Category: Inspirations

  • Make It Work

    Not sewing, yet, at least not from scratch.  Rather a down and dirty alteration wins the day.

     

    A trip to Key West had me in a bit of a tizzy the first few days of the new year wondering what on earth I would wear.  Most of my summer clothes are at least a size too big, more likely two to three sizes too big, but that was something I actually didn't discover until I tackled the alteration pile.

     

    Screen Shot 2022-01-09 at 8.00.38 AM

     

    Of course I had the top I altered to take to Tucson.  I thought perhaps I could alter the two dresses I made in the spring of 2020 (photo above). That is when I learned that I was not necessarily down one size, but at least two, and possibly three.  

     

    These two dresses saw heavy wear over two summers, and I knew that they were too loose, unwearable really, by fall.  But the reality hadn't really sunk into my head until I tried them on again with the intention of making alterations.  They fit beautifully when they were made, and I have to thank my friend Marjorie for all the fitting help, but that also meant that more than the most minor of alterations would be required, if alteration was even possible.   I decided to accept that they have served their purpose in my life, that they are still in good condition, and it is time for them to find a new home.

     

    Lafayette tank

     

    Enter a Lafayette 148NY tank I purchased 7 or 8 years ago. After trying it on I realized that although I needed to take up about six inches, this was actually manageable in this loosely fitted tank by simply taking up the side seams, and perhaps removing some extra volume at the center back seam as well.

     

    Alter2

     

    Initially my plan was detailed, to meticulously deconstruct and then replace all those beautifully finished seams.  But when I actually looked at the garment I realized the fabric was far too fragile for this to happen.  Seven season of wear have taken their toll, and although the top remains wearable, its time is limited. 

     

    This knowledge was freeing.  Since the alternative was the rag pile, there was no reason not to just slash and seam, and I did want one more wearable top for the trip.  Therefore,  I simply serged off the side seams, taking out four inches at the bust under the arms and tapering to nothing at the hem.  Notice that shaped hem in the top photo.  Taking significant volume out of the hem would require much more extensive work than the top was worth, especially at the side seams, where the curve is sharp, so a decided bell shape would be preserved.   I also took a big chunk out at the back waist, about 2 1/2 inches, tapering to nothing just above the bra line.  I had a little more leeway at the hips, and was able to remove a small amount of extra volume at the center back hem, but not much.  The trick was to take out enough to eliminate some of the bagginess, but not so much as to shift the side seams toward the back.  The serged edges were tacked neatly in place at the underarm and hem and I was done. Easy-peasy, and if it survived one trip I would be happy.  Everything else is just a bonus.

     

    Lafayette2

     

    Enter the obligatory hotel bathroom photo.

     

    The top works.  It is far from perfect, but it fits at least as well as anything I could buy and it fills an immediate gap.   As you can see the top remains loosely fitted through the body.  And it is also quite wrinkled here as this photo was taken about half way through the day, when I took my mid-day retreat from the sun.  If one cannot live with wrinkles, one should not wear linen.

     

    Perhaps all I needed was a bit of mad panic and a holiday out of the confines of familiarity and routine.  My brain is sparkling with ideas, and although I still have unpacking and cataloging to finish before extensive wardrobe sewing begins, I am looking forward to new sewing.  Somehow it has even dawned on my that even the idea that I have nothing, no patterns that fit, is itself an opportunity. It won't, perhaps be fast, but it will be fun.

     

    After all, how often does one get an opportunity to start over? 

  • Friday Distractions

    The backbone of the watering system is in place.  Next comes planting.

    2014-09-25 16.40.51

    A small community of plants are waiting at the transfer station (my driveway) looking forward to their relocating to their new homes. 

