Author: 459856pwpadmin

  • Catching Up: March and April Books

    I didn't really read much in March and April, and much of what I did read, proved to be less than noteworthy.  Never mind, having started something (monthly book posts) I'll stick with the program and subject you to the boring details.  I wasn't really looking for deep reading, my mental processes already being taxed with a few outside projects as well as the rigors of packing and sorting-while-packing.  This could have been part of the problem, I am drawn to things that make me reflect, and am often disappointed by shallow gloss.  And yet life is full of surprises, and sometimes you never know where you'll find some detail you weren't even aware you were looking for.

     

    Game of ThronesActually, it wasn't all bad.  There were a couple of books I just loved, and a couple of more that I struggled with, but which won me over and proved to be silent friends, the kind that sometimes catch you by surprise when you aren't looking.   I loved George RR Martin's Game of Thrones and found it to be the perfect distraction and escape, but not without thoughtful passages that also fed my own need for rumination and reflection.  It had been on my list for a long time, but never read, and I impulsively started it one night when I really wanted to disappear into that kind of numbing mindlessness that television can bring.  I believe that the time reading the book was well spent and although I actually spent longer with it than I would have with the first season, the book was quite enjoyable and thought provoking as well. Alas it was a long time before another book so captured my imagination and there were evenings that I did indeed fall asleep into a video-induced semi-coma.

     

    Orphan MasterShortly before  reading the Martin, I picked up Adam Johnson's The Orphan Master's Son, which was also excellent, and one of my favorite novels from these two months, but it was not as good of a stress reliever or escape as the former novel.  In fact, it was difficult to get started with this novel, but it did win me over in the end.  It is not a novel for someone who just wants to get lost in an epic tale that carries you away, and it can be difficult with its layers of meaning, truth, fable, surrealism and poignant portrayals of hope and despair and the way they shape and corrupt.  But despite this, despite the pain in this novel, there is also incredible beauty and hope and I highly recommend it, just not necessarily as bedtime reading.

     

    If these two novels were my favorites, and they were, with their somewhat overlapping themes but very different approaches, what was the sleeper, the book that won me over?  Actually there were two novels, but they are linked. Both novels are by Rachel Cusk, Transit and Outline.  I also have to admit that, as much as I might have loved the first two novels discussed above more while I was reading them, it is these latter two that are going to haunt my thoughts longer.

    Outline 

    First of all, I have to admit that I had read a couple of Rachel Cusk's earlier novels, and although they were well written, they just were not quite my cup of tea.  In fact I probably would not have sought out anything else by Cusk except that I happened to read something about her newest novel, Transit, that captured my attention.  After placing myself on the wait-list at my local library, I decided to read the previous novel, Outline.

     

    Outline is a slow, engaging novel that doesn't follow a typical novel form.  In fact it is much like an outline where the narrator and protagonist is passive, slowly revealed through her interactions with others, with the ways others respond to her presence. Although it seems a little odd, quite a bit is actually revealed, both about the characters with whom our narrator interacts, but also about our narrator herself, and the period of transition she is going through after a divorce, simply through the situations and revelations others make in her presence and her reaction (or lack of reaction).  I wish I had my notes with me from when I read the book, as there were passages I copied out and commented upon, but alas they are packed  Still, despite not having a clear story-line, the story grew, and the outline of our protagonist's character grew, as if she was slowly be revealed not only to us, but to herself, through the process.

     

    Transit is the second novel in what is meant to be a trilogy.  Here, the author is still listening to others, but she is also more present in the story and in her life.  She has moved to London, purchased a house in desperate need of renovation, and has taken on that project, and this has sparked something in herself, as if the physical renovation of the house is symbolic of the emotional renovation she must undergo to become more fully herself in her new life.  In fact she refers to her passivity in the previous novel:

     

    For a long time, I said, I believed that it was only through absolute passivity that you could learn to see what was really there.  But my decision to create a disturbance by renovating my house had awoken a different reality, as though I had disturbed a beast sleeping in its lair.  I had started to become, in effect, angry.  

    Our protagonist has moved from numbness, to anger, two steps in her transformative process.  And the process here is told with great gentleness and subtlety.  These are books that stole into my heart when I wasn't expecting it, and they will stay with me a long time.  I look forward to whatever will be revealed in the next chapter, and I appreciate the slow evolution, and anticipation, as the novel itself, or series of novels takes shape, from outline, through evolution, to some future state, not yet quite known.

