Restingmotion

  • To Bobble or not to Bobble

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    As you see, I am making great progress on the Blue Sky Alpaca Cropped Turtleneck.  I finished the body and am just ready to start the second sleeve.  I am really enjoying the process of knitting this, even the bobbles.  Well, I always enjoy knitting bobbles.

    If you look at the top of the photo, you will see a section of the body without bobbles.  This started off as an accident of sorts.  Since I am knitting the sweater side to side, I was also knitting the body simultaneously.  I noticed that I had left the bobbles off on side at one of the repeats and was all ready to rip back and fix the problem when I started thinking — and you know that can be a problem.

    I realized that although I love bobbles, and I like the way they look on the sweater, I would probably not appreciate bobbles at the base of my neck in back.  Since I am lacking the normal lordotic curvature at the top of the spine, I often have trouble with things that seem to press on my neck, especially when I am sitting in cars, where head rests are all designed to provide support for the normal spinal curvature.  The bobbles would drive me crazy.
     
    Since it just happened that I was approaching the center of the sweater, I decided to leave them off for 3 repeats.  I wonder now if I should have left them off for the entire back of the body, but think this isn't bad and at least it is balanced.   

    This is going well.  I hope to finish it before we leave for Knoxville next Tuesday, but there are a lot of other things I wish to do before we leave for Knoxville as well, including work on some swatches for my traveling project(s).  If it is not done, I don't know if I will take it with me or not, as I don't think I will be wearing it on the trip and will have no place to block it anyway.  I have five days to make a decision.  A lot can happen in five days; or, as seems to be the case more often in my life, not enough can happen.
  • First Muslin Cut

    There was no more sewing time last week after Matilda had her retrofitting, much to my chagrin.  And my frustration at my lack of sewing times continues…

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    But I did get a couple of hours to work on my jacket today and I got the entire laid out and marked and cut out of muslin so I can begin the process of fitting.

    I had hoped to start sewing today as well, but I ended up with a little less time than I had hoped but I hope I can get the first draft assembled and checked on Matilda tomorrow.

       

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    I really couldn't wrap my head around the flat pattern adjustments because there have been so many changes in the intervening years since I last did this, and I realized the only thing to do was work from a muslin.  Besides I am really itching to just be working on something….

    I would really like to get the muslin completely fitted and finished this week so that I can cut the actual garment as soon as we return from Knoxville.  Oh yeah, we are leaving on the 10th, which doesn't leave me much time.

    Considering that this is Wednesday, and I feel like I have no idea what I am doing, this might be a completely unrealistic goal.  On the other hand, I am hoping that once I get to work things will come back to me, so far results have been promising.
  • The Birthday Present

    I took myself to bed this afternoon and finished The Birthday Present by Barbara Vine.

    Birthday PresentInitially, I thought it was not my favorite of Vine's books, but the further I get from having finished the novel the more I revise my sentiments.  Vine is the more "literary" voice of Ruth Rendell.  Now I love Rendell's novels as much as I love Vine, but they serve completely different purposes in my reading life.  Rendell is perfect for the genre of popular fiction I call "bicycle books", those books that don't occupy my full attention while reading but move along just fast enough to keep me going on an exercise bicycle.  I have been through a few bicycle books, the past month, most recently some James Patterson and Stuart Woods.

    But back to The Birthday Present.  The detached style reminded me more of Rendell than Vine's past novels but actually this novel seems to be quite a departure for the author, writing under any guise. In fact, I think this is what initially gave me pause.  If one picks up the book expecting a typical Barbara Vine, or even a typical Ruth Rendell, one is in for a surprise as it is neither.  And yet, once I settled into the pace of the book and the voices of its narrators, I found it quite compelling and beautifully written.  

    It is more of a political analysis than a thriller, and there is really no mystery except for how it will all end up.  

    Actually I found the book quite compelling and a bit disturbing and unsettling as well. It is not unsettling because of the depths of human depravity and psychology it reveals but more because there really is no great depravity here but just normal human emotions, sometimes pushed beyond normal expectations.  In typical Vine fashion, the character one most expects to feel sympathy for is the one that is most despised by the end of it all.  And the character who began as the most callous is in the end the most sympathetic.

    In the end this is the Vine book that I think will have the most longevity in the memory.  After the initial disappointment that it does not fit the expected formula,  it may be the one that worms its way most into the consciousness, and the one that most deserves to be re-read.

