Category: Books

  • Books, Read and Unread

    Remember how I said that I was increasing my activity with moderation in mind?  Well, that was a lie.  Not intentionally so, but once again I let my enthusiasm and stubbornness get ahead of my better judgement and I pushed a little too hard.  Last week I paid the price for that, and it was a reminder that I relied on George rather than myself for control as his was the voice of reason and moderation, as opposed to my own inclination to overdo (even when doing nothing).  I do in fact know when I am pushing too hard, but my innate stubbornness pushes that voice down as far as possible and it is long past time that I learned to listen to my own internal voice of reason and perhaps learn to seek my own internal balance.

     

    Anyway, the result was pain, a new pair of sneakers, loss of sleep, and some light reading.  It doesn't sound so bad does it?  But I am still suffering from the residual loss of sleep, and a bit of overstimulation which I in no way regret.  Hence the lack of posts last week. But, if moving into my 50's, and even my late 50's now, has taught me anything is that I no longer worry about justifying my activity or lack of it, and I am more willing to just acknowledge the ups and downs of my nature and move on.  Part of this is just accepting that "only human" is not necessarily a flaw, but a gift, even when it means embracing all that it means to be "only human".

     

    GentlemenBut onto the reading.  Over the course of a couple of insomniac periods I entertained myself by reading Joanne Harris's Gentlemen and Players.  The book had been on my stack quite a few years now I think, and had originally been recommended by my mom.  I don't really know why I put off reading it when I would read other books she recommended, even though I tend to think of her choices as bubble-gum reading.  Regardless, I am happy to have finally read it, and it was both better than I anticipated and not quite what I expected.   I think the technique of telling the tale in alternating voices, from two viewpoints, is both difficult and well done, and there were some interesting twists in the story.  Even though I figured out who the second voice actually was fairly early in the narrative there were still enough twists and detail to keep me interested.  If revenge is a dish best savored slowly, the book was one that I could savor, could enjoy reading, but in the end, the conclusion was just that, an end, and a bit of a hollow victory.  I had the sense that there was too much of a reliance on predictable stereotypes, and, although the author did manage to capture a sense of longing for something in each of her protagonists, the promise of fulfillment was never delivered.  That probably was too much for me to expect.  Although I did enjoy the book, it is not something that I see myself reading again.

     

    ChristianityAnd what is on my desk now, in process or waiting to be read? 

     

    First up is Diarmaid MacCulloch's Christianity: The first Three Thousand Years.  This is the text for a class that started in September and will continue until May.  I am reading a chapter a week, with a brief break in January for other reading.  I must admit that I am happy to be back to this book, and happy to have the opportunity to read it slowly, as I absolutely love it.  MacCulloch is an excellent writer, I had read his book on the Reformation some years back, and I have a couple of his other books sitting around waiting for my attention.  I look forward to each week's reading, and then after class I am usually so pent up with excitement that I can't wait to read the next chapter.  MacCulloch manages to make historical contretemps understandable in such a way as to provide insight to how some of these same issues and squabbles continue to plague human ventures.  He also has a marvelous dry wit, and many times I will read a passage only to pause, think, and reevaluate. 

     

    DisappearanceI also have to admit that I had too many books on my plate at one time in January.  I read all but one of them, and many others besides, but I also struggled with a rather uncomfortable level of distraction.  My goal is to be a little more focused this month, if possible, even while accepting that there are benefits to a certain level of distraction in life.

     

    The book I did not read, but am reading now, is Philip Wylie's The Disappearace. I read the first few pages in January, put it down, forgot it, and restarted it this past weekend.  I am only a couple of chapters in, but am thoroughly enjoying it.   Although the novel was initially published in 1951, and many things have changed in 60-plus years, I can already see that many of the underlying currents in this book are still relevant today.  Undoubtedly I will have more to say later.

     

    KissingerAlso on my desk waiting to be read is the first volume of Niall Ferguson's biography of Henry Kissinger, Kissinger: 1923-1968: The Idealist.  I tend to think Ferguson's insights can be brilliant, and sometimes terribly flawed, but then see above comment on "only human". It seems the book may actually provide an interesting point of balance and analysis that will go well with both the Wylie, and the ongoing theological and philosophical discussion that center around the class involving the MacCulloch.  Perhaps not.  But the timing seems good.

     

    If I get through the Wylie and the Ferguson this month, and manage to keep up with everything else, I'll feel like I've managed well.

     

     

  • Overlapping Stories

    I've been lost in a story, lost in a stories actually, intermittently layered through a busy few days.  The story is Fates and Furies by Lauren Groff, a novel that I have been savoring, often slowly, rolling it around in my mind  in secret stolen moments much the way one savors a truffle, letting the sensation slowly coat the taste buds, and imprint itself into memory; at other times reading greedily, hungrily, offended at the daring of the world to intrude. 

     

    Fates and FuriesIt is the story of a marriage, in one sense, and of all marriages in another, although of course specifics will vary, and one may be even driven to think "no! no! This is not me! I do not know people like that!", except that, if one is this reader, one finds, the more she gets into the book, the more she does in fact know people exactly like these. Perhaps less extreme, perhaps less archetypical, but perhaps not, because we also all have hidden selves, hidden darknesses, hidden voids waiting to be filled. 

