this is a more complex issue than I had previously assumed, at least in terms of my own psychological makeup.   I admit that I don't often know what I am thinking until I write it out, or talk it out, but really there are only a handful of people in the world I can talk deeply with at that level, where knowledge and understanding and vulnerability can be laid out in the open without risk and growth can occur.  I treasure those dear souls, but more often I am writing out my thoughts about books. Increasingly, I recognize that I admire practitioners of marginalia because I assume, probably not correctly, that they are smarter and more adept at pulling together their thoughts, than I.  In fact, this may or may not be the case, and ultimately it is, altogether, the wrong question.

     

    Perhaps it goes back to childhood, to those days when books were all a property of my parents, where we were not allowed to scribble in our books, to those days when we were taught to wash our hands before reading and hand inspections were routine, all the better to insure that grubby fingers would not mar precious pages.  Those rules had something to do with a father who could not stand amateurish efforts, who probably did not want to be forced to encounter immature or silly thoughts.  I how those rules fed my increasingly deep-seated insecurities by feeding my inner conviction that my thoughts were not good enough to compete, even in my own books, books I purchased myself, with those of wiser and more mature minds. 

     

    When I met George, one of the things he admired, and often mentioned to his friends, was how I would read scholarly journals and books, and that I always had a notebook where I copied out quotes from the books and wrote extensively about my understanding of what I was reading.  This habit partially arose in childhood when my parents, increasingly worried about how quickly I plowed through books, required me to write book reports on everything I read.  

     

    I got in the habit of taking notes at an early age, rather than using a pen or a highlighter.  Because the process of taking notes interrupts the flow of reading, and therefore of comprehension, I developed the habit of reading the book or article or chapter once through quickly, just for general understanding, and then a second time, more deeply, when I would copy, note, and ponder what I was reading.  This habit served me well throughout college and grad school.  I fretted that I was slow-witted, and needed more time to study than most of my peers, primarily because note taking is slow, but I also assumed that my fellow students, who did not take notes, naturally remembered more of what they read than I did, making the erroneous assumption that their lack of note taking skills was an indication of greater ability. In retrospect, I see that although I may have spent more time initially on my studies, I had the advantage when it came time for exams and term papers, as I already had extensive notes organized, I rarely had to crack my texts to study. I rarely needed to pull an all-nighter, and for the most part I could review my notes and ideas would return to the front of my memory.  And so this habit, this habit of writing things out was honed.

     

    I still admire marginalia. I've even gone through periods when I tried it with varying degrees of success.  I admit I love reading a second hand book where the original reader has made notes.  The notes enhance the reading experience, making me look at what I am reading with different eyes, and act therefore much like a conversation between readers.  But for me this is the gift of a double-edged sword, because even as another person's notes can make me look at a book in a new way, they can also prevent me from forming my own independent relationship with the book.  My understanding of the book is shaped subtly by what someone else has written.  I don't know if this is universal, or if it stems from some insidious remnant of that early insecurity.  This proves to be the problem for me with my own books as  well.  I love rereading books. For the most part, I feel that if a book is worth owning it is worth rereading. The conversation will evolve with each reading.  What I have found, for me, at least, is that if I have notes or underlined and bracketed passages in a book, my previous relationship with the book shapes my future reading.  We stop growing together, the book and I, just as, with a person, friendships can stop evolving if we refuse to forgive a slight, or acknowledge our separate growth and changes in circumstances. 

     

    I love other people's marginalia more perhaps than I love my own, although I increasingly indulge, creating my own small system of notes, even as I struggle with its effectiveness for me.  I personally feel less invested in books if I have only marked them up without also writing extensively about the process of reading.  I still admire people that write in their books, and still, deep down in some corner of my soul, feel that the ability is a higher calling.  I can also admit that, in my youth especially, not writing in my books was something of a self-protective mechanism, a personal wall to protect myself from vulnerability.  If no one could read what I wrote, I could feel safe and protected. Notebooks, after all could be destroyed.