  • Teal Blue Mohair

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    I alternated between knitting projects during the week.  One night I picked up the mohair  but it was already late and I was messing up the simple 2×2 rib and the decreases so I just put it aside and zoned out in front of the TV.  It was that kind of week really, terribly busy and at times terribly frazzled.  Sometimes I just wanted to sit and dream, or read.  There was a terribly large amount of reading too with the new budget proposals and everyone's opinions on them.  I am already exhausted from it all.  

     
    As you can see, despite all this business, the depression of doing taxes (it galls me to have to pay money I no longer have on gains that have disappeared into the ether) and worry and general upheaval I did manage to finish the mohair sweater.  Here it is on Matilda late last night.  She demanded a try-on practically the instant I finished the seaming, and it was good because it looked so tiny lying in my lap.

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    But of course it is mohair on fair sized needles. 9's for me, but I went down a size or two from the pattern. and the top and sleeves are ribbed, which accounts for their apparent narrowness.
    I like the way the shaping turned out as well.  I think there were one or two places in the pattern where I was supposed to K2tog when I felt a purl would be better, but really those were the only minor adjustments and could have just been my knitting rather than major problems with the pattern.

    I wore the sweater today and just love it.  This will be a favorite and a basic in my wardrobe.  And considering that it is supposed to be cold all next week at least, I think there are still ample opportunities for wear.  I am going to Tennessee for a week after that, and I hope I don't need to take it with me, or wear it upon my return, but I am not counting on either.

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    Unfortunately the best picture of the sweater on me is the one where I decided to shift at the last minute and I was looking down just as G snapped the photo.   The sweater was knit in pieces up to the yoke where it was joined on circular needles and finished in the round.  You can see the nice shaping in the decreases on this photo.

    Pattern:  La Gran Ribbed Yoke Pullover
    Designed by Debbie Allen
    in CEY Autumn book1

    I knit a size medium and used not quite 7 skeins of yarn.

    [edited to add that I did add about an inch and a half of length through short row shaping at the bust in the front ribbed section.  It seems to have worked out quite well.  I did not make any alterations to the back, although I considered taking out a little back length.  I don't think it was necessary in this sweater.]

    I am incredibly happy.

    I like this sweater so much that I would consider making it again, really the ultimate praise.  Not that I probably will ever make it again, but you never know. There are too many new things to make. I do tend to wear the same kinds of sweaters over and over though, and someday this one might need replacing.  Mohair usually wears well, and I have a few ancient LaGran sweaters, so it probably won't be for a long time.

  • Baby Iceberg?

    Not really.

    Most of the ice we see in the Hudson is flat, or the jagged upright broken pieces of sheet ice that have been knocked apart and pushed aside by the Coast Guard Cutters.

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    Most of the river is clear of ice now.  This piece was floating south this morning and drifted inward to the shallow water in the bay below our house.  After a few hours it melted enough to move upstream a little bit before the tide changed and it continued its course to the south.

    This is the kind of thing that G would love to manipulate to make it look more like a real iceberg.  This is much easier now with digital cameras and photoshop.  We have primitive versions, dating from when his kids were little, of an igloo and a large piece of ice with a polar bear.
  • A shrink-break

    This morning I wanted to take a picture of a shirt I wear pretty frequently.  The fit is ok, although it could be better, and I wear it a great deal with sweaters.  I wanted to add it to the touch closet app, and thought a photo on Matilda would be better than a flat shot.

    But alas, Matilda could not fit into the shirt.; it would not reach around her upper chest or her bosom and was therefore not photographable.

    This afternoon, my sewing time was spent on a depadding Matilda and fitting her into a new bra.  Not only was this necessary for photography, but if I hope to fit any kind of jacket or blouse I need Matilda to be closer to my actual measurements.  
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    Here she is, in process (she kindly asked for there to be no embarrassing "before" photos).  The white shirt is another version of  the purple blouse that did not fit this morning.  I included two shots because I was shocked at the first photo, as I see myself more like photo 3.  Photo 4 was taken in a pose comparable to the first photo.

    All photos are clickable, as usual, if you want to see the gory details.

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    While I was working on this it occurred to me that I needed to take a photo for reference next time I get my hair cut because I really love the way the cut turned out this time.  This morning I really made no effort, no blow-drying, just occasional tousling with my hands as it dried, and I really like the look.  Since I had new photos it seemed like time to update my blog photos as well.  This photo is not clickable.  No one needs to see my wrinkles in all their glorious detail.