     

    The novel is a story of a relationship in which each person becomes whole through the relationship with the other, "in they came integers, out they came squared", while at the same time never really knowing the other. It is told in two sections, Fates, and later, Furies, just as a relationship is built upon two distinct and separate points of view.  In order to begin to understand either, or the relationship as a whole, you must read both.  It is a difficult technique, and it is done well.  The book may be too literary for some, the characters too much the embodiement of their stories for others, but the novel itself is fabulous, written in beautiful prose, often stormily ambitious,  often raw with pretention, as are the characters, as are each of us at some point in our lives although we may prefer to think not.  It is a story of passion and deception, betrayal and loss, and ultimately redemption.  It is a book that is not always easy to read, although it draws the reader in deeply, but also not easy to forget.

     

    This weekend I also went to a concert, part of the Knoxville Symphony's pops series.  The concert was a performance of the music from Fantasia and Fantasia 2000, with the relevant film segments shown on screen while the music was performed. It was, of course, wonderful. I remembered seeing Fantasia when I was quite young, and I wondered as I watched and listened, about my lifelong love of music, and about my propensity to read stories into music….. was Fantasia at the root of this propensity, or did it simply open a new door to an already imaginative child who loved to read, loved stories, loved music, giving her a new way to create new worlds within her imagination? 

     

    FantasiaLive

     

    I have to admit that I had never seen Fantasia 2000.  It was visually stunning, and modern, and I would have loved to share it with my grandson.  (Note to self, this may be something to watch and share with family.)  There were, in fact, a couple of pieces from this newer film that made no sense to me and with which I struggled.  Oh they were clever and beautiful and I understood the stories they told, but they jarred with my own internal representation of the music.  Perhaps my own preferences and tastes were too far shaped by that earlier magic. And perhaps seeing and sharing again, with a younger generation, will create new insights, new memories, and open yet other doors.

     

    Owen in Music Man

     

    It was also the weekend of my grandson's school play, The Music Man, Jr. version.  So very ambitious for a small elementary school. So joyously performed.  Each year, the school production grows better, each year the children shine a little brighter.  

     

    So many temptations. So many escapes.  So many versions of ourselves to be found each of them, in the way the magic of story carries us away and shows us something of the world, our own history in it, and the way our own perceptions grow and are formed. So many opportunities to escape the routine and share something magical with others.   

     

    Stories interleaved with stories.

     

    Book Cover: Lauren Groff Fate and Furies, courtesy of Amazon. here.

    Fantasia Live photo courtesy of Knoxville News Sentinel, here.

  • The Sixth Thing

    Yesterday's  Five Things post was supposed to include the review of another book, but it didn't make the cut.  This was not because the book wasn't worthy, but more likely because my thoughts on said book were still in the blather stage, and not ready for public consumption. Having an additional 24 hours of mental rewriting has helped considerably, although my thoughts are still wild and unkempt things, and they are already banging into other thoughts and creating new and varied reactions, which probably have nothing to do with the original book. So be it.

     

    The book is Hive Mind by Garrett Jones, who is an economist at George Mason University.  It is written for a general audience, and I found it to be fascinating and highly readable account of an important and perhaps overlooked subject.  Jones leads the reader through evidence from a very wide range of fields in support of his basic argument, which is actually stated in the title: "Why Your Nation's IQ Matters So Much More Than Your Own".   The author manages to be simultaneously confidently persuasive while remaining somewhat cautious regarding what it all means.  This is, in fact a good thing.  Jones manages to mostly avoid falling into the various rabbit-holes and dead-ends that invariably open up in any discussions of IQ and inequality (either separately or together), and although there are a few places where he is inconsistent, a few times he seems to slip into mainstream generalizations, overall, there is a lot of food for thought here.  In fact the sense I got from the book was as much "this is an important attribute of successful economies and the way they improve the lives of their participants" as  "and now what are we going to do about helping others to share in the same opportunity". But that may be due to my own biases as much as to the book itself.

     

    Of course it is this second question, the "What are we going to do about it?", that continues to roil about in my thoughts. And of course my thoughts meander to what this means in my own local economy as well as in the wider world. Although Jones does not talk about economies within countries directly,  concentrating on differences between rich and poor nations, he does apply this information to disparities within countries as well, albeit briefly, using India and Pakistan as examples.  And there is great danger in extrapolating large population trends to specific small examples; but there is also danger in ignoring the larger trends.  Again, the point is that these differences seem to be important, and if they are important, then finding ways to improve the average IQ of large parts of the world is also important. 

     

    So this book, which is interesting in its own right, has raised up many questions in my heart.  And I don't know where they will lead.  And Jones seems to be raising a big question, one that is not being adequately addressed. We are not addressing it in our aid to foreign countries, especially sub-Saharan Africa.  We are not addressing it in our work within the unequal economies that exist in our own country.  We see data that relates IQ to race or economic status, and we look no further, because it is easier to dismiss something than to think about all the reasons that a disparity might exist, especially when the reasons are complex and multi-variant and may reflect badly on our own assumptions, especially when they infringe on our own sense of self vs other. Jones hints at some possibilities, he references studies that may lead to possible answers, but "may" is the critical word here, these are hints, not prescriptions.  He asks the question but doesn't claim to know the answer.

