I've been playing these little games, moving tiny bits of colored paper around, pondering their placement, loosing this bit or that bit, and then rearranging them all again. Every time I would get something on paper that seemed right, I would realize that some important ingredient had gone missing and I would have to start over.
At times I really just wanted to start pulling out my hair.
All this has been necessary in order to figure out what furniture I am going to move and where it is going to go in the new house. Now that the framing is almost complete, the deadline looms for telling the builder where I need outlets, telephone jacks, cable connections etc. Aside from that, time is running short. It is already November and I think it is best to sell as much as possible before the holiday hullabalu officially begins in a few short weeks.
Although it was fun playing with colored bits of paper representing furniture in our primary living space, I initially thought that would be the hard part. After all, I am really not moving any furniture to my new studio, planning on setting it up completely when we get to Knoxville. I thought that part would be easy, but of course it is not.
It is kind of strange, planning a space for a studio, when I haven't sewn much in a long time. It sounds kind of pretentious. I don't know exactly where I am going with this, only what I am interested in doing. I am not planning on going into business, this is not a good time for me to go back to work although a part of me would love to do so, so I feel a bit of the dilettente, and it makes me peevish sometimes. And yet, I will have the time, and the space, and I have sewn a great deal in the past, hopefully learning something from that experience, and it is time for me to work at exploring something I love and perhaps determining how far I wish to pursue it.
But even though this is not in any way an industrial space, and home power requirements will more than meet my needs, there are special circumstances to be taken into consideration beyond basic "bedroom wiring". And so planning for my work space has taken even longer than the entire living portion of the house. For example, I know I will need more circuits than are normally alloted for a "bedroom" space. I will need seperate circuits for pressing and sewing. I know that the press and the iron together can draw up to 3000 watts of power. It doesn't happen all the time, but when it does that is enough to blow a shared circuit if anything else is in use on that circuit. It is much cheaper to plan for electric usage in advance if possible than it is to fix a problem later on.
I have two small rooms. My basic plan is that one room will house fabric storage, cutting, and pressing as it seems logical to me that these things should all be in close proximity. This room will also house my knitting machine, primarily because there is a convenient place for it next to the yarn closet and also because I can close the door, so that I can keep work out if necessary without worrying about little kitty claws.
The second room, which is open to the stairwell, will contain my actual machine work stations, pattern storage, books, and another surface that I am calling my finishing station. This is where I can block sweaters without having them take up space on my cutting tables, or where I can sew sweaters, work on beading or embroidery or other handwork. These are all tasks I prefer to do standing up with a generous work surface. I have learned from experience that it is best if finishing and cutting occupy different spaces. This second room, the sewing room, will also have a cozy window seat where I can sit and look up details or thumb through my books and inspiration files.
Although I went ahead and pasted up a rough plan for my own reference and for the builders, I know there will be some minor variations when it comes to final execution. Yet this is enough to let me know where I need power and where I need light. I am glad I did this now because although I had a vague idea of what I wanted in my head, I hadn't actually worked out the requirements for a workable space. There have been more than a couple of compromises but I think I have come up with something I can work with and it is a good place to start.
Comments
11 responses to “Plans on Paper”
Mardel, I am once again in awe of your organizational and planning skills and your vision for a wonderful studio. I look forward to watching this develop over the next few weeks. Thanks so much for posting, even as your life gets busier!
Thank you Patti. I am amazed at how long each thing takes me and what a long drawn out process it is, and I am not evening designing/building a custom house, just a builders model.
Probably not much more will happen with the sewing rooms (studio?) until after we move in, probably even as late as February as I need to get us settled first, but things will happen. Of course I will dream about it at various times while I wait.
How lovely to have a dedicated place to pursue your creativity! I didn’t bring any of my knitting with me, and I’m missing it now that I’m settled.
Happy planning!
You are more organized and thoughtful than you think you are! If you equip your studio with more outlets and capacity than you think you need, I’ll bet you’ll be fine. (Have you thought of lighting? That always made me nuts.)
As a person who has reno’d bult and just moved, I’d say it is more nervewracking to design a space than to buy it finished and figure out how to live with what you got.
It makes sense the studio design would take longer because your workflows are complex, somewhat like kitchen workflows. I would definitely overpower if you can afford it. In our case, the sewing room has only one outlet! We’ve got multiple plugs going into one power switch, not good.
Don’t you find that it’s always hard work envisioning workflows?
I wouldn’t feel peevish about designing an ideal workspace. Creating space for possibilities makes it more likely for those possibilities to develop.
This is one of those tasks that I simply cannot do on paper. I admire your persistence.
You can never have too many power outlets.
I admire your thoughtful anticipation so much. I tend to discover through trial and error, not an impressive way to get where one wants to go.
Mater, I used to be more that way, but I have had to learn to plan. Actually it appeals to the part of me that liked Medieval literature and its endless lists, and designing computer systems, that little engineering part of my brain. Luckily one gets better at it with practice, but there are always refinements and that is where the fun of discovery comes in.
Rose, my thoughts exactly!
You are a very fortunate women to have such details to concern yourself with in these difficult times for so many.