     

    All remains in transition and I am once again struggling to keep on track.  It is not that I do not have enough time, there is enough time for what needs to be done, and what isn't done is not truly important.  But still I struggle.  I am not good at the day to day routine stuff, keeping everything together and neat and orderly; or more exactly I am organized and I can be good at that, but it is a background activity, a support structure as it were for my more free-flying thoughts and inspirations.  And I am in free-flying visionary mode right now, filled with ideas and plans and not therefore very efficient at the mundane day to day details.  Not that I am actually a detail oriented person by nature.  I only do details when they capture my fancy, relate to a specific vision or goal, are a means to an end.  

     

    And so, here I am with a plan for the activities over the next few days, and a schedule of what must be done by when, but in the meantime I am easily distracted by other things, and there are piles on the dining table and my desk, which would drive me to distraction except that at the moment I am ignoring them.

     

    Far more important was noticing the sky yesterday late-afternoon/early evening, about 2 hours before sunset.  The sky was a deep cerulean blue, lightening and brightening toward the horizon, but still saturated with color.  It was a painterly sky, filled with puffs of painterly clouds. Although the play of light highlighted texture and color and the clouds had weight and presence in the air, they also seemed so bouyant and light, ephemeral even.  Is it possible to be simultaneiously weighty and ephemeral?.  It popped into my head that if you crossed cotton candy with popcorn and let the result float freely in the air like a balloon, this is what you would have.  It is not profound image.  I apologize for that.  I tried to take a picture with my phone from my car.  Mistake.  I really need to learn more about photography, take more time, pay more attention.  The artifact from the car windows, the assorted telephone poles and wires, had more life than the sky behind them.  Of course this too could be a metaphor, how sometimes we need to look beyond the everyday clutter of our lives, and see the perfection of the sky that lies just beyond the fringes of our attention.  It was one of those moments when reality looked more like a painting than it normally does, one of those moments where art and life coincide, were the real and the ideal align for just a moment, and if we are looking capture our breath and reward us wtih infinite possibilities.

  • Thankfulness Thursday

    My friend Patti nominated me for a gratitude challenge on Facebook.  I am supposed to post three things for which I am grateful for five days in a row.  It seems like a nice idea and I thought I would start here, although I will also post this list on Facebook later today and I will follow-up with the facebook challenge.  I might continue to pursue this idea here, hence the title of today's post.  Or I may not.

    IMG_8497

    Today I am thankful for:

    1.  Being able to get out of bed and stand and walk pretty much to my hearts content.  It has been 3 1/2 months since my surgery and I am still filled with grattitude when I awake in the morning and stretch my toes, even the toes on my left foot which remain partially numb.

     

    2.  Freshly picked tomatoes.

     

    3. The scent of roses on a summer breeze.

     

  • Inspiration Week 2012.15B

    Once again I have a post I started at the beginning of the week and am just now getting back to writing. For all of my efforts I have not yet managed to keep to a schedule and I suppose given the rather unpredictable and erratic forces shaping my life right now it is time a came to terms with that.   But for now, back to the inspiration files. 

     

    2012_04_10_17_00_48.pdf000This second post focuses on items I clipped from the March issue of Town and Country magazine. There is some repetition, as in this photo from Prada of another version of the same coat I posted a few weeks ago.  It still fascinates me.  I like the other colorway better for me, but saved this picture for the better detail of the embroidery. This coat is way outside my budget, but that doesn't mean that I can't have my own extravagantly embroidered coat someday.  (assuming I ever get enough time and peace to do it).

     

    I did take the time to look up the items I liked online, found two, and clipped them to pinterest but the entire process made me feel like I was circling the edges of a black hole, afraid that if I fell in I would never resurface.  This is part of the issue I still have to deal with, it is multi-faceted, and I just don't have the time to do anything but continue circling.

     

    Armani Jacket Spring Ad Campaign Screen shot 2012-04-14 at 10.04.48 AM

     

     

     

     

     

     

     

     

    These are the two items I found online.  

     

    The jacket on the left is by Armani and is elegant in its simplicity, but what attracts me to this jacket is the subtle play of the colors of the jacket with the soft aqua lining.  Now using a contrasting lining is nothing new, but imagination can still be caught and held still for a minute.  