     

    This is a holiday weekend in the USA, a weekend in which we honor the memory of Martin Luther King Jr.  It is a weekend in which we need to honor the right of each and every individual to be seen and treated as an individual,  equal to each of us in every way, full and complete within themselves, fully worthy in an of themselves, each full of potential, as are each of us.  It is long past time we honored the soul of humanity that exists in each and every one of us, and allowed each and every human the opportunity to achieve full fulfilment as individuals.

     

    One of the lasting values impressed upon me at an early age by my father is that knowledge implies responsibility.  I suppose it was his version of "noblesse oblige".   Knowledge is not some abstract idea that we can just stick in a box out of the way until it is convenient.  Knowledge always raises questions, sometimes questions upon questions.  And it is how we respond to those questions that determines the quality and authenticity of our lives.  Each of our lives is uniquely valuable, no matter what the arena in which we find ourselves.  Each of us must ask questions.  Each of us must find our own answers.

     

    But the questions remain.  Are we asking the right questions?  And if we are not, what questions should we be asking? And of course, What are we going to do about it?

     

     

  • Five Things Friday

    Here I am again, falling back on the five things bandwagon

     

    1.  Tuesday was the first day that I had my get-up-and-go back after over a month struggling with bronchitis and disappearing energy levels and lack of sleep.  And I got up and went. Tuesday ended up being a massive shopping day, which was quite necessary as I had managed with minimal stops and declining supplies for quite a while.  Luckily I picked up a small rib eye and some lovely Japanese eggplant and mushrooms, all of which were destined for the grill.  By the time I got everything stowed, took my evening walk with Tikka, and finished with dinner and its aftermath (luckily minimal), I was exhausted.  I managed to catch up with Sunday's episode of The Good Wife and fall asleep halfway through the State of the Union Address.  But ahh, the joys of recumbency; something else I had sorely missed.

     

      Kimchi1

     

    2.  I finally started my first batch of kimchi this week!  Can you tell that I am excited? After 24 hours, the first taste seems promising. But now I have to be patient, and I want to peek and taste every single day.   I am using David Chang's recipe from Momofuku for no particular reason other than it being the first book I pulled off the shelf. It may not have been the best choice as  David Chang uses light soy sauce in his kimchi which may not be typical.  Gluten free soy sauce is a form of tamari, which is, as I vaguely recall, darker and richer tasting than light soy sauce.  But then again, it has been years, and all recipes are interpretations and adaptations to one degree or another. My next version might well be altogether different, without any soy sauce at all. The idea is to settle on something that is my house kimchi recipe and work from there.  But then, I am getting ahead of myself.

     

      Clouds

     

    3.  Thursday morning Tikka and I took our first long walk in, once again, over  a month.  Not quite my former 2 to 2 1/2 miles, but an easy 1 1/2, up and down the big hill and a couple of smaller ones.  The walk itself, from starting out telling myself we wouldn't go far, to rounding the final corner and heading home buoyed my spirits for the rest of the day, and I remained entranced with the simplest of things.  But then perhaps I just needed a little euphoria to bring balance back to my life.  After all, the previous Friday evening I had tried walking up a hill and barely made it.  A fit of coughing ensued that kept me up for hours and I feared that I would never recover, never return to active life, and was about to fall into steady slow decline.  There is nothing quite like a little 2 AM melodrama when one is under the weather, is there?  And yet only a couple of days later there I was, walking up hills and engaged in the normal activities of daily life.  My inner lark had been freed and was beginning to soar.

     

    4.  Stoned I finished reading Stoned by Aja Raden.  It was a good, highly entertaining, light read.  Ms. Raden is a good storyteller and she made the book a lot of fun, and I liked her approach, using jewelry and the desire for precious things as a focal point in history, which of course is all too true.  Some sections were all too familiar, but charmingly told, especially those concerning Queen Elizabeth, Spain, and the New World.  But that is the downside of being the daughter of a historian I suspect, the daughter of a historian who was also a good storyteller, and who loved to talk about history and the interesting little details that he found fascinating.   I recommend the book, it is engaging and entertaining, and not at all remote and distant.  In fact Ms. Raden  brings the reader into the story in all-too-human ways that desire, envy and obsession have cut a wide swath across history, implicating us all in the process.  For who has never obsessed over something?  Who has never been stoned? 

     

    5.  I was going to make soup for dinner last night, but I realized that the last canning jar in the freezer was not, indeed, stock, but pecans.  Bummer.  So I made chicken stock.  My stock is not the detailed, fancy, proper French style stock I made when I was young.  Now I tend to save up chicken bones and carcases, onion and carrot peels, and the like in a zip lock bag in the freezer.  When I have a bag or two I make a batch of stock in the slow cooker, adding vegetables as needed by weight, to enrich the stock. I try to keep some meaty chicken backs, or even better parts of an old stewing hen or chicken feet, to enrich the stock.  But otherwise it is pretty much a dump and go process.  The resulting stock is rich and flavorful and good enough for my home uses. 

     

    Besides there is nothing quite like the joy of waking up to the aroma of chicken soup.