     

    Now that I find myself beginning my 7th decade on this planet, most of those early insecurities have been recognized for what they are, and mostly banished to the margins of my existence.  But the patterns that I have developed seem to have become a part of the way I think, and although they are now hard to break completely, I believe I can still adapt.  I still write out particularly favored passages.  The advent of ebooks and ebook readers has made it easier to highlight, and to erase highlights, making the process faster.  I can highlight a book as I read it, send my notes and highlights to Evernote, and then edit the whole thing, returning to the book as needed to expand upon ideas.  I still make handwritten notes, but I use Evernote as well, both by typing in particular passages, and scanning in handwritten notes on books.  This is helpful due to the search ability of Evernote.  I can read a book again, and go back and look at my notes, should I desire to do so.  

     

    I no longer have my old college notebooks, even my reading notebooks from before I moved to Tennessee.  I had file cabinets full of notes and journals and I destroyed them all.  Do I regret that? Sometimes. That all harkens back to that deeply seated insecurity, and the entire world-upending changes that I was thrown into with George's illness and descent into dementia.   My insecurities came back to haunt me in those days, and I realized I had built a structure of confidence and self worth that was fragile, that was built on sand.  When the storm came my identity came crashing down and I was thrown into the pit.  

     

    I can ask again, do I regret having destroyed my journals and notebooks? In part, yes, because they connect me to a part of myself.  But that part is not lost.  I do remember.    But now I am, mostly, better at integrating the parts of myself.  Now I can move forward.  I still take notes, but once in a while I will bracket and underline, once in a while a note will appear in the margins of a book, often linked and connected to something written somewhere, or some computer file. I find myself finding strength and joy in going more slowly, in letting go of the idea that happiness and joy comes from doing more, but rather from enjoying the conversation.  Whether that conversation is with a friend, a book, or the way the sunshine hits my face as it breaks through the clouds is irrelevant. 

  • Finishing Off the 2018 Reading Roundup

    I hadn't planned on two book posts back-to-back, but oh well.  

    DecemberBooks

    I briefly mentioned over half the books I read in December (two novels by Stuart Woods, two by Maggie Sefton, and one by Marie Bostwick) in my last post, so I will not repeat myself as there really is not much more to say. I enjoyed them to varying degrees, but I remain unconvinced that I will read more Sefton.  I won't seek them out, but if I come across one in a pinch, I might yet read another.

     

    I saw Oh Ye Jigs and Juleps at our local second-hand book store, McKay's and picked it up for Mom's stocking. We had a copy when I was a girl, I recall that we both enjoyed it, so it seemed like a nice little trip down memory lane.  I reread it before passing it on and still found it charming.

     

    The Lost City of Z had been on my stack for years and I finally read it.  It was well written but for me at least, it wasn't worth the wait. The book was filled with hubris and ego and terrible things happening to people in the jungle.  Mostly it just didn't capture my imagination, although there were thought-provoking moments where my mind would be sent wandering tangential paths, wondering about all the harm we do and the good things we don't see simply because we never quite escape our cultural programming.  Of course Divided: Living in an Age of Walls, also sent my mind wandering down similar paths.  This book contained lots of information and facts, and brought situations I was aware of to life in a new way for me, but it felt like a lot of information without a lot of depth.  I will probably read the authors other books though.  

     

    Somewhere in the middle of the month I picked up and read Mark Sisson's Primal Endurance.  This is the book started my thoughts about breathing and health, and led me to a few other books and doing some research into medical books and journals.  I don't yet know where this path is taking me, but I am thankful for the insights that have pushed me forward, regardless of where I end up.

     

    I started the month with Louise Penny's newest Gamache mystery, Kingdom of the Blind.  I love Penny's novels and this one was no different.  I always sink deeply into the story and am carried forward by the way she combines community with moments of insight, beauty, and just plain old fashioned fun, along with a serious investigation.  I copied a quote from the novel here, an idea that resonates deeply with my own understanding and experience, and which, not surprisingly, has resurfaced in my thoughts as I held this book in my hand before writing this post.  Or perhaps it resurfaced as I reflected on a conversation earlier this week, where some words I spoke, out of habit, not out of thought, were words that were more relevant to the person I was not the person I am now, words related to an idea that will always be in my longhouse, but which can, and should, be allowed to slip away to the corners, not held close to my heart.