     

    The pink leather jacket is by Ralph Lauren and I just love it in all its pinkness.  I think the way it is styled here, from the Bergdorf Goodman website, is too nice and ladylike for this jacket.  Because it is pink, it needs to be toughened up a bit, worn more casually, tapping into its moto-roots.  But I still like the jacket itself and the jumbled up messages sent by the combination of soft, pink, exposed zipper, and motorcycle.

     

    2012_04_10_17_04_14.pdf000Another motorcycle inspired jacket caught my eye in the magazine but I was seriously dissapointed in the online photographs.  This is where imagination gets to shine.  Getting inspiration from photographs versus real clothes is completely different.  In the stores, fabric and cut shine, and you might see things that you would completely miss in a photograph.  But photographs allow you to imagine things as you would like them to be, unencumbered by disappointing details like fabric and cut that don't match your imaginings.  The same can be said of seeing an item flat (or on a hanger) versus on a model.  This Vuitton Crocodile jacket is the perfect example.

     

    Town and Country photographed this jacket flat.  You don't really get a feel for how it fits on the body.  If you read the description — crocodile, you know it is going to be kind of substantial and not soft and drapey like the lambskin jacket by Ralph Lauren.  This is a distinct contrast to the soft color, a contrast I rather like.  But, when I looked at the runway photographs I had a distinct aversion to the strong architecturally contrived look of the shape on the models.  I am sure it appeals to some, but not to me, and it may look completely different on a woman with real curves rather than it did on the model.  But I can't tell anything about that.  I have to go by what I see and how I interpret what I see. I see details,  color, texture and an idea of sense of shape that do appeal.   A crocodile jacket is completely out of my price range anyway, but I could come up with something inspired by this, in a more fitted shape than the original, echoing the color the details, the richness of the texture, even the tongue-in-cheek details of the large white buttons. This jacket has far more of a tough-girl edge despite its obvious luxury.  If anything I think there is much more to play with here in terms of inspiration and style, it is simpler, less contrived, and could work in anything from croc, to embossed leather, suede or even wool, each having its own feeling but each option working its own unique way.

     

    2012_04_10_17_06_23.pdf000Lastly, I clipped this image from a Bottega Veneta ad.  I only needed a part of the picture to capture the idea. This skirt is simple in its basic shape.  The interest is all in the fabric, center panels of wider pleats stitched down and not hidden, with narrower pleats on the outsides, and the long vertical lines caused by the shiny trim between the sections.  This is fiddly detailed work to get it perfect, and the quality of the workmanship would be very obvious here. A cheap knockoff would never have the same cachet.  And yet if one had the skills I think the effort would pay.  If one doesn't have the skills, it is a reminder of something to strive for, that details do matter.

     

     

    1. photo from Prada spring ad campaign. Scanned from Town and Country Magazine, March 2012

    2. Armani jacket, spring ad campaign, here.

    3. Ralph Lauren Jacket, Bergdorf Goodman.

    4. Vuitton jacket, scanned from Town and Country Magazine, March 2012.

    5. Bottega Veneta skirt, Bottega Veneta ad campaign, scanned from Town and Country Magazine, March 2012.

     

  • Inspiration Week 2012.15A

    Somewhere between week 12 and week 15 (current) I discovered Pinterest and started pinning my online clippings.  I like pinterest.  But I discovered, as I started looking through the accumulated pile of magazines last week, I can't pin everything, and those magazine photos are still an issue.  One can upload one's own work to pinterest, but I don't believe that I quite have the rights to a photo from a magazine as I would to a photo I took myself.   I could probably pin a link to my own blog post once I reviewed why I was interested in said photo.  I shall consider.

     

    170081323397476487_gZ2b38QW_bI also realized that I will quickly overwhelm the master board I have created and I shall have to break it up, but I've not yet sussed out the connections that will be most useful to me in that regard.  Cell division will occur, but at which point I cannot yet predict.  A pattern must emerge and along with it a plan.  In the meantime, this is a catch-up post, with some things I pinned in those heady first weeks, with a few notes, and one previously unpinned item.