     

  • Reading, Remembering, and Writing

    In the 8th grade I took a test.  In the 8th grade there were many tests, but this one in particular stands out.  I don't remember the subject of the test, and that, actually, is relevant to this post.  It may have been on the amendments to the constitution of the United States.  I remember studying for that test, I remember reciting the relevant information over and over, perhaps cramming, possibly memorizing the relevant information.  I passed the test.  The first test.  A week later our instructor gave us the same test again, this time as a surprise.  Most of us did not pass the second test.  I remember my teacher telling us that this proved that we were not actually learning the material, but merely memorizing facts to take a test.   I recall feeling chastened for studying incorrectly.  I do not recall that we were instructed in techniques to aid in long-term retention of the assigned material, and I wondered where I went wrong. If memorization and cramming are not enough, what indeed is the proper way to study?

     

    Last year I felt driven to slow down my reading.  I am sure this impulse was somewhat reactionary in that there were a few years when I felt overwhelmed and distracted and although I read, I continue to feel like I did not really focus my attention on my reading.  I feel like what I read filtered through my brain like a sieve, leaving little lasting impression.  And this continued to bother me.  But I am also not convinced that some part of me didn't wish to slow down as attempt to align my reading pace more closely to my ability to review the books.  That ended up being an epic fail, as rather than reviewing more, I actually almost stopped reviewing altogether.  But the experiment itself was a success.

     

    Make it StickThen in December I picked up Make it Stick by Peter C. Brown.   Brown's thesis is that many of the things that we assume about studying and learning are in fact wrong.  He then explains what we have learned about how the brain works and discusses what techniques work and why.  He also explains why study techniques like repeatedly rereading and underlining, then reviewing the underlined passages don't work even though we believe they do.  

     

    The book is a pretty easy read.  Brown basically tells you what works early on, then spends the bulk of the book fleshing it out, telling you why some things work and some don't, reviewing the science and interspersing it with stories aimed at helping the reader relate to the content.  Then in the end he reiterates his main points, with more examples of people who use the techniques and how they have helped them. 

     

    There is a lot of fluff.  But the fluff is actually necessary.  The fluff hides the patterns, which is the point.  The reader has to sift through the story and reflect on the meaning, which feels frustrating, but which also aids in learning.  Brown points out that an author is a storyteller.  We relate to information through stories, and it is through our own adaptation and interpretation of those stories that we write our own stories, which help us ultimately to retain the information.  But in order to write our own version of the story, we have to understand the underlying principles.  We have to think about the story, not just copy and memorize a list of points.

     

    You learn through the connections and relationships your brain builds between bits of information. When you make your own associations, the information takes on meaning, just as I recalled the 8th grade test.  I certainly hadn't thought about that test in decades.  But that test did change the way I studied.  And the changes I made at the time also informed the changes I made to my reading this year, techniques I had devised in high school and college that helped me retain information and which actually made preparing for finals easier.  I was never one of the students pulling overnighters cramming for exams.

     

    I certainly don't use all of the techniques Brown mentions, although I might use more of them were I following a course of study rather than just reading for pleasure and edification. You might use a different combination of techniques, or use them in a different way.  But reading  Make It Stick helped me reflect on my own reading habits, and my reviewing habits as well, and why sometimes I feel torn between wanting to review a book while simultaneously being wrapped up reading another book, and how both difficult and ultimately rewarding it is to go back, and summarize and put my thoughts on a book on paper after it has had time to marinate in my brain for a while.

     

    For a while I struggled with my inclination to want to go back and reflect on what I had read.  My inclination is to read then put the book aside and do something else, even watch tv, then come back, write down what I thought I had read, refer once again to the book to test my own memory and then come back again, usually later, to write my own reflections and elaborations on what I had read. This functions well as a technique for making the knowledge mine.  This often takes days if not weeks. Sometimes I wonder if I make things too hard for myself.  It feels hard, but actually having to work hard on memory, cements that memory more firmly in place.  Restating new information in my own words, associating it with something I already know or an issue I am already struggling with, embeds that knowledge in my own neural pathways. 

     

    In the same way, my own tendency to interleave my reading materials by reading several books simultaneously, as well as the distractions caused by the general hubbub of life, helps to solidify the impression made by the book.  The harder I have to work to retrieve the memory, the more likely the memory is to stick.  When I was young I thought I wasn't very smart because I had to work so hard, rewriting and quizzing myself in order to fully absorb things.  I was envious of those who read and underlined and made it look easy, even thought I knew that didn't work for me.  It ends up that effortless study does not really help any of us; it is the effort that makes it stick.  Although I didn't realize the impact then, my efforts paid off.  As I mentioned, I was not cramming come exam week, although many of my classmates were.  I already knew the material.  I didn't have to crack my text, just review my own copiously rewritten notes, and quiz myself on a few points.  It was my classmates who made it look so easy during the semester were up all night cramming their brains into oblivion, showing up with gray skin and dark circles under their eyes.

     

    The point is to read or study, forget, at least partially, then retrieve.  My own inclination to rewrite and reflect is a form of retrieval.  I finished the actual reading of this book around the 30th of December.  I finished my notes on January 2nd.  It has taken me over a week to articulate what I wanted to say in this review, which is in effect, yet another final review and restatement of my thoughts on the book.  It is completely different from my notes of the 2nd, which I reviewed briefly before sitting down to write this, and set aside.

     

    Granted not all books are worth the effort.  They should not be.  We all need to rest, to escape, to wind down however we chose to do so, be it a beer with friends, a mindless television show, a silly book.  Learn. Rest.  Learn something else.  Wander.  Recall.  Begin again. 