    This is about how I look day to day.  I don't really have the discipline for a polished "do".  

    One thing I have noticed, and my hairdresser mentioned it as well, is that my hair has gotten darker over the past few years.  Yes there is more silver and gray, mostly widely scattered strands, for which I am thankful, but that hair which is not gray has gotten darker and more uniform in color.  This of course has meant that I can wear stronger colors than I used to pull off, but it has not been dramatic enough to really change my palette.  

    Here is where I need your help:  I got a little carried away with the eyeshadow this morning.  I am out of my favorite eye-tonic, the one that makes my dark circles fade, so I thought to distract the eye with a little more color on the lid whereas I often go for  the "3 shades of invisible" look.  I am torn between thinking it is nice, and thinking it is way too bright.  I like playing with color, but I can't really see what it looks like until after I have my glasses on, and then I don't notice the eyeshadow through the glasses.  The photograph brings out the color really well.  Is it good or is it too much? Opinions welcome.
  • New Project

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    Last night I traced out a new pattern.  It is a pattern I had been obsessing about all week.  It was not part of my plan.  But more about that later.

    In order to make space on the cutting table I had to tackle that pile of pattern tissue and UFO's that I had been avoiding.  There were piles of pattern drafts for things made last winter (I am talking February 2008 here), and various stages of muslins and what-not for various patterns and projects I no longer remember.  

    As you can see from the photo above some of them even got wet in the interval; don't ask me how that happened.

    All these bits of pattern paper have been sorted; some have been filed and others are now neatly stacked and stored in the UFO pile, a pile I have every intention of finishing up.  

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    So why am I tracing a new pattern when I have all these unfinished patterns and muslins just waiting for my attention? Because I was looking at a piece of fabric and it said something to me.  I think it wants to be this Marfy jacket, one of the free patterns in the new 2009 Marfy catalog.  I actually don't know that it will work, and it is more than I originally wanted to tackle as I worked my way back into sewing. But the idea would just not leave my head.  All this despite the fact that there is another coat I really want to be sewing and really want to move from its position as "fabric space hog" into the coat closet.

    But there is no denying inspiration.
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    So I traced out the pattern.    It helped that I had organized the cutting table and actually had a roll of table paper right there at the ready for tracing.  

    I had hoped also to get started on the muslin yesterday, but got started a little later than planned so that didn't happen. I had intended to sort out the paperwork for our taxes, just to see what was missing so I could track it down, but once I had everything out I figured I might as well put it all together, and add everything up.  Now most of the work on the taxes is done, except for a couple of 1099s, so in the long run I am ahead.

    It probably won't happen tonight either.  We are having cocktail hour before dinner tonight, which makes pattern alteration and muslin cutting a questionable enterprise.

    But that is one of the advantages of retirement.  Who says happy hour has to be on Friday?  Monday is so much more decadent, don't you think?

    I think this project will take me a while.  I am sure there will be days when I want simpler things, when I don't want to struggle with fitting a muslin. Even after I get the muslin fitted I have to figure out if it will work in the desired fabric (I'm not telling yet).  I wasn't planning on a tailored project and yet I am a firm believer in making what you love and this project has been on my mind.  There will be many days when I want nothing more than to tackle one of those UFOs. There is no rush after all.  
  • Weekend Progress

    I've done pretty well, knitting-wise, this weekend.

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    All the pieces of the LaGran pullover have been completed and I have joined them together on the circular needles in order to knit the yoke in the round.  

    This was the first time I knit my sleeves simultaneously and it was actually rather nice.  They did seem to go more quickly even though I often lost track of what I was supposed to be doing and knit one sleeve for a few rows before continuing to the second.  This prompted occasional confusion as to where I was and lots of checking and measuring.  Counting was out of the questions given the fuzzy mohair and the dark color.

    Once I got the pieces joined together, I made sure the first couple of rows were completed and that my stitches and counts were correct before putting it aside so that I could spend a little time with the Blue Sky Cropped Turtleneck from the new Vogue Knitting.

    I an having a great time knitting this sweater.  The pattern is simple. I changed the decreases and increases somewhat on the sleeve to make the sleeves a little bit narrower at the cuff, and then I had to compensate for this as the sleeve gets wider so that it all works out when I get to the body.  