     

    Take this Cushnie et Ochs dress.  It is simple and classic and yet not at all boring.  I love it.  When I saw it I fretted over it for a week, fretted and mourned in a self-pittying way as I thought I would have no need for such a dress in a life that seemed to revolve around chinos and jeans. But of course there are opportunities, and we make our own opportunities if we so desire.  I still love the dress and undoubtedly will continue to do so.  The cross-draping on the bodice reminds me of a Donna Karan look from the 80s and a Vogue pattern I made at that time.  I still have that pattern waiting to be unpacked, and variations on the look recur every few years.

     

    Ebeb3308a92e8e4aa0d102ca356ecf28f3d2822fThen I was thinking about spring coats and light-weight coats that can be used for climates with those long transitional seasons, neither hot nor cold but where something is needed. All my coats strike me as being too somber, too black.

     

     I found this gorgeous coat by Burberry.  It is linen.  It will wrinkle. That doesn't really lessen the appeal for me as I like linen, but it does sharply increase the maintenance in a coat, which one would probably prefer to look a little crisp.  I naturally tend toward rumpled anyway so it seems best to avoid things that will hasten the downward slide.  Doesn't make me love it less.  Imagination is free. Inspiration is priceless.

     

    170081323397468121_PHui9zMU_b

    170081323397468130_BUbveNle_b

    Other finds were more random.  This little Tori Burch jacket would be great with jeans or chinos but also with a skirt or dress.  And I love the trim detail.  But I have lots of pretty tweeds and boucles sitting upstairs waiting to be unpacked. Trims too.  I'd rather wait and make something all mine. But I admit the shades of blue and the multicolor trim are very pretty:  all grown up and yet still retaining a bit of a sense of fun.

    LelaRose Cotton Skirt NetAPorter

    A few things have taken me by surprise.  In this season filled with many pretty soft full skirts shown with casual sandals, oxfords and brogues, I am focused on pencil skirts.  Who would have thought?  I've been wearing full and pleated skirts for years, when pencil skirts were everywhere I wanted pleats.  Now that I see skirts that are so perfectly my (former?) style, all I want is the straight and narrow, preferably brightly colored.  The bold bright colors on this skirt by Lela Rose makes me smile.

     

    170081323397485762_3XGTdyMG_bAlthough the more subtle colors on this pretty paisley skirt by Jil Sander also make me very happy. Besides it is paisley.  How can one not love paisley?  No don't tell me.

     

    Somehow I suspect that haven written that all I want is pencil skirts I will turn around and fall in love with some softly pleated number.  I see the pictures, and I love the look, but when I wear last years pleated skirt I am not happy.  It could be the drape of the fabric, or the style, or the way I put it together.  I only know that what usually happens is that as soon as I say no, something shifts in my brain and it becomes a resounding "Yes. Now. Please". 

     

    But I promised something not in that pinterest file.  This tunic by Vionnet fits the bill.  I saved this to my computer from Moda Operandi before I made the mental link to pinterest and since the sale was closed, I couldn't find a link.    I would wear it as it is shown on the model, with narrow pants, but I suspect it could be more versatile if the cut were good, perhaps working with a narrow skirt (see I can't escape it) and either layered or worn with a short jacket or shrug.  It struck me as something to play with, idea wise, when I get my sewing room set up.  I don't suppose I will duplicate Vionnet's cut, but I am not really trying.  Although I would indeed wear this if it happened to land at my front door, I saved it because it inspires me to play with fabric.  Now that is a good thing indeed.

     

    170081323397476128_qCZtguX6_b 170081323397476129_xPHFfdu0_b

     

     

  • Inspiration Week 2012.12

    I started this post on Wednesday.  Guess that says something about how this week has gone.    Looking at clothes again is a good start towards eventually unpacking my fabric and setting up my sewing room, although a great many of the things I clipped are things I would never dream of trying to knock off, just things I think are beautiful and would wear in my imaginary life, unemcumbered as it is by the realities of economics, lifestyle, and my own physical presence.