     

    In conclusion, following is my actual list, in order read, perhaps an occasional comment, but for the most part not.

    Elizabeth Kostova — The Swan Thieves.  I actually enjoyed this a great deal, beautiful writing about art, slightly less successful as a novel.

    Rachel Cusk — Outline.

    Nujeen Mustafa — Nujeen: One Girl's Incredible Journey…..

    Clare-Louise Bennett — Pond.

    Adam Johnson — The Orphan Master's Son

    George R.R. Martin — Game of Thrones

    Stephen King — Mr. Mercedes

    Jimin Han — A Small Revolution

    Rachel Cusk — Transit

     

     

  • Camp Grandma..

    For the first time in weeks I feel like my brain is starting to fire on all cylinders again, although there are some lags and sluggish moments.  I have not quite caught up on sleep, and I am still too busy to completely unwind, but at least I am no longer packing, no longer feeling quite like I'm backed up against a wall.

     

    I thought I'd entertain you with a couple of photos from Camp Grandma, which happened two weeks ago (in the middle of all that packing).  Owen and I stayed in a hotel downtown one weekend, while his parents went off on their own adventures.  I could have stayed home amidst the boxes, but frankly thought a hotel would be more relaxing and more fun. 

     

    Friday night was Grandma's choice, as I had symphony tickets.  I had promised Owen popcorn during the concert, but I don't think there was any popcorn that evening.  Some kind of sour candies were a suitable alternative.  But before dinner we went to Nama Sushi for dinner.  Owen devoured his calamari salad and made good headway with my sashimi platter as well, which was good because I needed the help.  We shared thoughts about comparative flavors of the different fish, which was a little more briny, the surprising sweetness on the tongue of certain species, and O was better at remembering which was which than I was.  Dinner was followed by the symphony, and Owen had thoughtful comments about the Chopin and the pianist's technique.  I agreed with all that but was also amazed because I think I would have struggled more with sitting through 40 minutes of Chopin when I was his age.

    Storm downtown

    The highlight of the evening however was watching the rain and thunderstorm and the downtown lights through the hotel window. 

     

    Bungee1

    Saturday was Owen's day, and since it rained a good bit we got to do fun hotel things like order room service and watch too much tv.  We took Tikka for a walk, went out for burgers for lunch, wandered around the Rossini Festival, put on every year by the Knoxville Opera, where we got to listen to more music and engage in all kinds of fun activities. This was one of the advantages of already being downtown.  We were there when the rain stopped, and if we'd had to load ourselves into a car and drive, we probably wouldn't have made it.  We were in the movie theater watching Boss Baby when the afternoon floodgates opened however and we did have to make a mad dash from portico to awning to covered walkway before finally making it back to our hotel looking like drowned rats and doubled over with laughter.

    Bungee2

    It was a fun weekend, relaxing and worth the time.  Even if it meant once again packing up until the last possible minute, I'd do it again.

  • Transition Time

    Yesterday was moving day.  I posted this photo to facebook; in fact, I posted it twice although that was accidental.  It was taken just before the first truckload left my old house and went to my new house:

    Moving Out

     

    I don't believe I realized yet how tired I actually was, as I had probably been running on adrenaline for a week or more, that panicked surge compensating for lack of sleep, and sometimes overcompensating and keeping me from sleep when I desperately needed it. Today all my worldly goods, or most of them at least, are at the new house, piled high to the rafters in one room.  Tikka and I, and a few belongings, are in temporary housing near my new neighborhood as the new house is not quite ready for occupancy.  Tikka is calmer than she was last week, but still clingy, and the exhaustion of the past couple of weeks has caught up with me.  I slept 10 hours last night, and although there are things I need to do today, I could easily sleep another 10, or more.  Today, the exhaustion shows in the deep circles under my eyes, in the way the full weight of my 58 years, and the stress of moving show on my face, in my aching knees and hips, the bruises on  my wrists from lifting and hauling boxes.  Today I am tired, but today I am also content.

      Rose

    Two more days and I will walk away from the old house forever.  I loved my neighborhood, loved my neighbors, loved my garden.  But this is the last photo of that house.  There are only a few small tasks to be accomplished before I step fully into transition time, the space between houses, the time in which my only ambition is to have no ambitions. It is a good place to be, and I am privileged to be able to enjoy the opportunity.

     

    (this post was posted twice because I accidentally deleted the photo of the rose from the old house from the fist posting).