     

     

     

     

     

     

     

    One of the two books that I finished the first weekend of this year addressed this exact problem. 

  • Current Reading

    January reading

     

    The Disappearance by Phillip Wylie.  I heard a lot about this book when I was in college, but I never found a copy.  Eventually I forgot about it, until recently that is, when I saw a copy in a bookstore. I will be intrigued to see if it lives up to nearly 40 years of expectation.

     

    Jesus and the Disinherited by Howard Thurman.  This is my reading for a class later this week.

     

    The Denial of Death by Ernest Becker.  I actually read this a few years ago, but felt strongly moved to read it again this December.  A lot has changed in my understandings during the intervening years. This second reading is proving quite rewarding.

     

    Creeds, Councils, and Controversies, edited by J. Stevenson.  I picked this up during the fall, to look up some original materials referenced in my reading about the history of Christianity for EFM year three.  It is not the kind of book I can read straight-through, but I am still finding it yields fascinating perspectives into the development of western European thought.

     

    Stoned by Aja Raden. I've just started this.  So far nothing new but the reading is entertaining. 

     

    I also finished two books this past weekend, which is good because even for a person who tends to have multiple books going at one time, I was feeling a bit overwhelmed and stressed by the number of books competing for my attention.  I haven't quite wrapped my head completely around the second book, though, so you might hear about that later in the week.

     

     

     

  • Defining Books of 2015

    I am not going to post a list of all the books I read in 2015.  I now keep such a list on LibraryThing, and therefore have no need of duplicating the list here.  The feature of my previous lists that was useful however, was the notation of favorite books, and that I shall continue.  This may be particularly useful this year, as I more or less stopped reviewing books in the middle of 2015. It is a decision I regret, but it is too late to go back and catch you up on thoughts and processes past.  I believe I just needed to make some decision about what I would and would not write as I am not inclined toward a traditional review, and, by nature, it is very rare that I actually regret reading a book, or find that my time was wasted, even with a book, that I may find seriously flawed and lacking.  So I will occasionally write about books, but not all books. 

     

    In the meantime, here are the books that I enjoyed the most in 2015.  For the most part the books I enjoyed the most are also the books that in some way changed my way of thinking and seeing the world.  Since I find it difficult to both rate and rank books, they are listed alphabetically by author's last name.

     

    How to Fly a Horse by Kevin Ashton is a book about creativity and how humans are creative animals by nature.  In fact it is about our struggle between the creative impulse and fear, or the need for security.  Not reviewed, but mentioned here and again here.

     

    Necessary Targets by Eve Ensler.  We need to build walls to make life tolerable; and yet those same walls which protect us, can also separate and destroy us.  We occasionally need to be reminded of this fact. Review here.

     

    The Episcopal Call to Love by Rob Gieselmann.  The book was written in response to a particular time and place in Episcopal Church, and I initially read it for two reasons: We were addressing a related issue in my parish home, and Rob Gieselmann was one of the candidates being considered in our search for a Priest-In-Charge.   I went back to the book later however because it resonated deeply with me in my own explorations of how we listen, relate, and ultimately love our neighbors.

     

    Travelling with Pomegranates by Sue Monk Kidd and Ann Kidd Taylor.  Lent to me by a friend, I was initially put off by the opening sections of this book.  Yet I stuck with it and ultimately found it rewarding. It proved to have strong connections to other books I read this year, including Ashton (above) which I read later.  It proved to be a fascinating exploration, through memoir, of the role of creativity in life, of the search for meaning, and in finding and embracing one's true calling.

     

    H is for Hawk by Helen Macdonald.  A book I wish everyone could read.  Yes, it delves deeply into the darker sides of human nature, but it is only by reconciling ourselves with darkness and pain that we become most human.  Review here.  And also, see Mater's review here.

     

    Wolf Hall by Hilary Mantel. A rich, complexly rewarding novel.  I see no point in repeating myself.  Review here.

     

    Colorless Tsukuru Tazaki and His Years of Pilgrimage by Haruki Murakami.  This is a book I wish I had reviewed as I cannot say enough about it in this brief format.  That said I will read it again as it has played so deeply in my insights and thoughts that I am sure I will see things with new eyes upon my next reading.  Although I have read all of Murakami's other novels, and  I purchased the novel when it first came out, I realized when I picked it up, after our new Priest (see above) mentioned it in a sermon, that I could not have read it before now. Is Tsukuru colorless because he has closed himself off to emotion and love due to grief? But he saw himself as colorless before, whereas his friends had color.  Or is it is self-perceived colorlessness that has allowed him to live out his dream to create?  A novel that exists on many levels and raises more questions than it answers, but once again touches on pain and joy, the struggle between safety and creativity, and what makes us human.

     

    Globalization, Gender, and Peacebuilding by Kwok Pui-Lan.  This brief book on interfaith dialogue was assigned reading in last year's EFM class.  I read it early in the year and found it be a persuasive and thought-provoking analysis of the roots of religious conflict.  It really challenged many of my perceptions and assumptions and I found myself looking forward to a class discussion that never occurred due to many conflicting circumstances.  I will probably read it again, in an attempt to come to some understanding between my initial perceptions and any evolution in my personal insights into the world  (in lieu of actual dialogue).  Academically written so not for everyone, but worthwhile for those so inclined.