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    I am hoping this will work out and that the sweater will look good without sleeves that are quite so floppy.

    The photo was taken last night; I am a little further along now.  It looks small to me on the needles, but I did check my gauge both before and after washing the swatch and I am consistent with that gauge.  The photo in Vogue looks more loosely knit though.  Perhaps I am not accounting for the stretch of the sweater with wear.

    I think the Blue Sky Alpaca Bulky is about the same weight and gauge as the Twinkle Soft Chunky, but it is possible that it is heavier, or somehow tighter and holds its shape better.  Since this is knit from sleeve to sleeve there is no real way to tell until I knit it all and see what happens.  I am trying to account for the post-wash growth when I look at it, but it just isn't registering.  It is not so small looking that it doesn't fit, at least not so far.

    Whatever happens, I suppose I can console myself with how much fun I am having knitting this.
  • A Mingus Interlude

    Long, long line at the post-office.  Of course, the one day I have to go to the desk is the day the line circles around the lobby twice.

    I should have expected the phone to ring.  G is at home expecting me, and is probably wondering at the length of my absence.  I should have put the phone in my pocket.  I have a package under one arm, all the mail crammed into my large hobo-bag type of purse, and I'm trying to find my cell phone without dumping everything.

    After I hang up the gentleman behind me says "That was a treat; a Mingus ringtone is so much nicer than the awful stuff one usually hears."

    I can only thank him and compliment his taste.  After all, it is not often that someone recognizes Mingus, even a popular tune like "Goodbye Pork Pie Hat". 

    If I have to have a phone, it might as well play something I love.
  • Marfy 2009

    The new Marfy catalog has been in my hand about 10 days
    now, and it has provided many happy hours of fun and fantasy.  It has also
    taken the full 10 days to get my Marfy order down to "manageable"
    proportions.  You see, when I first get the catalog I love huge numbers of
    patterns, and then as I look, I realize that many are but minor variations on
    things I already have, or they really won't work for some reason or another.
     

     

     

    Marfy 1824
    It takes me a
    few days to come down from that first flush of Marfy fever before I can look at
    the catalog with a clear(er) eye.  The result of this study is that I have
    narrowed my choices down to about 6 or perhaps 7 patterns, which really isn't
    bad considering that this catalog is for the entire year and I am looking at
    Fall patterns as well as Spring. It also doesn't hurt that I actually like most
    of the "free" patterns that came with the price of the catalog, and
    would have actually paid money for them….oh wait, I did.

     

    In the end
    this may be the only dress in my list (you will see what I mean later on).
     There were several interesting dresses with interesting details and
    draping (see Liana's post) but which I liked more for the
    abstract fact of their existence, knowing full well I would never wear the
    resulting creation.

     

    There are
    also a few that appeal to a kind of wishful, "I always wished I could wear
    that style" kind of mentality which is like sewing quicksand.  All of
    those patterns were best ignored.

     

    But I kept
    coming back to this dress.  Although a high round neckline is not my best
    feature, I think this one is low enough to show a bit of collar bone, and that
    can always be adjusted anyway.  I just like the style and the detail and I
    would actually wear this dress.  I am also intrigued by the cut-on sleeves
    and the neckline draping.  To my mind, Vogue does cut on sleeves well, but
    I would have trouble with them because of the neckline draping — vogue always
    makes the patterns too full in the center front/upper chest area for me.
     I am intrigued to see how Marfy does this.  My recollection of Marfy
    patterns, and it has been a few years since I actually made one, is that the
    fit through the upper chest is smaller and better for me.

     Marfy 1849
    Liana also
    posted about this jacket, which I fell in love with almost the instant I saw
    it.  It doesn't hurt that I also have at least one piece of fabric
    languishing in my stash that might be perfect for this jacket.  In fact I
    might have two.

     

    Oh dear two
    fabrics waiting for this pattern.  This one is definitely a must buy.
     

     

    I love the
    gathers in the front along the front band, I love that the collar does not
    close completely at the neck, allowing a little more of the neckline to show
    without being too provocative, and I love that it is feminine but also kind of
    sporty, at  least to my eye.


    Marfy 1877
    I keep on
    following in Liana's footsteps, at least as far as my first couple of Marfy
    selections are concerned because I am also seriously considering this coat,
    although I was on the fence about it before Liana posted and still continue to
    argue back and forth with myself.  I like the style, I have a fabric in
    mind for it, another fabric which has been waiting for just the "right
    pattern" and yet I still pause just a little bit.  I think I will get
    it though.