     

  • Between Spaces: random mutterings on leaving one place for another

    I have not disappeared from the face of the earth, but it seems that my words have indeed occasionally disappeared into the bowels of boxes and the rigors of moving.  I would be lying if I did not admit to being occasionally overwhelmed and most certainly overextended.  My brain is full, and if I have not completely shirked the responsibilities of life lived outside the confines of these two houses, I've come terribly close on occasion.  I can confess that there have been desperate evenings when I stay up late packing in panicked desperation, thinking I will never finish, and also mornings when I awake with a start, remembering tasks left undone (despite lists) and all my good intentions.  For the first time in a long time I can honestly say I cannot conceive of taking on anything else right now.  I have no room, no energy, no ideas, no words

     

    And yet, all this is not as bad as it sounds even though this move is both harder and easier than any of my previous moves.  My current (old) house has sold and we close at the end of next week.  For all practical purposes, this house is no longer my house, although I will occupy it for a few more days. The truth is that it hasn't been my house for a long time now, since I bought the new house, even though work is still progressing there, and I cannot yet move in.  This space is simply a space I occupy for a short time, the passing of which is marked with each new box, each empty room.  I had thought this process of packing up and letting go would be unsettling, as it was  when we moved from New York to Tennessee, but the circumstances are different now.  This time around, the emptier the house becomes the happier I feel, like I am letting a bird free to fly off on its own and leave me behind.  It is no longer my house, no longer my yard, no longer mine. And as for me, I am no longer tied to this space, tied to this past; I too am free.

     

    Another thing I hadn't imagined:  As I pack, letting go of things becomes easy, as if I am shedding layers of dried-up skin that no longer serve any purpose.  I am clearing out remnants of past lives, things that are no longer relavant to my life, things that are chains to the past, to something long gone, pulling me backward rather than allowing me to reach forward.  The process has made me ponder the way we tend to define ourselves by the circumstances of our life, by the idea of what we are, as opposed to who we are.  Who we are, our true inner selves, adapts to the what of our circumstances, but those circumstances don't define us unless we refuse to adapt, refuse to let go.  Not that letting go is necessarily easy, it is not, and of course there are bound to be missteps along the way, but those missteps don't define us either unless we use them as chains.  

     

    I see this old house with new eyes and I marvel at its charms.  My neighbors are right, it is a lovely house.  Were I starting over today I would furnish and arrange it completely differently from the way it was, not only from the way it was when we moved in, but the way it was before I started packing.  I see far more clearly how liminal in its own way this space was for me, and I see that, as lovely as I see that this house is, I am not and would not be, the buyer of this house.  It is no longer my house.

     

    A long time ago, when I was still a girl, my maternal grandfather passed on two bits of wisdom that have stuck with me, although at the time I perhaps dismissed them, not recognizing their true worth.  One of those nuggets went something along the lines of "if you can't afford to lose it, you can't afford to own it".  Being young and foolish, owning nothing but wanting everything, I thought that was just completely unrealistic.  Now I know better, and see great wisdom in that advice.  It is great advice from a financial standpoint, in terms of not living beyond one's means, but it is great on other levels  as well.  If you own it, or make it, or create it but can't let it go, it owns you and you are not free.  If you can't afford to let it go, you can't afford it in the first place.  For my grandfather, who literally worked his way up from nothing, I'm certain this wisdom was hard-earned, and I'm sure he struggled, even though he lived a fairly modest life, for he was just as prone to hoarding something as any of us.  It is easy to learn to let go when one is surrounded by abundance, much harder when our things mark our rise — out of physical poverty, out of emotional poverty, out of lack or emptiness of any sort.

     

    Yes, I made a house that I feel is beautiful.  I hadn't, in fact, realized that this idea of creating beauty was so elemental to my own emotional self; it is something I perhaps neglected for far too long.   Even so, as much as the new owners may find my old house beautiful, they will undoubtedly change it again to make it fit their lives, just as I am already changing my new house.  My neighbors sit on my back patio and ask me how I could leave, and my only answer is how can I not?  It is, quite simply, time to go, time to let go.  The house is fresh and ready for its new owners.  I have enjoyed this space.  I have enjoyed my beautiful flowers, my patio, the space created here, and yet I am ready for whatever comes next.