      170081323397476050_QxT7Nstk_b 170081323397476048_5s6r1lGy_b

     

     

     

     

     

     

    Some of the things that caught my eye were just simple things.  Dress with a lovely shape which shine when well fitted and made with quality fabrics.

    Giambattista Valli Dress Bergdorf Goodman
    170081323397472811_zsLM8T3s_b

    Sometimes it was the fabric itself, combined with a simple elegant shape, that caught my eye.   These aren't specifically ideas to copy, just things I love although they may serve as reminders and inspirations.  The toile de jouy dress has a lace back, which would not be my choice, as I would actually prefer a more conservative version, with the lovely fabric front and back.

     

    Akris Lace Dress from Saks Bottega Veneta Dress from Bergdorf Goodman

     

     

     

     

     

     

     

    I love the way different laces were combined in these two dresses. 

     

     

    170081323397476124_pOj9wIXH_b 170081323397476110_k7w6Vewt_b

     

     

     

     

     

     

     

     

     

     

     

     

    Rather than the fabric, it is the construction details that make these dresses stand out.

    170081323397485536_mOk200eR_b

    Prada Coat S:S2012 from Prada.com

     

     

     

     

     

     

     

     

     

    Did you would think I would save only practical pieces?  Not on your life.  Both of these coats are gorgeous and I would so love to wear both of them, in another world and another life of course.  They are completely unreachable.  But it costs nothing to save a picture, and dream, and be reminded occasionally of what I think is truly beautiful.

     

    1. Valentino silk and cotton dress, here.

    2. Yves Saint Laurent dress here.

    3. Clements Ribeiro  toile de jouy dress here.

    4. Giambattista Valli dress here.

    5. Bottega Veneta lace dress here

    6. Akris lace dress, saksfifthavenue.com (link no longer available).

    7. Balenciaga dress here.

    8. Comme des Garcons dress here.

    9. Prada embroidered coat, from Prada Ad campaign, here.

    10. Dries Van Noten coat here.

     

  • Inspiration Wednesday 2012.11

    I've mentioned before that I used to keep inspiration notebooks filled with clippings of things that caught my eye.  I still have those notebooks, and I have at least two boxes of clippings that never made it into any notebooks.  Not surprisingly I am still inspired by many things that cross my path, but the keeping of clippings is more complicated now as see more and more things in email and on the web, but still also clip pages from magazines.  I'm not quite sure how I am going to organize them all yet, but I have started compiling again.  Do you have any ideas?

     

    Anyway, I've started looking again, and many things captured my imagination in the last week.  Some of them are things I might buy, most are things I think are lovely but would never buy, but may or may not eventually influence something I make.  Some are just the starting point of an idea….. (in no particular order)

    2012_03_12_13_36_04.pdf000

    I scanned in this photo from Harper's Bazaar.  I have no idea which month, I have a stack of them to get through.  Blouse by 3.1 Phillip Lim.  Saved because it is simple but I like the proportions and the layering of colors.  This would not be such a difficult thing to make and this kind of layered look is good on me.

     

    From the same few pages of the same issue of Bazaar I clipped several other dresses, all of which offer loads of ideas for sewing mostly classic and basic dresses with a little something extra.

    2012_03_12_13_34_26.pdf000

    In this photo I was primarily interested in the dress on the left, by Carolina Herrera, which appealed to me due to its classic shape, sophisticated color, and yes the textural interest of the band at the hip.  Such a simple thing.  Once I clipped the picture however I realized theat the Reed Krakoff dress was also interesting, although a bit more complicated of a cut.  It is a wonderful example of a way to combine a print with color blocking in a way that both tones down the print and brightens up the simple dress.    I would never buy either of these because the colors are wrong for me, but that is the nice thing about inspiration shopping. it's all about the dream and the imagining of the thing.