     

    Marfy 1925
    I also spent
    several days just looking at the blouses.  I am a sucker for blouses, and
    although they came back briefly I think in many ways the knit top and the fine
    sweater are much more a part of modern life.  And yet I can't help loving
    blouses.  I think I need to make a few; after I have been collecting
    blouse patterns for some time now, and I would certainly enjoy wearing them.

     

    There were
    several I was looking at but in the end decided that most of them were a little
    bit too much for me with just a few too many frills.  

     

    But I love
    this one.  I could probably make it from another pattern and be perfectly
    happy.  But I won't.  So I might a well buy it.  It is a shame
    that the lace inset does not continue across the back, but that wouldn't really
    be a hard piece to add.  

    Marfy 1976
    Another
    pattern that I knew I had to have immediately, and which is still on the list
    is this jacket, which was also shown on the back cover of the catalog.

     

    It is the
    shoulder and sleeve seam that attracts me.  It seems so "me",
    vague as that may be, and I am also fascinated by fitting this.  It is an
    area that is one of my most difficult areas to fit and this approach may well
    offer some advantages.  

     

    I am also
    somewhat intrigued by the dress as well.  I have other dolman dress
    patterns.  I might even have something I could adapt this from, but I am
    intrigued by how Marfy fits this.  Again, the diagonal seams also add a
    fitting opportunity that I might well find interesting to explore.

    The dress
    pattern would be a good base to explore some vague design ideas that are
    flitting around in the back of my head.  As the price for inspiration and
    education, it does not seem so bad.  The dress is that questionable 7th
    pattern, that keeps popping in and out of my calculations.



    Marfy 1987
    #6 on the
    list (I'm not counting the second dress yet, remember) is this fabulous
    jeans-style jacket with its hourglass shaped seams.  There is a jacket
    that will give heighten the illusion of a waist, enhancing the waist that is
    not as trim as it once was.


    Most
    jean-style jackets are too short, or too boxy, and this is neither, but it is
    not matronly either even with its longer length.  Or at least that is what
    I want to tell myself.   The actuality on my far different proportions may
    prove to be something else entirely.  But I am going to buy into the
    illusion and buy this pattern.  I suspect that what will really make ti
    work for me is to wear it with something softer on the bottom, a flirty skirt,
    or softer pants, as it is usually that combination of soft and strict that
    works best for me.  Still I see the potential.

     

    But wait.

     

    Marfy 1988
    I have
    another pattern on my list.  And this is how the pattern stash grows and
    grows and grows.

     

     

    This pattern
    is vying with the coat for a place on the final order.

     

    I do really
    like this jacket, but it is not that different from jacket patterns I already
    have.  And admittedly part of the appeal is the pocket, which I could do
    myself on any other pattern. the cuff ban, and the collar, again all easily
    copied on another pattern.

     

    But why
    reinvent the wheel?

     

    Truthfully
    the original six patterns were the ones listed above.  I have decided to
    get the coat.  The dress with the diagonal inset piece is still on the
    "maybe yes / maybe no" list, but I am leaning in toward it.  G
    really likes it too.

     

    And I had
    eliminated this pattern, 1988, convincing myself that I didn't need it but
    could use the illustration as inspiration but G really likes it a lot and
    thinks I should just by the pattern and save myself the trouble.  Since he
    found the pattern without my having to point it out to him, I am inclined to
    follow his advice.  But then he doesn't truly comprehend the extent of my
    pattern stash.  Perhaps it remains better that he never know.

     

    So here is
    the list.  I am not yet sure whether I am sending in an order for 6
    patterns or am just going to go all the way and get 8.  I don't know why I
    fret about it so much. When Marfy patterns were first available, I would get 8
    patterns from just one season.

     

    And some of
    them are still waiting to be made.  Not that that worries me.  I have
    to have the patterns available, because when I sew, it is the fabric that
    always starts the process.  The fabric worms its way into my attention and
    tells me what it wants to be.  Hopefully I have just the right pattern in
    my collection.

     

    I will
    finalize my decision this week.  Now that I have narrowed the list down
    this far, the only thing that will keep me from adding patterns back in is to
    actually place the order.  I am less likely to place a second order than I
    am to keep inflating the original order.  I will sit on this a couple of
    days, but then the final decision must be made.