  • Five Things Friday

    1. It seems my mind has been too fragmented to write regularly, at least here, and I accept that it may be so for some time.  It is not actually a matter of discipline because I do sit and write each day; or perhaps it is a matter of forcing myself into disciplined focus.  And yet, I am content to let things slip by, unremarked, without analysis.  I am sure this will change in time but for now this transitional time is both a time of discovery and a time of letting life slide past, a floating perhaps, and perhaps something will come of it in time. 

    Tulip1

    2. More small tulips are blooming.  I love their petit blossoms, and the slowly evolving scattering of blossoms is like an extended goodbye.  I don't really plan on taking any plants with me from this house to the next one.  I did, with few small exceptions, take care not to plant anything too unusual, or which I would feel attached.  Besides, I do feel strongly that this garden is itself meant to be here, it is not mine to take.  This was simply my contribution to this space.  Whether anything will last, or be changed is beyond me, but I am content.

    Tulip2

    3.  I have just finished reading Pond by Claire-Louise Bennett.  There were passages that were quite beautiful, and at least one small segment I found moving, but I haven't really figured out whether the book simply did not resonate with me, or perhaps it was more that I did not resonate with it.  Perhaps it is simply that the fragments of my life at the moment and the fragments which made up the book were in opposition, with the book feeling far too insular.  It is certainly odd that I would think that, as I am a master of insular over-thinking.  But there it is. It is also possible that my own struggle with the book has had an effect on my own lack of writing, my discomfiture with the book amplifying my dissatisfaction with my own writing and therefore creating the aforementioned inability to blog.  Or perhaps I am just too scattered to pay attention to such detailed, and admittedly at times profound, focus on the mundanities of the every day.  As I stated, there were passages of great beauty, and Bennett does have the ability to capture and transform stream-of-thought musings into something more poetic than most of us probably manage on a daily basis.

      Yellow

    4. Have you watched the Netflix series Chef's Table?  I just recently discovered it, and have watched season one and half of season two over the last month or so.  It is not something I want to watch quickly.  I want to watch and savor and occasionally watch certain episodes again.  Yes it is about fancy food in fancy restaurants, and although I have eaten in some of these restaurants I may never do so again, and I am content.  I yearn for something simpler now, but at the same time, I find the stories moving, especially the way the chefs speak about the elements of their cuisine, the food itself, and its connection to both the earth that nourishes, and the community of people who are dining.  They practice both an elevated and an elemental simplicity.  Never think that simplicity is easy. Listening to these chef's speak I am reminded of how we are each connected to this earth, and how each item and each moment is connected and precious.  I am reminded of the joy of cooking and why I love to cook, even in my simple and rather crude way.  I am reminded of the pure gift of sharing food with other people, of the bounty of this earth.  I am also reminded also of how disconnected most of us, at least those of us in Western Industrial Societies, are from the actual world we live in, the food we eat, and the cycle of life that nourishes us.  The series makes me want to cook, even a simple burger, but to pay attention, and it makes me want to work in the garden, to take time to smell the dirt and notice the new leaves, and think about my place in this world.  A stretch perhaps but what does art do but cause us to stretch?

     

    BigEars

    5..  It is Big Ears time once again in Knoxville.  I will not be attending as much this year as I have in the past couple of years, not because there is less to hear, but simply because there are too many things to do elsewhere.  But I will still go, and already my heart and brain are overflowing with music.  For me, the magic started last night with the Knoxville Jazz Orchestra playing with Carla Bley.  From the moment I walked in, and I did miss the beginning, the music carried me away.  I was reminded of the way music focus and transforms us, and ties into the essential spirit and eternal motion of life.  The music is all around us every day, in the sound of the wind, even of the grass growing, but we are usually too distracted to notice.  In music however, we reconnect to something elemental, an eternal prayer of sorts, that has the power to take us beyond ourselves, connect us to the universe, and even bring us back home, safely into where we most need to be.

     

     

     

  • Life Interrupted

    Interrupted1

    I found myself back at the Knoxville Museum of Art the other day, once again spending time with the Jered Sprecher exhibit.  I adore this set of 8 paintings and the space they create, a multi-layered space where one can reflect on the passage of time, memory, technology, and how our lives seem to blend together seamlessly but are in truth made up of many random elements seemingly all kind of mashed together but actually layered and filtered by our experiences and our connections.