     

    Gucci Dress

    One more dress, this one by Gucci.  Again we have the color blocking, this time with some lovely trim and a touch of metallic.  The beauty of this dress is its apparent simplicity which is actually dependent on fit, quality construction and materials, restraint and a good eye.  A great starting off point if one has the inclination and sewing skills, or a good seamstress. Quality will show here.

    Tucker Feather Print Shift Dress BG

    This feather print dress by Tucker was featured in a mailing from Bergdorf Goodman.  I see it more as a tunic than a dress.  I was not familiar with the brand and know nothing of the actual quality but they have some cute blouses that are actually meant to be blouses, as well as this tunic-dress.

    KirnaZabete-Cushnie-et-Ochs-Two-Tone-Shift-Dress-31

    Another tunic, this one by Cushnie et Ochs,  clipped back in January and recently rediscovered as I was sifting through the photos ensconced on my laptop. I actually like the structure of this more than the Tucker dress, which I would never wear with the self-tie. But worn loosely the Tucker is more casual, more summery, and probably more suited to my current lifestyle.

    2012_03_12_13_35_07.pdf000

    This Choloe blouse was clipped for the eyelet detail inserted in the sleeves.  Such a simple thing and yet I need to be reminded sometimes.

    Andrew Gn Georgette Lace Blouse Moda

    Speaking of blouses.  This Andrew GN blouse from the fall 2012 collection is just stunning.  The blouse is silk georgette.  This is another great inspiration piece as far as I am concerned, although if you have the the inclination and the scratch it is available for pre-order from Moda Operandi in sizes up to a FR 50.  I don't need formal or dressy clothes and if I were to indulge it would have to be something I made, being far more willing to spend my hours in hand work on something I love than in spending my cash.    The skirt is cute too, described as a rayon & poly jersey, and I think a nice stable knit with some structure and drape would be lovely.  I may even have a Marfy pattern in my stash that can be adapted to this style should I be so inclined.

    Jonathan Saunders Embroidered blouse

    Jonathan Saunders showed some lovely things in his fall collections, including this embroidered blouse, which I think has great potential although it is a bit boxy for  me.    I imagine delicate hand embroidery rather than machine embroidery and a more graceful shape. In the end my imagined blouse would be nothing like the original.  But I love things with beautiful, feminine, embroidery that are cute or costumy. I'd like to save this should I ever pull out my embroidery needles again.

    Jonathan Saunders Sigrid Dress Silk Wool Moda

    The same green fabric as the skirt was used in this beautiful dress.  There are several princess cut dresses with full or pleated skirts and I think they are all lovely .  Most are more appropriate for daywear, including a stunning red and black ombre wool dress, but this low cut version, which is more of an evening look, is the one that most caught my eye.

    Carolina Herrera Evening Dress Moda Operandi

    And while I am on the subject of evening wear.  If I went out in the evening I would absolutely want to be wearing this dress by Carolina Herrera.  Alas my gala evenings are a thing of the past.  No inspiration here.  I would not presume to even try and knock-off this dress, just let my inner diva strut around in it in my dreams.

    Andrew Gn Jersey Lace ModaOperandi

    Another dress, this one a variation on a classic theme, by Andrew GN.  The dress is a knit, probably with structure.  What appeals is the deep V between the breasts, so much more striking  and seductive than the usual lace shoulders over a demure silhouette one usually sees.  And the lace itself is stunning. If you are going out why not go all out?

    Nina Ricci pre-Fall Emperor's Old Clothes

    Stunning fall skirt by Nina Ricci.  Great idea for use of a pretty Riri zipper. I like the way the skirt is shown with the slightly boxy sweater and the matching blouse, a combination I would have put over tailored pants, but it gives the skirt an edge and makes it more wearable.  I need to remember to be more bold in mixing pieces.

    2012_03_12_13_28_08.pdf000

    I clipped this Chloe add because I love the idea of the light floaty volume of these dresses.  I think the style of the yellow may be more wearable, but it may be just my imagining, because when I look at the unstyled photos of models in online catalogs wearing these clothes they just look boxy and less inspiring. These dresses did remind me however of this Bottega Veneta dress that I clipped from Net a Porter back in January.