     

    You've probably noticed that there seems to be a theme, or some consistency in what stuck with me this year.  I am sure that to some extent this often occurs, as what we see and are drawn to in any book depends on where we have been, what we have learned, and our own understanding of the world, ie. the perspective we bring into the dialogue between ourselves and the book.   Since I tend to read several books simultaneously, this habit may also affect my perspectives.

     

    I have therefore decided that it may be fun and informative if I occasionally list the books I am currently reading.  They may not all get reviewed.  They may not even all get listed, as I view this as an occasional snapshot kind of post.  But I'd be interested in seeing how my memories and perceptions of a book relate to the other books I was reading at the same time, if they relate at all. I'm thinking this will be a monthly snapshot, but it may be more or less frequent, depending on how much or how little I read (2015 was a short-listed year).  I'll put up the first post next week.

     

     

     

     

     

  • Potato Chip Reading

    Late Saturday afternoon I was sitting at Walgreens waiting for a prescription.  It was not really the best time, the place was crowded, and I just wanted to be home.  I entertained myself by settling into one of the chairs in the pharmacy department with a Stone Barrington novel by Stuart Woods.  This one, Hot Pursuit was fairly typical, although I've apparently missed quite a few recent installments regarding Stone's life.  No great loss there.  Bourbon, women, wine, food, a bit of high society.  The book is predictable, the characters suitably vague so that one can project upon them what one will, and entertaining in a glossy surface kind of way.  In fact perfect for tuning out the surrounding drama at a Walgreen's on a Saturday night.  I was about a third of the way through the book when I left the store, and finished it up when I got home.  The experience was, in fact, a lot like eating a bag of potato chips, without the residual feeling of "what was I thinking".  Stone is the same, an aging lothario who doesn't seem to know that he is aging, and whose life actually seems pretty shallow and uninteresting, except that the reader is distracted by the gloss and the name-dropping and hint of power-plays.  Not bad for an hour and a half when reality is less appealing than a bit of fantasy, and probably an improvement over staring mindlessly at the tv, in that at least something can be left to the imagination.

     

    It was, in fact, an improvement over the last two Reacher novels, both of which I read in the evenings of my drive to and from Texas in November.  Like Stone Barrington, Jack Reacher hasn't really evolved at all, and that is not necessarily bad in that I like the way Reacher is willing to stand for his own personal code.  But the books are getting tired, and it seemed like Lee Child was really reaching for plot ideas, especially in the first of the two books I read, Personal which put Reacher in a situation where he was really the target, a situation that was the opposite of everything Reacher believes in.  The second book, Make Me, was more typical in terms of plot, but still seemed like a bit of a stretch, as if the author is having trouble keeping the series going.  Like Barrington, Reacher is not evolving.  That is probably realistic; I suspect most of us don't really evolve or change much as we age.  Unfortunately it doesn't make for particularly interesting reading.  Or perhaps the lack of sugar (the name-dropping gloss of the Barrington novels) makes the emptiness of the read all the more apparent.

     

    On a lighter note, Graeme Simsion's romantic comedy, The Rosie Project, was light-hearted and charming and proved to be a cheerfully entertaining read.  I had some doubts about it, despite the hype. Or was that because of the hype?   The main character, Don Tillman is a socially awkward scientist, who has Asperger's, but isn't particularly aware that he has Asperger's, and the author seemed to do a good job of getting into his head and making his oddness charming in a rather self-deprecating way.  There were perhaps a few too many jokes at his expense, but they were pulled off with grace. Most of the characterizations are shallow and rather predictably stereotypical, but again, they are handled with a light hand, and the general humor carries them.  This is not true in the sequel, which I do not recommend at all, as it devolves into a rather painful morass of cliche and incomprehensible obliviousness, and seems to dive into all the pits the first novel manages to (barely) avoid.

     

    Of these books, I would say The Rosie Project would be the only one I would recommend.  It too is a fast read and probably will not stand up to critical reading, but  it is the only one that seems to have claimed any particular place in my memory.  Or perhaps, given my own penchant for reflection, Don Tillman reminds me that our own conception of ourselves is perhaps more telling in terms of who we become, even when our perceptions fly in the face of other's perceptions of us.

     

     

     

  • Some Thoughts On The Newest Thomas Lynley Novel

    22571556One nice fringe benefit of my trip to Texas was the ability to indulge in a little light reading.   I was eager enough to read Elizabeth George's new novel, A Banquet of Consequences, that I preordered it on my kindle, and stayed up much of one night in our hotel room in San Antonio, hiding under the covers to avoid waking my mom, as the wind howled outside and the sound of rain pounded against the windows.  And it was a good book, one well worth staying up for.

     

    I am not going to spoil the fun by revealing details of the plot, only say that Lynley and Havers seem to be more or less back on track, with stronger elements of their old selves in evidence.  We actually don't see a lot of Lynley, although he is present, and his presence is critical.  Lynley himself seems to be coming to terms with the changes in his own life, and the consequences of his actions, both the continuing repercussions of his ill-conceived involvement with Isabelle Ardery, and the more interesting and ultimately challenging consequences of his growing attachment to Daidre Trahair.  In short, Lynley has been working through his grief, and show signs of becoming a far more complex and interesting character in the process.  We still have to see how far he is willing to carry through.