     

    Or perhaps I am just more inclined to notice the liminal spaces of life right at the moment seing as my own life seems to be buffeted about by forces outside myself, even if those forces were set in motion by my own actions.  The truth is I did not anticipate how chaotic life would be with my house on the market, although I probably should have known better.  An oversight.  But then, I wonder how many new ventures we would undertake if we actually clearly anticipated the toll and turmoil involved in reaching our goal. 

    Interrupted2

    My experience with the Hyde Park house was completely different – even though we were living in the house, even though we were packing to move – but the situation was different as well; the area had not yet recovered from the housing crash of 2008, and we had few showings.  I deliberately set the price of this house competitively, wanting to sell quickly, but was still surprised at the amount of interest.  I'm not complaining mind you, but I am still, at times barely maintaining my equilibrium. 

     

    And yet, despite the disruption, despite the fact that very little is routine at the moment, despite the fact that my life is, in fact completely interrupted while at the same time going full tilt with several new projects in the works, I am finding that this time of exhaustion and chaos is also a time of great creativity. My mind is experiencing an explosion of creative expression, with ideas for garment sewing, for embroidery and fiber creations that border more on art than the kind of practical things I have been dabbling with in the recent past, and I have been writing and sketching and trying to capture fragments of imagination.  I didn't realize how much my space, the space that was our space, the space that was always meant for a specific thing, was not my space.  I didn't realize any of this until I was not only ready, but actually willing, to let go. The freedom of chains unbound is exhilarating, even if the chains were invisible, so invisible that I had perhaps grown complacent and forgotten they were there.

     

    Nothing is going to happen quickly.  And yet everything is changing incredibly rapidly.  Roughly five weeks until I must be out of one house; roughly eight weeks until I am into another. Multiple and overlapping timelines.   Have you ever noticed how change seems to barge in like a March wind, stripping away our self-satisfied sense of comfort, piling disruption atop discomfort, and yet bringing with it new joys, new blossoms?  Do we fool ourselves that we want security and comfort, when that is really death? When you look at human history, our shared nature is change; our shared nature is the struggle between the desire for security and the need for change.  Do we push on or do we hunker down? When we finally chose to push through the barriers, be they our own internal biases or worldly constructs, we are following the path  nature itself has set for us; creating something new.

    Tulipa

     

     paintings by Jered Sprecher.  All photos by me.

     

  • The Moment

    Flower

    A couple of days ago, before the current cold snap, I was out with Tikka for our usual morning walk when I noticed some small blue wildflowers.  Each one was tiny and perfect.  Each one was tiny and perfect and fleeting, a perfect moment in the cycle of life. 

     

    As I stood there waiting for Tikka and meditating on the flower, it struck me that what if the flower is the perfect expression of life, the entire cycle of existence captured in a moment — perfect, beautiful, fragile, but essential.  The flower is the moment, is life, is the most perfect and beautiful moment of life.  Each of us is the flower, each and every one, perfect, beautiful, fragile, and yet oh so precious and oh so necessary. 

     

    How does this change how I approach my own life?  How does it change the way I view the lives of others?

  • Thoughts On A Saturday Morning

    Las night I sat and knitted, contented in this place of safety, this place that is still my home even though it is now just a temporary place.  The photographer was here, the real estate listing will be live early next week, and I, at last, was able to settle contentedly into some handwork.  I've not been particularly observant lately, nor had time to really reflect, which I suppose means I have also had little time to overthink and worry ideas to death.  Work also starts on the new house next week.  I just need to watch and wait, and keep moving forward. At last I have time to slow back into myself.

     

    I've been reading Outline by Rachel Cusk.  In one sense it is odd I picked it up, as I was not immensely happy with her previous novels, but I am glad I did.  I am reading the book slowly, as it reveals itself slowly, and I pause to admire beautiful passages or passages that simply lead me down my own meandering mental paths.  Following is one such passage, one that I copied out earlier in the week.

     

    When I think back to the time before, … it seems as if  (we) looked at the world through a long lens of preconception, by which we held ourselves at some unbreachable distance from what was around us, a distance that constituted a kind of safety but also created a space for illusion.  We never, I think, discovered the true nature of the things we saw, any more than we were ever in danger of being affected by them; we peered at them, at people and places, like people on a ship peer at the passing mainland, and should we have seen them in any kind of trouble, or they us, there would have been nothing whatever either one of us could have done about it.

     

    I've left out a few words to suit my own purposes, as I think this applies to so much of the early part of our adult lives, when we are building our place in the world.  If we are lucky we begin to open up and throw off our blinders, to grow in grace.  Feel free to discuss..