    Bottega VEneta Silk & Cotton handknit

    This could probably be lovely or completely unwearable depending on the fit.  With its combination of knit and fabric sections I was thinking I could make a version of this that lived up to my imaginations.  The more I think about it, those long narrow vertical strips look terribly boring and I might be pulling my hair out long before I'm finished.  I will think about it a little longer.  Surprisingly, I just checked Net a Porter and the dress is still available.  Perhaps it is not as lovely as I imagine it to be, but then I'm not always a good judge of what will sell and what won't.  

     

    dress photo scanned from Bazaar magazine

    dress photo scanned from Bazaar magazine

    Gucci dress Harper's Bazaar magazine

    Tucker blouse via bergdorfgoodman

    Cushnie et Ochs via kirnazabete

    Andrew Gn via Style.com

    Jonathan Saunders via Style.com

    Jonathan Saunders via Style.com

    Carolina Herrera via Style.com

    Andrew Gn via Style.com

    Nina Ricci via the Emperor's Old Clothes

    Chloe ad scanned from Harper's Bazaar

    Bottega Veneta dress via Netaporter

     

     

     

     

     

     

  • Spring skirts

    Picture 5 Duchesse posted this skirt yesterday.  I really like the look and was surprised that I had missed it.  But when I pulled out my Talbots catalog I realized why.  I like the front with the pleats, but the back is gathered and I don't believe it would do anything for the rear-view given that I don't think it flatters the models on the catalog cover either.  I'd like this skirt if it had pleats in front and back.  

     

    Picture 2 It immediately reminded me of another skirt I'd just seen in an e-mail from Donna Karan.  I love the look of this skirt and the fabric, but am managing to convince myself that it will probably be too snug through the waist.  Sad but true.  Besides, the way the gathers are ruched or smocked at the top (I'm not quite sure which and it doesn't matter because I'm not going to copy this detail) would not flatter me.  I'd be much better off with stitched pleats.

     

    But it does seem apparent that I need to make a pleated skirt for summer.  I've had favorite pleated skirts in the past, here, and here, and it seems time for another.

     

    photo 1 courtesy Talbots

    photo 2 courtesy Donna Karan

  • Fantasy Shopping at Anthropologie

    I love sitting down with the new catalogs and fashion magazines,  and thinking about what I would buy, or what I would make, if I could buy anything and everything I liked.  I've done this since I was a small girl and I still enjoy it.  The best part is, since I am not looking at the actual clothes, I can use the image as a jumping off point for what I imagine the clothes to be.   Sometimes I actually shop, but imagining is much more fun.  I don't worry that I can't wear all these clothes, or even that I can't make all the things I imagine.  Just having imagined it is often enough, but over the years, I have found that ideas have a way of bubbling back up to the surface.

     

    Yesterday the October Anthropologie catalog arrived in my email folder.  A lot of the clothes at Anthropologie read as too young to me, but even so I always find ideas and inspirations here, things that could either work directly or be easily adapted for women of different ages.

    Let's take a look at what I found.

     

    Yakuta Dress The Yukata dress is by Wenla Chia for Twinkle. Based on other things I have tried by this manufacturer I would guess it will be too short waisted for me and, at almost 37" too short overall.
    However, i think there is a lot to like about this dress, and it would not be that difficult to make a dress with the same feel.  The split sleeves would not be difficult and it is otherwise a pretty basic dress.   The deep v-neckline is good for me, but again that could be modified as I think the important aspects of this dress, are the sleeves, the simple line,  the structured fullness at the hip, and the contrast waist.  Frankly for me, if I used a white top and a gold skirt, I would probably use a deep aubergine at the waist.