     

    But Lynley isn't really the focus in this novel.  That distinction goes to Barbara Havers, although actually we spend far more time with a complex cast of characters and an interesting set of circumstances, the same set of circumstances that ensnare Barbara Havers, and lead to her involvement in solving a crime.    In fact the entire novel is an interesting study in motivation and the consequences of both action and inaction.  Of course Havers has a lot to lose and a lot to gain in this investigation.  Her situation remains precarious following her almost complete unraveling in the last novel, but she acquits herself well, and we not only begin to see the old Barbara emerge, a woman who is creatively brilliant as an investigator, either despite of her prickliness, or because of it, I'm not sure which, but we even see hints that she too may be growing in new and interesting ways.

     

    And this is what I probably found most interesting in this book.  Not only is it a good mystery and it is, complex and satisfying at that.  But George also does a masterful job of bringing her characters around to where they need to be in order to carry on.  I know that not everyone liked the last few novels, and that they have been uneven at best.  And I also realize how shocked we all were at the death of Lynley's wife, but, increasingly, I think that this evolution was necessary in the life of these characters, just as evolution and transition is necessary in our own lives.  Without this evolution, no matter how uncomfortable it was to us as readers, I am not convinced that this series could continue.  It seems to me that the author has positioned herself and her characters well, with a promising future, a future I am looking forward to exploring, as George leaves us with some tantalizing hints at the end of the novel.

     

    And although I am certain that what we pick up out of our reading has as much to do with our own accumulated experiences as with the actual words written, I am also intrigued by the way this novel reflects ideas that have been floating in my head for some months now.  Lynley realizes that Barbara's brilliance as an investigator has been hampered by the straightjacket Ardery has placed her in, and he needs the old Barbara back.  In fact both Lynley and Havers were brilliant as investigators because they were both outsiders, although outsiders of very different sorts, and it was this meeting of their skills and perspectives, and their ability and willingness to see into the cracks, that made them a fine team.  But with his marriage, Lynley was getting too settled, and moving back, just a little bit more comfortably, into his natal milieu; and Havers, well Havers lost her lifeline when Lynley married.

     

    The book reminded me of books I read this summer, books I didn't review, and which I can't really go back to now.  One was Kevin Ashton's How to Fly a Horse, which was about creativity and creative thinking.  Ashton's thesis was that we are all creative, that creativity is a hallmark of our species, a basic part of our nature, but one which some of us tap into better than others.  He also noted that security and fear are another part of our nature, and the both the need to be creative, and the fear of change and need for security are equally necessary for our survival.  It is this competing set of instincts that are of course happening in this struggle between Ardery, who is all too often all too close to self-destructing and losing the security of her life, and who therefore craves security and order, and Barbara Havers, whose life is chaos, and who needs the security brought about by putting the bad guys away, and whose need fuels her brilliantly creative and insightful investigative impulses. But all that brilliance and creativity comes at a cost, and as Ashton repeatedly points out, creativity is not neat and orderly.   Lynley and Havers both make people uncomfortable, although in very different ways, and in order to do this they must be open to their own discomfort and to finding a way to live with their own discomfort.  This book shows both of them making progress toward something better perhaps than they were before.

  • This Fragile Place

    It has been a week and I have not written about Paris.  Such is not out of character.  I tend to avoid commenting on many things.  But I see this is not necessarily possible.  It is not that my sadness has not joined the world's sadness at this atrocity.  And yet words have failed me, not just here and now but all week.  I suppose I was trying to shape the words, trying to write something grand, not letting my heart say what it wanted to say, not letting the words be what they needed to be.

     

    Untitled (5)In a watershed moment, I reread Eve Ensler's play, Necessary Targets, which had been heavily on my mind as I contemplate both the sadness and loss and the complicated dance of anger, cries for retaliation, cries for peace, and various knee jerk reactions that have surged through the media.  Some of these reactions upset me even more than the tragedy itself, as it is feeding our fear that leads into further darkness.  Feeding our fear does not honor the dead; it objectifies them yet again, using them as a means to an end, and end that merely leads to more bloodshed and more death; feeding our fears means the terrorists have won, they have won the battle for our souls.

     

    But what does a play about Bosnian Refugees have to do with bombings in Paris?  Absolutely nothing.  Absolutely everything.  I saw the play in the summer of 2000, before the terrorist attacks in New York, before so much it seems, but the play has remained with me.  The book came out much later, but in reading the words of the play, I still hear the voices of those actresses from that summer long ago, I still feel that shock of recognition and compassion and awareness, the same shock that Paris brings:  The compassion for the families, the shocked realization that these were people just like us, that we, too, are not safe, that this place in which we live our lives in relative peace and safety is such a fragile place, and we hold beauty and compassion far too lightly.

     

     It is easier for us to distance ourselves from the horror of war, of tragedy, when we cannot relate it to ourselves, to our lives, to our actual experiences and the people and/or places we know.  We could distance ourselves from the horror of Bosnia, mostly because most of us were not familiar with Bosnia before the war.  We can distance ourselves from the hundreds of innocents who die in the Middle East because we do not think of them as innocents, as individuals, but as shell people, the other, with whom we are at war.  We set up boundaries and distance ourselves, just as the two women who went to Bosnia in Ensler's play distance themselves from the women they are purportedly trying to help.