     

     

     

     

     

     

  • Popcorn Fiction, or The Return of the Bicycle Book, and Moving Slowly

    Sunday night I found myself in the gym walking slowly and reading the current issue of the New Yorker.  It was about 8:30 and I needed to walk.  I had tried walking around my apartment complex; the air was still and calming; I thought the night air would be soothing.  But there was too much human disturbance–an altercation involving several police cars at one building, a fighting couple outside another–I retreated to the silence of the gym at night, not all that silent as the tv was on, although I focused on my reading and not the talking heads on the screen.

     

    I needed to be walking that evening because I had been working in  the small patch of garden that remains untouched by the construction at my house, a job that has become far more all-encompassing than I had originally imagined.  So much for control. I managed to plant 400 bulbs Sunday afternoon, and Sunday evening my back was stiff and sore.  I knew I needed to walk.  A slow walk on the treadmill was all I needed, not pushing myself to go faster, but just moving, with gentle focus on small things like rolling my hips properly, not falling into a sciatica-induced marionette-pace, and breathing through my nose, calmly and evenly, my pulse remaining low, in the aerobic zone, focusing on releasing and unkinking.  The process was effective, I loosened up, although once I was no longer focused on back pain I realized how exhausted I was overall, and went to bed.

     

    In fact, I have become a regular at the small gym that is part of my apartment complex.  I've not really been using the weights, although I might.  Mostly I've been walking on the treadmill, walking slowly and deliberately, focusing on stamina, endurance and health rather than fitness.  I've been focusing on breathing only through my nose when walking, focusing on breathing and keeping my pulse low, in the aerobic zone instead of the anaerobic zone, and it has not been as easy as I had assumed.  Because this form of exercise is different than anything I've done in recent years, I've also returned to reading light fiction.  I used to read on an exercise bike at the gym; this was when I lived in New York State.  Now I read on a treadmill.  Treadmills are boring and I do not find the television to be a motivating factor.  With a book on tape I go too fast.  With literary fiction I tend to want to stop walking altogether. 

     

    Hence there will be an increase in the number of  "bicycle books", being read, books I now think of as popcorn fiction, a term I borrowed from someone, somewhere.  I started with the last of Marie Bostwick's Cobbled Court series, Apart at the Seams.  I read most of the cobbled court series between 2010 and 2013, before this book came out.  I had forgotten how much I enjoyed the series, the friendly camaraderie of the ladies whose lives revolve around the quilt shop.  Better yet, the book got me through several hours on the treadmill.

     

    When mom was here she read one of Stuart Woods' novels Unbound.  It is part of the Stone Barrington series, although Stone appears only briefly.  It is more about a character named Teddy Fay, who appeared in an earlier Barrington book, and who apparently now has his own series.  I read the book after mom, and I enjoyed it.  It makes no demands, moves fast enough to hold my interest, and led me to revisit the series, starting back with the first Stone Barrington novel, New York Dead, which reminded me why I liked Stone to begin with.  I still like Stone, and I think Woods has created an appealing protagonist here.  It is not an introspective and that is perfectly fine with me.  I never read all the books in the series–there are over 40– and they will keep me happily in bounds, at least until I can get back outside.

     

    But at the moment my ability to breathe through my nose and walk, which I find impossible if the air is chill outside, is keeping me in the gym.  I've been looking into the different ways breathing uses our lungs, and realizing that I have been a mouth breather for decades, even when at rest.  It has been commented upon by doctors and trainers, but everyone assumed that I had to breathe through my mouth because of the way my scoliosis had partially crushed and twisted my lungs.  I am not so sure that is true, the part about breathing, not the part about my lungs, I do not have full lung capacity and never will, but I am seriously beginning to think  I can improve the function of what I've got by focusing on how I breathe.  I realize that I my level of health may not be another person's, but I want to pursue being the strongest, healthiest person I can be, and I have come to realize health and fitness are not the same thing. So for now I am slowing down, looking to eventually find balance, but before balance can come I must first build the fundamentals and undo decades of habits.