     

     

    Splendid vinca sweater I really like the Splendid Vinca sweater coat.  It looks longer on the model than it would be on me, which is not surprising.  Granted models are tall, but typically they are long in the leg and short-waisted, definitely not characteristics I share.  I do not like the little leafy pattern at the neckline, which is also repeated on the back.  That reads as "cute" to me.  But the sweater coat is made from boiled wool which makes it easy enough to make, and one could play with one's own appliques.  The shape is rather simple.  The more I think about this I think I would use a contrast band around the neckline, and possibly at the sleeve hem as well, perhaps using the darker color of the applique pattern.  This would also give it a more structured appearance, which I would find more versatile.

     

     
    Volante Tee The one top I was seriously tempted by is this one, the Volante tee.  I really like the basic, fitted shape with the modified boat neckline and the 3/4 sleeves.  Even though I am not particularly a fan of bows on adult women's clothing, I do like the large cascading silk bow on this top and think it would look lovely with a simple skirt or slacks.  I see this as the perfect "go out to dinner" tee.  And at $58, it is a price I would spend.

     

    And then we get to the buts.  It is a fairly simple shape and a sewist experienced in knits could stitch this up pretty quickly. The bow or cascading ribbon would not be difficult either and could be made from a remnant if you had a good color of silk in your stash; I think it would be easy enough to make it detachable as well.  The commenters all state that the fabric is thin, perhaps too thin for a middle aged body, and that the silk is thin as well.  By paying attention to the fabric, it would not be that difficult to make a much more elegant version of this top that would be truly worthy of going out to a nice dinner.  

     

    Fine Arts Tee Next up is the Fine Arts Tee.  This one is more expensive, but it is rayon jersey and has beading.  The fabric quality is probably better on this, and there is more fabric. But what really appeals to me about this top is the way different prints are used to create the final effect.  If you zoom in on the image over at Anthropologie's site, you see that although the main print does contain blocks of color, much of the collage effect is actually achieved by piecing.  This would be a great way to use pieces of prints in harmonious colors.  I think most people are drawn to certain color families and I know that I have prints in my collection that could work well together; I suspect I am not unique.   Playing with prints to create a harmonious whole would be a lot of fun, and probably while away far more hours than the actual sewing.  I don't really care for the beading on this top, as presented here, but I can see how a bit of judicious beading can enhance the final effect.

     

    Antique Luster Wrap 2 My final selection was Antique Luster, and as you can see I chose it because it picks up on that same theme of piecing together fabrics to create something new.  I deliberately chose the blurry view to present here, as opposed to the detail view available on the website because I don't really like the fabrics chosen for this top, or the way the way they have it tied on the mannequin.  However I think the idea is great.  I think the v-neck with the soft tied waistband and the long drape can be very flattering and forgiving, and, if one is making one's own, one can make the top more or less fitted at the waist and hip as is appropriate.  I like the vertical lines of the piecing and the way the design elongates while enhancing natural curves.  I suspect this top could help with providing the illusion of a waist on a body that is becoming thicker in the middle.  

     

    Of course, I also like the idea of combining fabrics and think this looks like a lot of fun, even as I am somewhat cautious.  The secret in pulling something like this off is really playing with the fabric and paying attention to how the fabrics look together and the effect they will have when wrapped around a body.  

     

     

  • August Vogue, Boucle Dress

    I got pulled in many different directions this week and did not get back here even though I had grand plans and good intentions.

    Vogue227  In my last post, there was a page I neglected.  Although the main image, the model with the simple turtleneck, red skirt, and matching boots, is an outfit I would absolutely wear, it is actually the smaller background images that captured my fancy.

    I like both outfits in the back, the low round neck of the Carven jacket with the white shirt is lovely.  But I love the dress, the navy Chanel tweed dress with the coordinating solid fabric at the cuffs and neckline and along the button closure at one raglan seam.  I don't know if this is just decorative and there is a zipper hidden elsewhere or if it functions, or if in fact this is a functional opening and there is a zipper.  I might fancy both a zipper and working buttons.  This dress appeals to me because it seems modern and sporty, whereas I tend to think of tweed dresses as being rather formal and old-fashioned.  It seems I have a generous collection of tweeds, boucles and textured fabrics so new ideas are always appreciated.