     

    One of the powerful figures in this play, Zlata, was a pediatrician, formerly head of pediatrics at a major urban hospital, a woman who once led a civilized, urban life, a life we would recognize in New York or Chicago or San Francisco.  As she spoke I could easily imagine her, stopping for coffee on the way to work, chatting with friends and colleagues, easy and comfortable in her life:

     

    "You don't understand that this happened to us–to real people.  We were just like you, we weren't ready for this–nothing in our experience prepared us–there were no signs–we weren't fighting for centuries–it didn't come out of our perverted lifestyle–you all want it to be logical–you want us to be different than you are so you can convince yourselves it wouldn't happen there, where you are.  That's why you turn us into stories, into beasts, Communists, people who live in a strange country and speak a strange language–then you can feel safe"

     

    Paris is different.  Paris is not a war zone.  Paris hits far too close to home.  Paris shocks us out of our complacency.   The people who died were people just like you and me.  They had mothers, siblings, children of their own.  The terrorists too had mothers, they too are more than just the other, more than just terrorists, because surely once they were people not so different from any of us.  We do not know.  Necessary Targets brought home to me how much we build walls around ourselves, thinking our safety, our boundaries, and our bubbles protect us, but they do not.  

     

    I mourn for the families of those who died in Paris.  But those families are no different from all the other families of those who have died, some of them in war zones, some of them innocents, some of them killed by our own bullets and missiles.  I mourn for those who have died because of poverty and neglect, those who have suffered because we are too good at distancing ourselves and setting boundaries, because we are too good at believing our boundaries protect us. 

     

    I mourn for the soldiers. I mourn for those who succumb to the power of fear, who think that revenge and retaliation is the answer when it is really just a path into further darkness.  By striking back we give the terrorists what they want; we justify their holy war, we justify their actions, and the dead become sacrifices. I mourn for the mothers of those terrorists,  for surely no mother wants such a fate for her babies.  Who will hold the mothers and comfort them in their grief?  Already we pull back, guilt by association.    We build walls and more walls and believe that our strength is in our walls.  But it is not.  Our strength is not in denying evil.  Our strength is in learning to overcome it, learning to connect to each other and love each other despite its presence, because it is present in all of us. Our strength is in our compassion.

     

    Zlata again:

    "I used to think it was the leaders, that men really made this war because of their hunger for power.  But now I really believe it's in all of us–this thing, this monster, waiting to be let out.  It waits there looking for a reason, a master, an invitation.  If we are not aware of it, it can conquer us."

     

    I mourn for the children who may become terrorists, and through them for all of us, because how can we know what our children will become?  We like to think it cannot happen to us, that we are protected, that our children our protected.  But in fact we cannot know this, cannot know what our children see and know and hear and feel, not completely.  We cannot know.  Even at our very best, most loving, most careful, we cannot know.  History tells us that we cannot even know what we may be become.  Again and again we fall.  There is no perfect mother.  There is no perfect place.  There is no perfect safety. 

     

    We fool ourselves when we believe that beauty and kindness and safety will protect us.  We fool ourselves.  We take our safety and our beauty for granted, and we do not recognize what we have. 

     

    "…..beauty.  Bosnia.  Bosnia was beautiful.  The song of Bosnia, the world of Bosnia that flows cold clean in the stream and tastes of a full meal.  Bosnia, the snowy mountains, the green green hurt heart of Bosnia, the kindness we shared, how we lived in each other's warm kitchens, in sunny cafés, …… It isn't the cruelty that broke my heart.  Cruelty is easy.  Cruelty, like stupidity, is quick, immediate ….  Cruelty is generic.  Cruelty is boring, boring into the center of the part of you that goes away.  We are dead–all of us–to the suffering.  There is too much of it — but remind us of the beauty, the beet fields in full bloom, the redness of the fields.  Remind us how we once sang, how the voices echoed as one through the landscape of night and stars.  Remind us how often we laughed , how safe we felt, how easy it was to be friends.  All of us.  I miss everything — Bosnia was paradise"

     

    It is our compassion that saves us, that connects us to each other, that makes us whole. We will not  win this war by blowing each other up.  We may win the battle, but we will lose the war. We don't win by building higher and stronger walls.  We don't win by reducing people to the other, by building better boundaries.  We win through connection, by opening our hearts to each other.  We win by making those small connections, by listening, by actually seeing the people we meet every day, by seeing and honoring them as people just like us, separated only by a happenstance of fate, as people with all their complexities and contradictions and fears and hurts.  Only then, if we connect to others, and they in turn connect to those around them, can we hope to overcome pain and fear and the violence and yes, the evil that pain and fear build. Only by hurting can we overcome hurt.

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    In Ensler's play, the psychiatrist, J.D. learns to open her heart, and is slowly transformed from the cold, distant, analytical psychiatrist, into a different person, one who finds happiness despite pain. She finds that she is no different, and no better, than anyone else:

     

    "Marching.  Marching through people's brains.  I don't murder people, well, I do, really.  I kill them with all my boundaries and rules and perfect training"

     

    Love one another.  Listen to each other.  Celebrate.  Do not take beauty for granted.  Do not let fear drive you, but embrace it and learn to laugh in its face and rise above it.  Do not hold onto hurt, but let it go, use it to help someone else heal. Beauty and darkness, good and evil, only annihilate each other if we let them.