     

    And therefore I have been searching for light reading. I am sure I will be perusing the paperback best seller lists, but also exploring older books which I may have neglected recently. I  picked up a new-to-me series, a knitting mystery series by Maggie Sefton.  I read the first two books, Knit One, Kill Two and Needled to Death.  I am not yet sure what I think.  I like the lightness of the books, I sometimes find the main character, Kelly, frustrating and none too bright, and the books are light on the mystery side as well, but I didn't really dwell on those things while I was actually reading.  The books remind me of my favorite knitting groups, calming and supportive places of acceptance and companionship, not big issues.  I realize I may place greater expectation on a character in a novel than I do on people I actually meet and converse with in life.  For me the book was more about the circle of friends that are formed, about those non-judgmental circles we form in our lives, where we meet and support other people we might not have met otherwise, where we expand our horizons and form new friendships, where we actually become more accepting individuals.

     

    Well, that is too much to put on a book.  But I am reminded not to niggle.  I am reminded to read and to walk and to generally move forward, occasionally backward, without rushing and without judgement.  I am seeing progress.

     

  • Reading Update

    It still feels like I am reading slowly.  That is not necessarily a bad thing.  I don't yet know if it is a good thing.

    NovemberBooks

     

    I finished five books in November; none of them were difficult.  One was a cookbook. I was looking for a recipe.  I found it in Marcella's Italian Kitchen, which I checked out of the library.  The recipe, for a fruit sorbet, helped clarify my thoughts on the use of acids to bring out the flavors of fruits.  Then I spent some time perusing the book, which was fun, but more like a trip down memory lane than a new discovery. 

     

    The book I enjoyed the most was Dervla McTiernan's The Ruin.  I suppose some of what I found most appealing about the book would be aspects others might find annoying.  It was well-written and tightly plotted. I found Cormac and Aisling to be well-drawn. I found them both believable, even in their inconsistencies., although liking the characters is not something I find necessary in a novel.   In fact their inconsistencies were part of what I liked best about the novel.  The intellectual part of me wants a hard-hitting super-detective but humans aren't really like that.  The people who do well and get ahead aren't always the smartest, aren't any different than you or I; they work hard and learn how to play the game.  We all do that. We want our heroes to be superheroes. We also tend to think we are somehow inferior because we have to learn to play the game to succeed. McTiernan plays on that in this novel.  Cormac is also in a difficult, liminal period of his career, and is not sure which steps are the right steps.  He stumbles.  He has a blind spot.   He cannot see the true nature of an old friend.  But again most of us are like that in the same way.  I was rooting for him even as I was cursing his missteps.  I will read the author's next novel when it is released.

     

    The novel I liked the least was Kate Atkinson's Transcription. Juliet's combination of naiveté, cunning, and obtuseness made her a bit of a cipher, which was the point of course.  I suspect, as historical fiction, it hits close to the truth, and to the pettiness of most of life.  Is that what made me uncomfortable?  I'm not certain.  Perhaps I wanted Juliette to become more self-aware, not that I've managed any such thing. Anyway, that is no fault of the novel, merely of the reader. Although the novel was beautifully written, and carried me along while I was reading, it is already fading away in my memory.

     

    I enjoyed the other two novels.  I wrote about The Gunners here, albeit only briefly.  The characters are marvelously complex.  And although the plot wends its way through very easy themes and simple storytelling, there are moments when I think it is brilliant and might appeal to more literary readers as well.  I found it satisfying.  

     

    Gillian Flynn's Sharp Objects is a very different kind of novel.  Even thought it was written before Gone Girl, I found it both more satisfying and more troubling.  The writing in Gone Girl was much tighter and the narrative more compelling, but for this reader at least the humanity seemed missing.  But then I felt Amy's journal read like a contrived piece of artifice from the get-go, and I suppose I never got as angry at Nick as was intended either, as he reminded me of too many hapless young men of my son's generation.  Although I felt no sympathy for either Amy or Nick, Camille was very compelling even if also completely maddening.  But that is the thing, people who are caught in psychosis, who are the victims of abuse, act in ways that to the rest of us seem incomprehensible.  Our towns and cities are full of such people, people whom we usually do not even deign to notice.  Flynn is very good at uncovering the darkness that can lie hidden behind a veneer of civility and the comfortable stories we tell ourselves about our lives and our neighbors.  I suppose this novel also gave me some insight into the later one, in that similar themes are explored, but here we have the softer, more vulnerable underbelly, and in the later novel, a harder shell has been formed.  In Sharp Objects there was much that made this reader squirm in both frustration and discomfort, but there was also hope, a hope that had already been sealed off in Gone Girl.  You can see where my preferences lie.