     

  • The Slow Shift Forward

    The curtains came down yesterday in the house I currently live in, but which I now, refer to as my old house.  Tomorrow the photographer comes, after which, I am officially but a caretaker.

     

    And this is a true thing, that the house I currently live in is my old house.  I'm not in my new house yet.  And so the process of transition continues to move purposefully forward, and occasionally backwards, catching me by surprise.   I live here and yet I don't.   Last week furniture was removed from the old house, but the curtains remained, leaving the house feeling somewhat unbalanced, the comforts of material wealth at odds with the increasing minimalist sparseness.

    Planters

    The heavy planters which had previously flanked my garage doors were also moved, and they have found a new home here in the entryway to the new house.  In fact they may be slightly large for the space, although that is not particularly evident in this photo. Seeing them here I am reminded of my first visit to the this house, before I knew I would buy it, or perhaps some part of me knew, when I said to myself something along the lines of "my planters will look good on this porch".

     

    But I digress.

     

    Yesterday the curtains came down and the old house assumed a state of minimalist balance.  I too felt balanced and settled.  This was in contrast to my feelings over the weekend, when I had felt more at odds with my space.  My sanctuary had been invaded. Worse, I had been the perpetrator of the crime.  I felt aimless and occasionally teary-eyed, not due to regret really, more likely due to some sense of being partially uprooted, neither here nor there.  I'm sure it was mostly that I was over-tired,  and although my efficient, intellectual side was happy ticking off boxes, I had not allowed enough time for my emotions to catch up.   Today, with both furniture and curtains gone, it seems the undoing is complete and a sense of balance has returned –  my pieces but in a more minimalist setting. 

     

    This is something else that surprised me, the importance of my own sense of balance in the space.   Today, as I look around the old house, the same house that made me teary with loss on Saturday, I can say, quite honestly, that this was never my house.  I made it something nice, and now it is time to let it go.

    Fire

    These camellias are blooming at the new house.  The fire columns have been temporarily been relocated onto this patio, although I'm not convinced this will be their final position.  For now they are safe and out of the way until after the process of moving is complete.  I've brought a table over as well, and a couple of chairs,  so I can sit here on a sunny afternoon and enjoy the exuberance of blossoms in this space that is rapidly becoming my new sanctuary,

     

     

  • February Books

    It seems that 2017 has been the year of reading, although I read only two books the later half of February, and one of those was an extremely short, and easy read.  It has struck me that although I have read more than in the recent past, my inclination to write about what I am reading, to review something and make a statement about whether it is I good or not, or even to propose an argument over why it mattered to me,  seems superfluous, a waste of time.  That doesn't mean I shouldn't share things that touch my life or thoughts, but in this I've been remiss.  Obviously I'm still sorting out meanings and motives and directions.  In fact, I seem to have entered the time of sorting, on multiple levels at that.

     

    So here, in yet another collage that has nothing to do with the order read, are the books I read in February, perhaps accompanied by a note or a link:

     

    Februarybooks

     

    Books I read and gave away:

    Insurgent Mexico by John Reed

    Ten Days that Shook the World by John Reed

    Why Kids Lie by Paul Ekman.  Started years ago and stopped because I was bored to tears.  Started again just to clear out the stacks.  Some good points, but still boring.

    Einstein: His Life and Universe, by Walter Isaacson.  Actually excellent and I enjoyed it.  But I won't read it again or probably refer back to it. With two major biographies in two months, my biographical tolerances have hit the ceiling.

    Joining God, Remaking Church, Changing the World by Alan Roxburgh.

     

    A Book I Disliked:

    The Wonder by Emma Donohue.

     

    Books that are (still) on my shelves:

    I Capture the Castle by Dodie Smith

    The Case Against Sugar by Gary Taubes

    And Every Morning the Way Home Gets Longer by Fredrik Backman. Short, probably simplistic, but it captures something that reminds me of George, Stella in her wanderings through dementia, and others I've had the privilege to know.

      

     Everything Else:

    32 Yolks by Eric Ripert

    Rules of Civility by Amor Towles.  Although I am embarrassed, I will admit that it took me half the novel to realize that my vague feelings of familiarity with this novel were indeed because I had read it before. Enjoyable, but apparently forgettable.

    The Color of Lightening by Paulette Jiles.

    Lost in Translation by Nicole Mones.